SACRED COW

Worshipper's wooden tablet so-called 'Ema' (lit. ‘Horse picture’) specially praying for safe childbirth once dedicated to Komagata shrine in Iwate prefecture, Japan. Early 20th century. 18.5 x 15 x 0.2 cm (7.28 x 5.90 x 0.078in)...

Landscape with tiger, cow, goat which are related to zodiac animals. Painted with ink and pigments on paper. Sealed. Circa 19th C. Framed with no glass.

Some insignificant light marks and foxing are present on the painting itself, otherwise the painting is in very good condition with the age. The frame is in very good condition.

Painting: W17 3/8” x H41”(44cm x H104cm)
Frame: W25 5/8” x H52 1/2”(W65cmx H133.5cm)

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Bodhidharma. Painted with ink on silk. Signed and sealed.

Bodhidharma is a monk who is said to be the founder of Zen Buddhism in China...

An original painting by Mayumi Oda depicting a goddess holding an infant in one harm and a branch with pomegranates in the other. On her knee is a sleeping child. Painted in black ink on paper and signed in pencil along with a title "Hariti" and "for Yvonn and Bill". Hārītī (in Japanese, Kishi-mojin) was once an ogress but was shown a better path by the Buddha. She is known as a protector of children and women in childbirth.

Dimensions: paper size: 17 1/8" high x 11" wide...

Additional photos of this fabulous Accordion book of 12 paintings by Kimura Seiun enclosed in a wooden box titled Atami Dan Ko-gasatsu and dated early Spring of Showa 4 (1929). The introductory page is written by Zen priest Hashimoto Dokuzan of Tenryuji Temple in Kyoto. The paintings are each signed with various names used by Kimura, mostly Seiun or Ren. The introductory and concluding pages are both dated 1929. It is 28 x 14 cm (5-1/2 x 11 inches) and in overall outstanding condition...

Antique Japanese ema of a horse. This ema is a dedication plaque that was made as an offering in a shinto shrine. Horses are considered vehicles of the gods, so this ema was made at the highest level in order to convey an important wish as speedily as possible. Painted in mineral colors on keyaki (elm) wood.

Age: Meiji Period (1868-1912)

Dimensions: 29 3/8" high x 43 1/4" wide x 2" deep

Antique Japanese wooden standing screen painted on both sides. One side is painted with a Kabuki actor portraying a samurai sharpening the points of an arrow on a whetstone. The image is inspired by an Edo Period woodblock print from the Kabuki drama Yanone Koro by the artist Kiyomitsu Torii II (1787-1868) entitled "Samurai Sharpening an Arrow" c. 1820. In this image, the artist has gone further to include a background with a rack of arrows behind of the main figure...

Antique Japanese large wooden single panel screen painted with a scene of flying cranes and pine trees. Painted in mineral colors on kiri (paulownia) wood and framed in hardwood with bamboo details on the lower portion.

Age: Meiji Period (1868-1912)

Dimensions: 62 1/2" high x 74" wide x 17 3/4" deep

Antique Japanese fushima (sliding door panel). Painting with a crane and pine tree on a background of gold mist. Painted in mineral colors on a sugi (cryptomeria) wood panel and framed with black lacquered hinoki (Japanese cypress) wood.

Age: Meiji Period (1868-1912)

Dimensions: 68 1/4" high x 36 1/4" wide x 1 1/4" deep

Antique Japanese painting in 3 panels of a group of cranes. 8 adult cranes stand with two chicks. They are painted large scale and stand out dramatically against an all gold ground. Painted in mineral colors and gold leaf on paper and mounted in 3 frames. The signature & seal both show the painter's name as 松究 Shо̄kyū.

Age: Taisho Period (early 20th century)

Dimensions: 66 3/4" high x 109" long (total all three panels together...

An oil on canvas painting by famed artist Waki Shiro depicting the Moss Temple (Koke-dera) in Matsuo, Arashiyama. It is performed with unreasonably thick pigments and textures, rising 1/2 an inch (1 cm) of the canvas surface. This use of extreme texture was his signature style, and makes his work easily identifiable. The canvas is F4, 24.5 x 34 cm (9-1/2 x 13-1/2 inches) and it comes with the orginal frame...

Dusk puddles and drips among the thick textures of this mid-century oil by Yamada Eiji titled on back “Mori” (Forest). Oil on canvas, it is 18 x 24 inches (46 x 61 cm) and is in excellent condition, wrapped in a simple raw wood storage frame.
Yamada Eiji (1912-1985) was born in Fukuoka on the Southern main island of Kyushu and was accepted into the Nikkakai Ten exhibition in 1933 for the first time...

Two erotic shunga drawings in black ink and mineral colors on thin paper.
On the right hand painting a double-sided dildo, to pleasure two women at the same time. The left half is made of tortoise shell (yellow with black patches), the right half is probably indicating buffalo horn.
The left-hand painting shows how to use the dildo properly.

Unsigned.

Japan, 19th century.

Each drawing 9.75 x 9.75 inches...

One-sided orihon accordion album with 12 paintings. 10 images of man-woman scenes, one rape scene, one scene with a woman with dildo...

The time of Obon is upon us, the middle of August when the spirits of the dead return to visit their families. A lantern is hung so the wandering souls may find their way. And on the last day of Obon (August 16), in Kyoto, is held perhaps the most famous of all the festivals, commonly referred to as Daimonji-yaki, when 6 massive characters are lit on fire in the mountains surrounding the city to light the way home for the ancestors. Unlike the Gion festival or Aoi Festival, made for tourists,...

Antique Japanese large framed watercolor painting by A. Yoshida. A scene featuring a calm river cut between mountains. A lone figure carrying a large basket on their back approaches a group of huts on one side of a wooden bridge. On the mountain sides, colorful foliage adorns the trees possibly alluding to a late summer or early fall season. In a carved wood frame. Signed by the artist: A. Yoshida. Painted in watercolors on paper. He/she was an accomplished artist active during the pre-wa...

An antique Japanese large rare Ema (votive prayer board) hand painted in Makie gold over a black lacquer background. A hand forged iron pin mounted to the top center of the frame was used to securely hang this dedication sacred object at a Japanese shrine.

Back in the day, live horses were donated and dedicated to a shrine. As the times changed, prayer boards were donated instead with painted horses replacing the live ones. More recently, all forms of subject matter are shown on the J...

Small painting of the 11-headed Kannon standing on a lotus dais, flanked by Bishamonten and Fudo Myoo.
In the front two red colored Nio are guarding the deities.
Inscription on the central base reads: Ichijoten (name of the temple hall), junsan koichi hongu.
The inscription on the bottom reads: Kazusa Shibayama Tenozan Kanon kyoji.
Rollers cut off and framed in mounting.

Black ink and colors on paper.
Japan, Edo period, 19th century.

Painted area: 22 7/...