A quintessential Mashiko work by important artist Hamada Shoji enclosed in a wooden box annotated by his son Shinsaku. It is 11-1/2 inches (29 cm) square. 7 cm (2-1/2 inches) tall and in excellent condition.
Hamada Shoji was born in Tokyo, and enrolled in the Tokyo Technical University at the age of 19. In 1918 he met the important British potter Bernard Leach, and the history of ceramic arts was forever changed...

Cup and saucer with decoration of pine trees and flowers in Imari colours and gilt. Japan, Arita c 1920, with mark for Aoki Brothers / Aoki Kyodai-Shokai. Diameter of saucer "5 ¾ / 14.3 cm, height of cup "1 ¾ / 4.5 cm. Condition: rim of cup with small glaze bubble.

A Yuteki Tenmoku Koro with wooden lid surmounted by a stone finial by Kimura Moriyasu enclosed in the original signed wooden box. It is 5 inches (12.5 cm) diameter and in excellent condition.
Kimura Moriyasu (b. 1935) studied pottery initially at the Kyoto Ceramics Research Facility (which turned out such masters as Hamada Shoji and Kawai Kanjiro) and then under his brother Kimura Morikazu. He is well known for his use of crawling and oil spot glazes...

A misshapen bowl excavated and assembled from several pieces using the kintsugi gold technique. Originally a kiln flaw, it was likely destroyed after creation, later to be excavated and assembled as was popular in the later Edo period. Misshapen,and with a large kutsuki on one side, it is 4 x 5 x 3 inches (10 x 12.5 x 8 cm) and comes in a wooden box.

An incredible organic form, the delicate petals appearing to waft in some tide by Shingu Sayaka enclosed in the original signed wooden box. A closed bud on the side is lined with hundreds of tiny sharp needles in black. It is 6 x 5 x 4 inches (15 x 13 x 10 cm) and in excellent condition.
Shingu Sayaka was born in Osaka, the industrial and commercial heartland of central Japan, in 1979...

A bizarre pottery mass of two tea bowls and a stand fused together after collapsing in the kiln some four hundred years ago. It is 17 x 13 x 11 cm (6-1/2 x 5 x 4-1/2 inches). There is something to be said here about best laid plans. All the potters craft and experience and yet nature intervenes, creating this vitrified sculpture for later generations to contemplate.

A rare okimono from the Kairakuen Kiln of the Tokugawa branch family dating from the early to mid 19th century. The box label attributes these to Eiraku (presumably Hozen, who was tasked with helping to further the ceramic production of the kiln). The rooster is roughly 7 inches tall the same in length (18 cm). Dating from the later Edo period, they come in an old wooden box with a cloth cover and are in excellent condition...

A charming pair of Japanese porcelain satsuma vases. The panels on each vase tell a story of ghosts and demons escaping from a woven basket. One vase shows a scene of court performers in a traditional lion dance, used to repel evil spirits. In another panel is a scene of kneeling courtesans with worrisome expression and a shrine maiden attempting to purify the area. The final panel shows a golden box, with a large clawed oni forcing the lid shut to trap the evil spirits within...

A Fine Large Japanese Imari Bowl, Meiji, 19th Century.

A fine and substantial Arita Imari rinka bowl. Six panels, inside and out, are alternatively decorated with ho-o birds and flowers.

The centre of the bowl depicts the shochikubai, the three friends of winter. A suggestion of breaking waves can also be observed to the left of the screens.

Approximately 24.5 cm diameter...

Small food dish for vegetables, relish etc. of round shape with small indentations in the rim. Thin, light colored stoneware, covered in cream-colored glaze with very fine crackle and pinkish brown swirls. In the bottom a highly stylized kotobuki character (longevity) in iron brown and three green glaze splashes on the rim. Glazes have left a few spots uncovered. Oribe ware, Japan, early Taisho era, 1920s.
H 2 x diam. 4-1/2 in.

Minimal traces of usage, fine condition.

Small serving dish of square, mokuzuke, of octagonal shape with two handles standing off the side. Thin light-colored stoneware covered with cream-colored glaze with fine crackle filled in the brown color from the foot to ¾ of the height. On top of the cream-colored glaze some iron-brown decorations of pine needle, plum blossom, cross hatch design and a mon-shaped design and a splash of green glaze with some blue in it. Inside a light textile structure impressed in the glaze...

A hirado ware porcelain figure of the mythical creature baku, the dream eater. This beast is a chimera with the features of an elephant, an ox, a rhinoceros and a tiger. The expert artist hand-carved every detail of the figure with fine lines, the flames and spines along its back carved in high relief. The glaring eyes are left bare with black pupils while the rest of its body is glazed white...

Japanese hirado ware porcelain figure of a puppy . The entire body is hand carved with realistic fur pattern, the body in white underglaze with the eyes left bare. The puppy's paws and toes are fully carved to the bottom of the piece, which is left bare from the white glaze. The bottom is pierced with an air hole from when it was originally fired in the kiln.

Meiji period (1868-1912)

Dimensions: 7 1/2" x 5 1/2" x 5" H

Japanese hirado ware porcelain figure of a tiger. With fully hand-carved fur pattern, whiskers, a wide grin with front fangs exposed. The tiger is glazed in white with the pupils of the eyes left buff. The four paws of the tiger have been hand-sculpted with the toes and claws on the bottom of the figure. The bottom and nostrils of the tiger are pierced through for air to escape during firing.

Published in:
"Hirado Ware, by C...

DESCRIPTION: Long acknowledged as masters of porcelain, the Chinese also excelled at pottery making. Qing Dynasty domestic pottery used regional clays and showed distinctive regional styles. This pottery, used for the storage of oil and other household goods, exhibited tremendous, quiet beauty as well as utility. Crafted of red clay and originating from Jiangxi Provence, this handsome wine jar with four looped handles and spout is an excellent example with its incised decorations in two-toned br...

Veins of green Kai-yu meander over the body of this spectacular example of Edo period Tamba Pottery capping rich red clay rising from an abrupt base. A few bubbles in the clay reveal character about the torso, the lip powerfully rendered over the shoulder, which slumps to one side like some haggard but still proud old soldier. Four looping handles (mimi) would allow the lid to be tied down. Between two a drip from the roof of the kiln has adhered to the clay forming a point of interest. Ret...

A dish by preeminent avant-garde artist Yagi Kazuo enclosed in the original signed wooden box titled Haku Ogi Kashizara dating from the 1960s. The plate is ribbed like the surface of a folding fan, thus the name. It is roughly 7 inches (17.5 cm) diameter and is in excellent condition.
Yagi Kazuo (1918-1979) was one of the most influential Avant Garde potters of 20th century Japan. He was born into the family of potter Yagi Isso, a noted specialist in fine Chinese and traditional Japane...

A spectacular work by Tsujimura Shiro enclosed in the original signed wooden box featuring a dark burn down one side, as if water has been pouring from the rim for centuries over the same place. The rough clay studded with inclusions and Shiseki is everything we have come to expect from this potter. The vase is 9 inches (23 cm) tall, 5 inches (12.5 cm) diameter and in excellent condition.
Tsujimura Shiro was born in Nara in 1947, and began his steps into the art world as an oil painter....