The size of Tea Cup: 3 1/8" Dia x 2 1/4" High. The pair of Japanese Hakeme Tea Cups by 1st Kuze Kyuho (1874-1947). It is finely made with brownish earthen clay. It has finish of Hakeme, white brush stroke work glazing. The Tea cup is made finely finish. Each cup bear the Kyuho's round chop seal on the wide of Kodai (foot rim). Each cup has Japanese Kanji writing of "Konnichi An" which is name of Urasenke's Tea Room which was built by Sen Sotan (1578-1658)...

The artist who produced this piece, Wataru Motomura, prides himself in living a traditional life in the eastern hills of Kyoto—long known for its rich clay and idyllic pastoral lands. Though the form of this vessel appears innovative and playful, the techniques and materials used to produce it have been around for many hundreds of years...

A real piece of art: Shino-Oribe Tea Bowl from the early Edo Period (around 1620, early 17th century). It is a shoe shaped Kutsugata Chawan covered with a whitish Shino-Oribe glaze over an iron oxide engobe in two quarter sections, where a triangle has been scratched into the dark engobe. The other two opposite quarters show a decoration of two squares in the style of mimasu - three squares.

The roughly cut foot ring and its surrounding show the typical little refined Mino clay...

We continue our presentation of Ohi chawan (Ohi tea bowls) with yet another sublime vessel, a true eye-catcher made at the end of the Meiji Period around 1910. It's a unique Ohi Chawan which seems to be a kuro Raku bowl, but it isn't. With its sophisticated shape and its mesmerizing play of predator pattern inside its outstanding.

Ohi ware is indeed closely related to Raku; the first Ohi potter was the son of Raku III, Donyu, and apprenticed to the fourth Raku master, Ichinyu...

A great example of a modern Shino tea bowl based on pieces being produced nearly 500 years ago in the kilns of Mino. This piece shows excellent texture to the glaze with a very active and diverse ceramic landscape. In addition, the use of a darker ferrous compound gives it a rather weighty and seasoned appearance when compared with the more commonly encountered red Shino glazes of the modern day...

The colors seen in this ceramic piece are not often encountered in the world of Japanese tea-ware pottery—a field dominated mainly by styles such as Raku, Hagi, and other traditions with relatively conservative and predictable color schemes. The aquamarine blue is rather striking, reminiscent of coral encountered in the pristine waters of tropical and remote destinations...

A tall, cylindrical shape bronze vase by Nakajima Yasumi II (1905-1986). Patinated dark reddish - brown bronze. Vase ornamented with horizontal bands raised in relief and flaring out at the waist and sloping inward to the shoulder. Wood box inscribed on the outside of the lid and signed and sealed on the inside. Vase signed at the bottom: Yasumi. H. 28.5 cm. Showa period. *** Nakajima Yasumi II (1905-1986) was a very well known Osaka bronze artist who's real name is Nakajima Mitsuo...

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

This piece is quite unique for its brown color which may have been produced using a copper glaze under very specific conditions...

This exceptionally well-formed tea bowl displays highlights of flaxen and scarlet visible through a classic black glaze. Raku tea bowls such as this are made by hand, without the use of a potter's wheel. In the process of shaping the bowls, potters handle the tea bowls in much the same manner that users will hold them as they drink from them. In this manner, a connection is formed between the creator of the tea bowl and the participants in the tea ceremony...

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for. With crackled glazing and beautiful gold repairs of several types and from several generations, this antique tea bowl is quite attractive, a pleasure to use, and absolutely one of a kind...

Exquisitely painted cherry blossoms (sakura) and willow branches (yanagi) on a background of jet-black traditional lacquer.

The craftsman, Wakashima Takao (b. 1935) was born in the north of Japan in the picturesque town of Wajima. The lacquer technique particular to this region (Wajima-nuri) is rather unique in its use of an undercoating incorporating special compounds that make it exceptionally durable over time. Wakashima perfected this demanding technique and, over the course of...

The Size: 10 3/4"L x 3 1/4" Widest x 1" H,
This is Japanese Antique Scale from late Edo 1860's. The scale is made of Bone Rod with three different tick marks on the rod. You can measure, 17 Monme (68.75 gram), 50 Monme (187 gram), and 160 Monme (600 gram). Monme is old Japanese weight scale. The scale bone rod came with brass round tray with threads. Three top threads are used for when measure. It came with also heavy solid copper weight. There are embossed seals of identification which the...

Sophisticated Hagi Chawan by Living National Treasure Miwa Kyusetsu X (Kyuwa) (1885-1981) with warekodai made 70 years ago.

Many of Miwa's chawan have a split cross footring called a warekodai that was favored by busho chajin (warrior tea men); it traces its origins to Korean chawan. This chawan has a rare warekodai with only one split.

Miwa Kyusetsu X was a member of the group around Rosansin an Arakawa, which revived the momoyama ceramic. He is a legendary figure, and r...

Perfectly shaped Kuro Raku Chawan of Nitten Exhibition Potter Kiraku Kuzu with a beautiful jet black glaze. The Chawan was made 30 years ago.

It is in mint condition and comes with its originally signed and sealed wooden box and an appraisal of the famous Japanese Daitokji Temple, which makes this Chawan very special.

No chips or cracks.

Size: 8,5 cm height x 12 cm in diameter.

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Antique Japanese Red Lacquer Dragon Altar Table with Floating top cover and raised ends. Wonderfully elegant and dramatic. Top inset panel Gilt carved dragon clutching his flaming ball over clouds. Glass eyes on dragon. Lower inset panel with birds flying over waves in gilt. Done with lovely lively quality. Lower shelf on four carved curving legs. Gilt bronze hardware of floral design. Overall good condition for age. Meiji Period (1868-1912) Size: 60" L x 19" D x overall 37"H

According to Kei Wakao, the artist who crafted this extraordinary work, it took him years of trial-and-error to perfect the unique rice-porcelain glaze covering this finely shaped tea vessel. Not only was it a challenge to achieve the demure milky translucence of the glaze—similar to the appearance of a grain of rice when held to the light—but also to get the right flowing consistency and pooling effect around the base.

Born in 1974 as the eldest son to a well-established kiln i...

This remarkable tea bowl is from the kilns of Yoshida Shuen (1940-1987)—an apprentice of Miwa Kyusetsu (1910-2012) who was awarded the status of Living National Treasure in 1983. It features a warm crackled glazing with a few small portions of the foot of the tea bowl exposed, displaying the somewhat reddish coarse clay that this piece is fashioned from.

Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery. Hagi-ware is prized for...

This exceptional tea bowl was crafted by one of the great masters of Japanese pottery and given the poetic name “Nami” (wave) by a famous tea master of the Ura-senke school of tea. The Chinese character is not the standard writing for wave but rather one with more nuance, suggesting longevity—as in the image of a long enduring cresting wave. The white hakeme brush strokes and the overall shape of the tea vessel fit perfectly with its poetic name, making this ceremonial tea bowl perfect for...