Yoshimichi Fujimoto (1919-1992) Aka-e Chawan with floral design.
The mark of the artist is painted on base.

With milky white background, the overglaze enamels of flower patterns drawn with a relaxed brush stroke depicting vivid colors, for which Yoshimichi Fujimoto was awarded with Living National Treasure title.

Size
Diameter 10.5cm
Height 6cm


Condition
Very good...

The ultimate in crusty, a radical charred vessel by Kanzaki Shiho enclosed in the original signed wooden box titled Iga Hanaire. Two sides are completely blackened and coated in Koge-charring. Opposite the darkness gives way to tombo-no-me (Dragonfly eyes) with thick encrustations around the base, a stream of yellow cascading down one clefted face. It is 21.5 cm (8-1/2 inches) tall and in excellent condition...

Momoyama period (1568-1600) Ko Karatsu Sake Cup with beautiful greenish glaze...

Antique Japanese ceramic figure of the famous monk, Bodhidharma. Well known for his intense demeanor, Bodhidharma (Daruma) stands with fly wisk in hand, his signature red monk's robes draped around him. Daruma figures represent perseverance and are believed to bring good fortune. This figure is decorated with polychromatic glazes and painted details.

Dimensions: 17 1/2" high x 7" wide x 5 1/2" deep

Mastery of the Oribe genre is apparent in this Chawan by Yamada Kazu which comes enclosed in the original signed wooden box titled Kuro-Oribe Chawan. It is 13 cm (just over 5 inches) diameter, 9 cm (3-1/2 inches) tall and in excellent condition.
Yamada Kazu was born in Tokoname city in 1954, one of Japans ancient kiln areas, into a line of potters. He would have been influenced early on by his father, Yamada Kenkichi and uncle living National Treasure Yamada Jozan...

A small flaring sake cup by Fukami Sueharu enclosed in the original signed wooden box titled Seihakuji Guinomi. It is 7.7 cm (3 inches) diameter and in perfect condition.
Fukami Sueharu is synonymous with seihakuji celadon. He has been displayed numerous times at the prestigious Nitten, Nihon Togei Ten (National Japanese Ceramic Exhibition) and Nihon Gendai Kogei Ten (National Japanese Modern Crafts Exhibition) among others. He is held in the Yale University Museum among others...

An exquisite Edo period incense burner, the fine red clay covered in running bamboo glaze from the kilns of Takatori on the southern Island of Kyushu wrapped in a silk pouch and enclosed in a period Kiri-wood box. The lid is solid silver pierced with roiling fronds. It is 7.5 cm diameter, 7 cm tall excluding the silver lid, and in excellent condition.
Takatori-yaki, is a traditional style of Japanese pottery that originated in the early 17th century...

A rare large work blasted with natural ash glaze by Koyama Kiyoko enclosed in the original signed wooden box titled Shigaraki Shizen-yu Kama-shizuku O-Tsubo. The rim is crusty and shows Shinshoku (degradation from the flame) a testament to her infamously long firing times. The front is coated in a flow of green and olive ash, while on the raw earth of the back a single drip (shizuku) from the kiln roof has landed as a colorful accent...

A voluminous Tsubo decorated with autumn grasses scored into the clay with a gold moon rising up behind on the tarnished silver glaze, a spectacular combination by veteran Karatsu potter Nakazato Yoshitaka enclosed in the original signed wooden box titled Ginsai Tataki Tsubo. It is 33.5 cm (13 inches) diameter and in excellent condition. Nakazato Yoshitaka was born in 1958, a descendant of the famous Nakazato Tarouemon family of Karatsu...

The size of Shigaraki Vase: 13 3/4" High x 9 5/8" Dia 350 mm x 245 mm
This is very old and rare Japanese Shigaraki Vase from Early Edo (Edo Zenki) 17th Century. Please see the history of Shigaraki and what is Shigaraki at separate paragraph. The condition of Vase, please note there are two Kizu (damage spot) at the top rim area as photo showing.The lower body of line indentation is Hera (spatula) marking.and Kama kizu (kiln flaw). Otherwise great shape for the age from 17th century...

A classic angular silhouette in vivid Oribe coloration pierced by a jagged handle by Takauchi Shugo enclosed in the original signed wooden box titled Oribe Te-oke. This artist does have a surprisingly wide range, and this piece certainly proves that. Adept at Shino, Oribe, Mashiko styles and others, he is a tough one to nail down and even more difficult to acquire, his pieces proving very popular at exhibition. This is a rare opportunity to acquire one of his masterpieces...

Carved Stoneware Demon Bowl made by internationally acknowledged muralist Fujiwara Ikuzo (b. 1946).

Size
Height 10cm
Width 15cm

In excellent condition
Supplied with signed wooden box and leaflet.

Born in Osaka, Ikuzo Fujiwara completed his education in the Japanese Painting department at Tokyo University of the Arts in 1970. He had the privilege of studying under Kawai Tadashi in Kyoto...

Oribe Style Dish by renowned Koie Ryoji (1938-2020)

Size
Width 23.2cm
Height 6cm

In excellent condition
Supplied with signed wooden box

Koie Ryoji
Born in the historic city of Tokoname, Japan, in 1938, Koie Ryoji emerged as a prominent figure in the world of ceramics. Tokoname, renowned for its rich ceramic heritage, served as an ideal backdrop for Koie's artistic journey. After completing his local ceramic studies, Koie embarked on an indep...

Remarkable Shino sake cup featuring exquisite glazing made by Mino legend Ando Hidetake.

Size
Height 4.6cm
Width 6.2cm

Condition
Unused
Supplied with signed box

Ando Hidetake, born in 1938, hails from the esteemed Mino pottery family of Gifu prefecture. In 1960, he embarked on a remarkable journey as an apprentice under the guidance of Kato Tokuro. Throughout his career, he garnered widespread recognition for his exceptional skills in Shino po...

An historically important work by Furutani Hiromu (Churoku I) from the initial firing of their newly established Nobori-gama climbing kiln in 1974. This type of work is called Hatsugama, or first from the kiln. It is the only piece in the show from the climbing kiln (which has not been fired in over 20 years) and the earliest piece in the show as well. It is 32 x 8 x 35 cm (13 x 3 x 14 inches) and in excellent condition, directly from the family.
Furutani Taketoshi was born the son of ...

A cylinder has been removed from this cylindrical vase, quite a striking shape by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Ohen Ichirin Hanaire. The hollow created has filled with a heavy deposit of ash with fingers of color reaching out from the dark interior wrapping around the vessel to the red eyelets. The top too is heavily coated in glistening molten ash in grays and greens, olives and ochers. It is 12.5 cm (5 inches) diameter, 21 cm (just...

The fire is still alive on this striking Shigaraki Tsubo by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Yohen Tsubo. Yohen, literally translated Kiln-altered, is a word for the unexpected results, or fortuitous accidents of firing. In this case, they are likely speaking of the unusual coloration of the running ash wrapping around the blackened surface. Kiln effects are what this family is known for, and this does not disappoint. It is 27.5 x 27.5...

Kyoto ceramic statuette of Guanyin. The clay is not earthenware, but rather stoneware fired at low temperature. An enamel decoration, applied to a cracked glaze, covers the entire statuette. The rock-base is enamelled in green and blue, stained with gold. The dress of the deity is enamelled with stylized flowers and scrolls in blue, green and red, but the whole is dominated by gold. This statuette is of excellent quality, elegant and rare. A large firing defect split the underside of the base in...