Antique Japanese textile decorated with a design of tea ceremony utensils. Small items such as a bamboo ladle for water (hishaku), a container of charcoal, cups, a tea whisk (chasen), a container for water (mizusashi), and other items surround a large central image of a portable iron tea kettle (kama) and brazier (furo). This design in done using a paste resist and indigo dye. A lovely blue color in four panels sewn together...

In the world of Japanese ceramics, Tamamizu-ware has an almost mythical standing. A branch of the main Raku line, at one time the two kilns held equal prominence, both being endorsed by the major tea schools of Kyoto and both being favored by the Imperial household. The first in the line was an illegitimate son of Kichizaemon Ichinyu (Yahē) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho)...

An incredible monumental Japanese solid cast bronze Peace Bell custom iron stand with clapper. Inscription with dated, location and donor of bell. Bell is in excellent original condition with no repairs or damage...

Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors...

Japanese Silver Teapot with greyish tone patina Description & size: 17 cm height x 16 cm length x 13 cm wide (6.6 in x 6.25 in x 5.2 in) Weight: 471 grams Production: A beautiful Handcrafted and forged with a greyish tone patina in hand hammered & eleongated patterns. Stamped with Jungin 'pure silver' mark.

Japanese Silver Teapot with gemstone green agate mounted on lid's finial Description & size: 16.5 cm height x 15 cm length x 12 cm wide (6.25 in x 6 in x 4.75 in) Weight: 457 grams Production: A beautiful Handcrafted & forged silver grayish tone patina made teapot with a green agate gemstone mounted on top of lid's finial. Signed & stamped

Japanese silver teapot with bell shaped. Description & size: 7 cm height x 10 cm wide (2.75 in x 4 in) Weight: 146 grams Circa: Meiji Period, early 20th Century Production: Handcrafted & forged in a persoanl silver teapot in a bell shaped teapot with hard wood handle & lid's finial. Unsigned

Japanese silver teapot with a jade ring lid. Description & size: 10.5 cm height x 9 cm wide (4.2 in x 3.6 in) Weight: 154 gram Circa: Meiji Period, early 20th Century Production: Handcrafted & forged in a personal silver teapot with a jade ring lid finial. Signed

Japanese silver teapot with a copper lid. Description & size: 7.5 cm height x 9.5 cm wide (2.9 in x 3.75 in) Weight: 119 gram Circa: Meiji Period, early 20th century Production: Handcrafted & forged in a personal silver teapot. A copper silver lid with a small wooden handle on both the teapot and lid. Unsigned

Japanese silver tea caddy with pumpkin design Description & size: 6 cm height x 6.5 cm wide (2.6 in x 2.75 in) Weight: 114 gram Circa: Meji period, Early 20th Century Production: Handcrafted & forged Beautifully crafted with a pumpkin design with the attention of the Meji Period Era. unsigned

Mint Oni-Hagi masterpiece chawan with notched foot by star potter Seigan Yamane. This extraordinary tea bowl is covered by wonderful different shades of white glaze and a few shades of purple on brown pottery. In my opinion it is the one of the most aesthetic chawans that he made. The seal of the artist is stamped on the bottom.

Seigan Yamane was born in 1952, and started making Hagi ware in 1987...

Antique Japanese bronze vase molded with a pair of phoenixes in flight. Signed on the bottom. Also called hou-ou, the pair of mythical birds together are often symbols of fidelity but also represent fire, sun and justice. When used in reference to the imperial household, the phoenix represents the empress.

Age: Taisho Period (1912-1926)

Dimensions: 13" high x 8 1/2" wide

This extraordinary vase is a truly Japanese expression of a classical Chinese form. Fashioned after cylindrical Song Dynasty pieces that are thought to have been introduced in the 9th century from Syria, the handles are of Chinese origin and represent the mythical "Chiwen" (Shichihoko in Japanese). This deity, typically depicted with the body of a carp, the head of a tiger, and the scales of a dragon, is believed to be a bringer of rain and a protector against fire...

Yuzo Kondo is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blue and white porcelain), he did not settle on this style until well into his potting career that lasted over seven decades. The piece shown here then would be from an earlier period and is evidence of his competency with varied styles and glazes—not just the one he is most well-known for...

This remarkable tea bowl is from the kilns of Yoshida Shuen (1940-1987)—an apprentice of Miwa Kyusetsu (1910-2012) who was awarded the status of Living National Treasure in 1983. It features a milky translucent glaze somewhat resembling coral, with a few small portions of the foot of the tea bowl exposed, displaying the reddish coarse clay that this piece is fashioned from.

Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery...

A small cottage perched on the edge of a tranquil lake, fishermen heading out in the morning chill to secure their daily catch. This pastoral scene from the Japanese countryside was captured over 300 years ago by painter, poet, and Buddhist monk Hyakusetsu Genyō (poet) and Kuge Yaou (painter) a monk of the Tenryu-ji sect.

Dharma heir to Chinese monk Gaoquan Xingdun, Hyakusetsu Genyō began his spiritual practice in the Rinzai sect under his teacher Hyakuju...

Raku-ware carries with it a very naturalistic aura; with its implements made of raw clay, its use of fire water and air to shape and harden these implements, and with its myriad processes that produce smooth glossy surfaces—like those often found in nature. In fact, if you look more deeply into Raku, you find that many of the shapes and motifs are also inspired by nature...

Regal free-flowing bamboo and rattan basket from one of the masters of bamaboo basket making, Sakaguchi Sounsai b. 1899-1967. Studied under Tanabe Chikuunsai I and was active in the Osaka and Kyoto region. Featured on page 90 of 'Masters of Bamboo by Melissa Rinne. Susudake (smoked farmhouse bamboo) is flattened and bent to create a bold statement of beauty and refinement. Bamboo vase inset. 9" tall by 10" wide. Ask for shipping quote.