A spectacular orb hearkening to the Sputnick era created by Hasegawa Isamu and exhibited at the 11th Nitten in 1955, enclosed in the original signed wooden box. The circular form is cleft with two equal but opposite dimples, offering both a futuristic and archaic dimension. It is 38 cm (15 inches) Diameter and in excellent condition.
Due to size the cost of shipping will be accrued separately.
Hasegawa Isamu was born in 1925 in Kyoto, son of famed porcelain artist Hasegawa Hakuho...

A rare early form, the crawling Shino glaze covered in rich rust red with autumn grass in white silhouette by Mino pottery legend Suzuki Osamu (Kura) enclosed in the original wooden box signed on the side and titled Shino Hanaike on the lid. It is 26 cm (10-1/4 inches) tall and is in excellent condition.
Suzuki Osamu was born in Gifu prefecture in 1934, and graduated the Tajimi Technical School ceramics division in 1953...

Slightly tapered vase with horizontal ribs made of white stoneware, covered in a mottled glaze with cream and brown tones. On the front in white enamel and gold a winding, three-clawed dragon has been hand-painted. The back of the vase is flattened and there is a square opening towards the top of the vase, that allows an J-shaped hook to grab into it and hang it against the wall...

A true part of Kyoto modern ceramic history, this robust vase reminiscent of Okinawan Kaki-otoshi ware was created at the Kyoto 2nd Industrial School circa 1925. It comes in the original wooden box titled Black Glazed Vase with Flower Motif, and signed inside Kyoto Shiritsu Dai Ni Kogyo Gakko followed by a large red seal. It is 27 cm tall, 23 cm diameter and in excellent condition. The roots of the mingei movement, ravaging the Japanese ceramic world at the time, are clearly evident...

Large peach-shaped bowl decorated on in- and outside with a bold Rinpa design of flowering red, white and blue camellias and leaves. Over a cream-colored coarse stoneware a thin layer of cream-colored slip has been applied, on top of which overglaze blue, black, green, red, white enamels and gold.

On the outside in a white rectangular reserve with black outlines the signature Kenzan. Japan, 1950s.

In the style of Ogata Kenzan or Ogata Kenzan studio.

H 4; w 12 inches...

Japanese Stoneware Sake Bottle, Tokkuri, 1960, 10 3/4" high, 5 1/2"-widest area, 2" diameter-top rim, with unglazed panel in front with design and Kanji writings, small flake chip on the top rim.

Japanese Stoneware Sake Bottle, Tokkuri, 1960, 10" high, 5 1/4" wide-widest area, 2" diameter-top rim, with unglazed some faint writings in front, hairline crack start from bottom to side of the bottle, it is not loose, as is condition.

Japanese Stoneware Sake Bottle, Tokkuri, 13" high, Top area is damaged as is condition.

Japanese Brown Stoneware heavy Sake Bottle, Tokkuri, with Black Splash design on one side and wooden stopper, 14 1/2" high, 2 5/8" diameter-top rim, 9" wide-widest area, few flake chips on top rim.

Japanese Brown Stoneware Tokkuri, Sake Bottle, 1980, heavily potted stoneware and Black splash design on one side, small flake chips around the top rim.

Japanese Brown Stoneware Sake bottle, Tokkuri with old Cork stopper, 1980, 10" high, 1 3/8" diameter-top rim, 5 3/4" wide-widest area, glued top neck area, as is condition.

There is nothing superfluous in the work of Saito Hiroyuki, often described as “Muda no nai utsuwa” (Vessel without waste). Here is an exquisite tea bowl in muted silver and black with a texture which will make your hands want to dance. Like the creator, it is chic, with a simplicity of form which is timeless, and yet very much rooted in the world we live in today...

There is an understated elegance in the work of Saito Hiroyuki which is very difficult to describe, but blatantly apparent the moment one holds his work. This guinomi is expertly crafted, rough textured outside with a smooth rim leading to the dark inner “Ma” (emptiness), ready to be filled. It is 6.5 cm (2-1/2 inches) diameter, 5 cm (2 inches) tall and in excellent condition, directly from the artist...

This piece was fired in "Anagama" small kiln with red pine fire woods for 10 days and 2 times. Ancient Shigaraki works was made of clay that was consisted weathered granite, it has very high fire resistance, 1300 Celsius degrees. Ashes of red pine tree turned to green glass ,it is called "bi-doro" at high temperature, and fierce fire made spectacle scene on the surface. Sugimoto is famous for not only remaking old Shigaraki, Iga pieces but also an authority in tea ceremony pottery ware...

Signature Shunju colorful glaze decorates this expressive vessel by Murakoshi Takuma enclosed in the original signed wooden box titled Tobe! (Fly!). The wide piece is like a bird, wings spread wide as it sets to leap for the sky. He says that he made this shape specifically in memory of his wife, who loved flowers. It is 53 cm (21 inches) wide and in perfect condition, directly from the artist.
Murakoshi Takuma is one of those enigmas who simply lives to work with clay...

Thick white feldspathic glaze tinged with flickers of color covers this sake flask by Kato Kozo enclosed in the original signed wooden box titled Shino Tokkuri...

Beware, in this artists world the walls have ears and your sake cup is staring back at you. A striking work by Mizumoto Kayoko enclosed in the original signed wooden box titled Kujira Guinomi. As if the unblinking green eye were not enough, a silver thorn bursts from the surface on one side (or is it a devils horn, or Vikings come to call?). Sure to inspire conversation during a round of sake, the playful cup is 5.5 cm tall and in excellent condition.
Mizumoto Kayoko was born in Ishika...