Japanese early 20th century earthenware teapot by SASAKI NIROKU. The wonderful teapot has a Chinese landscape design carved into the side. The teapot measures 5 1/4" wide, 4 3/4" tall and 5" deep.

Japanese late 20th to early 21st century ORIBE ware large tray by artist SATO KAZUJI. (1948 -) SATO KAZUJI studied with ceramicist, HAYASHI KOTARO, a SHINO ware artist, but both artist are MINO artist. In 1978 he started his own kiln in Gifu Prefecture working with SHINO and ORIBE ware. The tray comes with TOMOBAKO, or original artist signed wooden storage box. The tray measures 29 1/2" in wide, 18" deep and 2 1/2" tall. The tray sits on 4 large feet.

A delightful small tea bowl by one of the greatest potters of the 20th century, Kamoda Shoji, enclosed in a wooden box signed by his wife. Brown glaze is draped quietly across the rough dark clay, the contrast between simplicity and texture a pleasure to hold. It is 4 inches (10 cm) Diameter, 2-1/2 inches (6.5 cm) tall and in excellent condition.
Kamoda Shoji is without a doubt one of the most important and influential ceramic artists of the 20th century...

Rare Japanese kakiemon ware porcelain jar. Of a tapered melon shape, with circular floral enso motifs of bamboo, blossoming cherry branches, hydrangea, kiri leaves. The Imperial dragon and phoenix paired to represent the emperor and empress. With overglaze green, red, and blue on white bisque ground. The domed lid topped with karakusa (octopus vine) and kiri leaf pattern.

19th century

Dimensions : 7.5" W x 10" H

A striking black and orange striped vase in simplified ovoid form by Mukunoki Eizo enclosed in the original signed wooden box titled Kokusai Tsubo. This was purchased at a Mitsukoshi Exhibition. It is 8 inches (20 cm) tall and in excellent condition.
Mukunoki Eizo Born in Shimane, and graduated the prefectural ceramics research facility before he apprenticed under Kawai Kanjiro in 1958. He would stay with Kanjiro until the masters death in 1966...

A koro of rounded barrel shaped profile decorated with a repeating pattern of underglaze dragons, chilong, framed by rectangular shaped reserves constructed from c form scrolls set against a pine scale ground painted in aubergine, green and yellow enamels. The lip of the rim painted in blue and the interior of the rim painted with a diaper band...

Large and heavily potted porcelain body, decorated in an nice pale cobalt blue in Shunzui style and with medallions showing flying birds and wild gees, birds sitting on branches, sailboats and Fujiyama mountain. Japan, nineteenth century. Diameter: 42 cm. H : 33 cm. Condition: Broken at one area to the rim. This broken area would be absolutely suitable to ennoble the piece with a most beautiful Kintsugi repair ( Gold lacquer repair, please see the images ).

Five for silver… Six for gold… Seven for the secret….Suzuki Goro is counting crows surrounding the epitaph in the center of this Kuro-Shino Kataguchi bowl enclosed in the original signed wooden box. In the center we hear the words of Noguchi Ujo’s 1921 hit song “Karasu naze naku no? Karasu ha yama ni kawai nanatsu no ko ga aru kara yo…” (Why does the crow call? It calls for seven lovely children in the mountains…)...

The playful form of this pottery work by the ever lively Yangaihara Mutsuo seems to be overfull with joy, weeping out from the bottom to form a puddle below. It is enclosed in the original signed wooden box titled Kuro Oribe Choko and dated 1992. The vessel is 39 cm (16 inches) tall, 19 x 17 cm (7-1/2 x 7 inches) across the base and in excellent condition. This is a rare opportunity for one of the more greatly collected artists of recent years...

This is truly a great Meiji Era Japanese satsuma vase. Look very close at the images and notice the extraordinarily fine detailing in the scenery etc. This masterpiece stands just 3 5/8 inches tall. Signed Yabu Meizan and in nearly mint condition.

A tall beaker of bell form decorated in underglaze blue with a pair of auspicious Dragons each clasping a “tama” pearl above its head set against a lightening field with auspicious ruyi form clouds supporting respectively artemesin leaves on which are a pair of scrolls bound by ribbons and a flaming pearl. The design has been adapted from a Chinese precedent of the sixteenth century but with a Japanese twist to the design...

A tall beaker of bell form decorated in underglaze blue with a pair of auspicious Dragons each clasping a “tama” pearl above its head set against a lightening field with auspicious ruyi form clouds supporting respectively artemesin leaves on which are a pair of scrolls bound by ribbons and a flaming pearl. The design has been adapted from a Chinese precedent of the sixteenth century but with a Japanese twist to the design...

A similar pair of dishes to EW 3037 but without the additional gilding and iron red decoration. Designs featuring Karako were popular both in China and Japan at this period they were both symbolic of joy and a wish for children, kodakara; the treasure that is children...

A pair of Arita dishes moulded in so-called suhama form; a stylised interpretation of a wave washed beach often associated with the Isles of the Immortals. Painted in underglaze blue with a group of five auspicious karako, Chinese Boys, bound together with a ribbon or rope; symbols of joy and a wish for offspring. In addition a Chinese style Fan and a Double gourd are painted in iron red and gilt to complete the design...

A pair of a very well painted Kutani porcelain sake bottles painted in “Kenjo Imari” style painted with gilt karakusa to the neck with various marumon, a band of diaper to the shoulder, and further aka-e dama, and stylised karahasna-mon. to the body of the bottle. The vases are thinly potted and wreathing to the interior of the neck suggests that they were originally thrown in two parts...

A striking large Tsubo in silvered Bizen ware by innovative Bizen artist Matsui Tomoyuki enclosed in the original signed wooden box titled Bizen Ginsai Tsubo and dating circa 1990. It exhibits all the features of great Bizen, the smooth clay struck with flashes of darker color. The sense is that of seeing a Bizen Tsubo in an old tintype photograph, a most unique approach. It is 10-1/2 inches (27 cm) diameter, 12 inches (30 cm) tall and in excellent condition...

Used for ceremonial purposes by the Xia, Shang, and Zhou dynasties. Traditionally, the jue vessel was made of bronze with a pouring spout on either end and a pair of capped posts rising from the rim. This ceramic jue cup is done in fine porcelain with underglaze enamel and is described on the tomobako as being a jue-shaped incense burner (korou)...

Brown banko ware teapot, Japan, late Meiji / early Showa. Unglazed, with the exception of the rim and the top of the handle hooks, some gilt to the molded decoration of a dragon and a lion dog. All handmade, with thumb marks to base and rim of lid. Height including lid "4 ½ / 11.5 cm. Condition: no bamboo handle, otherwise fine.