Beautiful, original woodblock print by ukiyo-e woodblock artist Utagawa Kunisada, also known as Toyokuni III (1786–1864). It is #22 in a series called Sono sugata Yukari no usushi-e, or "Stories of Reincarnated Beings". In the center of the print there is a young child, hunched forward as he eagerly listens to stories from an adult woman in a pink kimono with blue and grey sleeves, with a sheathed sword across her lap. A bowl of treats and a black lamp with flowers sits between them...

Antique ukiyo-e woodblock print of an anxious person in a brown checkered kimono, with light blue trim and obi with black flowers, assisting a rather bored looking woman in a gorgeous, long black kimono with pink and blue blows, blue trim, and a pink under kimono and obi. By artist Ichiyosai Toyokuni Okada. Size: (entire frame) 21.5" height, 17" width (artwork only) 14.75" height, 9.5" width

Antique ukiyo-e woodblock print of a woman in a blue checkered kimono, standing with her back to her front doors and a beautiful mountainous scene behind her. By artist Kunisada, signed under his assumed name Toyokuni II. Set behind glass in a large frame. Back of frame states "censor's seal between 1859 and 1874". Size: (entire frame) 22" height, 17" width (artwork only) 14.25" height, 9.5" width

Antique ukiyo-e woodblock print of a woman with a look of frustration on her face, wearing a black kimono, decorated with light pink and blue sakura blossoms, and a salmon pink under robe. Behind her are several cottages with trees and mountains, and stylized signatures in the top right corner and middle left side. Ukiyo-e is a genre of woodblock print that was popular during the 17-19th centuries in Japan...

Woodblock print by Japanese artist Saito circa 1950-1960, published by Uchida Art Co. This print is of two young girls wearing very bright and beautiful kimonos in various shades of green, blue, yellow, pink, and red. One girl holds a fan while the other holds a small toy of a bird. A paper lantern hangs behind the head of the smaller girl. Both girls have precious, doll-like features. Size: 17.5" tall, 30cm wide

Woodblock print by Paul Jacoulet entitled "Le Chant des Fileuses, Mongolie" ("The Song of the Spinners, Mongolia"), depicting a group of three young Mongolian women spinning sheep's wool into thread while they sing, fine details like the thread are done in silver ink, title and publisher's name in lower right, signature in pencil on lower left, 1958. Total size of paper: 17" high x 13" wide/ Size of image: 15 1/2" high x 11 1/2" wide

An album page in woodblock print technique probably from the "Ehon Matsu no Shirabe", showing a young beautiful lady standing near a small river. Condition: faded, creased, thin area, one worm hole, reverse with tapes. Dimension: 23.6 cm x 17.1 cm.

Mayumi Oda. b. 1941 in Tokyo. "Chant of the Ocean Nautiles" and "Chant of the Ocean Conce" two complimenting artist proofs woodblock prints with gold and white ink printed in black paper. 17.5 x 25.5 inches and 29.25 x 42 inches with frame. No condition problems to note. According to her own biography Mayumi Oda is known to many as the ‘Matisse of Japan’, Mayumi Oda has done extensive work with female goddess imagery...

Japanese Edo period woodblock print depicting a young salt-water gatherer by Kikugawa Eizan (1787-1867) from the series "Seiro Niwaka" (Yoshiwara Nikawa festival). Eizan, who was the master of Eisen, specialized in designing prints of beautiful women. The "kiwame" censor's seal and the seal of the publisher Yamaguchiya Tobei are at the lower right. The artist's signature is at the lower left. Dates from the 1810s to 1820s. Vertical oban print measuring 13 5/8"V x 9 1/8"H...

Japanese Edo period woodblock print depicting a beauty standing under a pine tree viewing a bustling scene of boats on a waterway by Keisai Eisen (1790-1848). A pupil of Eizan, Eisen is perhaps best known for his prints of sensual women. The artist's signature, "kiwame" censor's seal, and seal of the publisher Sanoki all appear at the lower right. Dates from the 1820s to 1830s. Vertical oban print measuring 15"V x 10"H. Most likely a panel from a triptych...

Japanese Edo period woodblock print depicting a beauty preparing to wash titled "Yellow" from the series "Five Colors of Ink" (Goshikizumi) by Keisai Eisen (1790-1848) published by Aritaya Seiemon between 1843-1846. A pupil of Eizan, Eisen is perhaps best known for his prints of sensual women. The artist's signature, Yoshimura Gentaro censor's seal, and seal of the publisher all appear at the lower left. Vertical oban print measuring nearly 14 3/8"V x 10"H. Very good impression quality and color...

Japanese limited edition sosaku hanga woodblock print by Tadashi Nakayama (b. 1927) titled “Rainbow Butterflies” featuring Nakayama’s daughter’s face in profile with butterflies in flight around her. This image is pencil-signed “T. Nakayama,” numbered 34/95, and dated 1983 in the bottom margin. The bottom margin edge also contains the. The red Nakayama seal is verso. A color illustration of this image can be found on plate 205 of “T. Nakayama” published in 1989...

Edo Period Japanese woodblock print by Toyokuni III (also known as Kunisada) dated 1854 depicting a beauty of the nobility practicing the art of painting...

Japanese Edo period woodblock print titled "Four" (yon/shi) depicting the actors Onoe Kikugoro IV and Ichikawa Kodanji IV in the roles of Oiwa and Izaemon from a series titled "After The Seven Iroha" by Toyokuni III (also known as Kunisada) dated 8/1856. This series was published the same year as "Seven Variations of the Iroha." The title cartouches of the prints in this series feature ciphers written seven different ways. "Iroha" refers to a distinct form of Japanese poetry. The publisher's s...

Japanese Edo period woodblock print depicting a beauty taking a boat ride on the Sumida River from a series titled "The Seven Variations of the Iroha" by Toyokuni III (also known as Kunisada) dated 1856. "Iroha" refers to a distinct form of Japanese poetry. The signature of the artist (signed "Toyokuni ga" in a red cartouche with yellow snow) is located at the lower right. Standard vertical oban print measuring 14 1/8"V x 9 1/2"H. Good color and overall condition. The baren marks and image are c...

Japanese Edo period woodblock depicting the poetess Gon Chunagon Atsutada (906-943) gathering sea shells from the series "Lessons for the Young from Thirty-six Poetic Immortals" by Kuniyoshi (1797-1861) dated circa 1842. Vertical oban size (14"V x 9 3/4"H). Very good overall condition. A few tiny wormholes and a few slightly thinned areas in the paper. This series is illustrated in plate 106 of "Utagawa Kuniyoshi," an exhibition catalogue based upon the Raymond A. Bidwell collection of Japanese ...

Japanese woodblock print titled "Poem #68" from an untitled set of women compared to the one hundred poets by Toyokuni III (also known as Kunisada). Signed "Kochoro Kunisada ga" at the lower right. This series was published by Sanoya Kihei (Kikakudo) circa 1844-1848. The print depicts a beauty in a kimono kneeling and holding a lacquer tray of snacks. Above her is a book-form cartouche containing the poet with whom she is being compared. Floating in the background are three blue decorative flow...

Japanese woodblock print depicting a beauty lighting a floor lamp titled “Kakinomoto no Hitomaro” (image no. 3) from the series “One Hundred Poems by One Hundred Poets” (Hyakunin-isshu Emyo) by Utagawa Kunisada (1786-1865) published by Sanoya Kihei in 1844. The image is signed “Kunisada changing his name to Toyokuni II” with the red Toshidama seal below. The two cartouches in the shape of playing cards at the upper left hold a picture of a poet and his poem. The scroll-shaped cart...