A large white Tea Bowl by Kashima Aya enclosed in the original signed wooden box. The technique is deceptively complex. In fact, the initial form is created, then a thin layer of ceramic is made separately, dried, then cracked, and the individual pieces are applied like mosaic to the prepared form. The space in between the tiles is then abraded, the tiles glazed with color and the space n between glazed with iron. Each piece requires a great amount of painstaking dedication to complete...

1900's Japanese Fukagawa Bowl with Iris Flowers & Koi Fish Marked

It is 8.67 inches (22 cm) tall by 15.5 inches (39.4 cm) wide. It is 14.7 Lb.

It has mild skip glazes and surface wears and scratches (as seen in the photos).

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Height: 12.5 cm (5 in)
Width: 8.5 cm (3.4 in)
Depth: 6 cm (2.4 in)

Japanese Gosu Blue Satsuma figure of a boy holding a fan; decorated with polychromed chrysanthemums and other florals; signed, including the impressed mark of Kizan on the base

Width: 21.3 cm (8.7 in)
Height: 3.8 cm (1.5 in)

Fine Japanese Satsuma dish by Fuzan; decorated with the finest of gilt and polychromed millefiori work; edged by a gilded Greek hatched border; good condition

Height without handle: 6.6 cm (2.6 in)
Length: 7.5 cm (3 in)
Width: 7.3 cm (2.9 in)

Fine Japanese Satsuma miniature teapot by Kinkozan; two fine panels of individuals in domestic settings surrounded by very fine gilt and stippled flowers over a deep green ground; signed Kinkozan under the lid; restored spout

An unusual Edo period Oribe serving bowl, the color filled crackled glaze decorated with scrolling lines in iron and splashes of copper green. Both inside and out hash mars denote a bamboo fence with blossoms in the fore. A handle and raised architectural elements around the rim and rising to the mouth echo some western influence, possibly indicating original Christian use. It comes resting on a silk pillow in a age-blackened wooden box titled Oribe Katakuchi...

Namako mottled dark blue glaze covers the fractured surface of this guinomi sake cup by Kashima Aya enclosed in the original signed wooden box. The technique is deceptively complex. In fact the initial form is created, then a thin layer of ceramic is made separately, dried, then cracked, and the individual pieces are applied like mosaic to the prepared form. Each the space in between the tiles is then abraded, the tiles glazed with color and the space n between glazed with iron...

A large sculpture of interlaced coils containing a glistening membrane by Got Miho enclosed in the original signed wooden box from her Heartbeat of the Skin series. It is 14 x 35 x 15 cm (roughly 5-1/2 x 14 x 6 inches) and is in excellent condition, directly from the artist. When prompted about her message she said: I feel that there is something vaguely present that is never visible in my everyday life...

Stunning modern Kutani ceramic vase, Ca. 1980 from one of the contemporary masters of Kutani ware, Akira Sato. Born ca. 1946, he has won numerous prizes, including the first prize at the Kutani Yaki Craft Exhibition in 1985. With signed original box titled, "Iro Kaki" colorful flower vase. 18cm in diameter x 23cm tall. Ask for shipping quote.

A small object like bound chords in raw white porcelain clay by Goto Miho accompanied by the original signed wooden box titled Heartbeat of the Skin. The looping object bound tightly in the center stirs mixed emotions, both reminiscent of bondage as well as the celebratory twisted rope talismans displayed at New years and in front of holy places...

Plums blossom red on the dark surface of this traditionally shaped Mizusashi bearing the rare Ubagamochi Stamp impressed into the clay of the base. It is 18 cm diameter, 15 cm tall, and comes in an old custom made collectors kiri-wood box labeled Ubagamochi Mimitsuki Mizusashi...

My favorite piece by this unique artist, a tall slab form vase wearing a sash of random words scrawled like some ancient graffiti riddle by Shigemori Yoko enclosed in a wooden box titled April Fool. This dates from early in her career, late 70s to early 80s...

Very beautiful and rare large porcelain bowl with polychrome enamels with very finely made decorations of birds, florals and mountains, Fuji... The quality of production is remarkable and characteristic of Kyoto pieces where the decorations are made by the greatest craftsmen Satsuma vases in particular are the most sought after. This large cup has an unidentifiable stamp under the base. Diameter: 27,5cm height: 19cm.

Very decorative dish decorated in underglaze blue and polychrome enamels in the style of kakiemon palette of rocks and flowers on the front and dragons on the reverse. Period: 19th century. Diameter : 31,5 cm.

Very refined earthenware vase, from the Satsuma kilns, with polychrome enamels, presents a decoration of courtesans (bijin) and a child under a flowering tree with on one side, in the background, a cottage at the foot of a hill. At the base of the collar, the shoulder is covered with chrysanthemum flowers. A barely legible mark under the base in a red lacquer cartouche, partly covered by a collector's label, could be attributed to Fujan (?). Height: 15 cm. Period: Meiji (1868-1912) 19/20th.

A set of five dishes which my staff creams over by Yamaguchi Michie enclosed in the original signed wooden box titled Momo Mame Sara. These live up to the word Kawaii so profound in contemporary Japanese pop culture. Each is roughly 15.5 x 17.5 cm (6 x 7 inches) ad all are in excellent condition, directly from the artist.
Yamaguchi Michie was born in Aichi prefecture in 1964, and came to pottery at the age of 35, opening her studio in Nagoya in 2003...

Two Jubako stacking porcelain boxes enclosed in their unique wooden boxes which are both enclosed together in an additional outer wooden box for protection. According to the lid, the designs were by Kinoshita Itsuun and Uragami Gyokudo, and the pieces were made by Kawamoto Hansuke. Hansuke is considered the progenitor of porcelain production in Seto, and it was through an act of industrial espionage that he was able to bring the techniques, until then the secrets of the Kyushu potteries, to Seto...

A small Hip-shaped vessel by Yamaguchi Michie enclosed in the original signed wooden box titled Momo-yu Kaki (peach colored Vase). This pink is her signature color, meant to intimate flesh, it is finely veined and matte, with a sense of moisture lik human skin. The vase is 20 x 21 x 17 cm and is in excellent condition, directly from the artist.
Yamaguchi Michie was born in Aichi prefecture in 1964, and came to pottery at the age of 35, opening her studio in Nagoya in 2003...