Japanese woodblock print by artist Makino Munenori (1940-present) titled 'Tenka' (or Heavenly Flowers) in pencil, number 107/180, and signed in bottom corner. The colors used are extremely beautiful and gives a surreal feel to this piece. Dated 1988. Size: 16.5" height, 22" width

Japanese vintage woodblock print by artist Yoshio Kanamori (1922-present) titled 'Lake Mountain'. Numbered and inscribed in pencil, signed with red cartouche. Size: 19.25" height, 13.25" width

Large Japanese woodblock print by Joichi Hoshi (1913-1979), signed in pencil, number 64/99 in its series. Gorgeous metallic silver background. Red artist's stamp in bottom corner. Set in heavy metal frame. Size: (entire frame) 21" height, 34.25" width (artwork only) 14.5" height, 27.25" width

Japanese woodblock print by Kiyoshi Saito (1907-1997) of a winter scene, with dark figures walking through a quiet village with a snow-capped mountain looming in the far background. Signed in pencil with artist's stamp. Size:11.25" height, 15.75" width

Japanese woodblock print by Kiyoshi Saito (1907-1997) titled "Winter in Aizu". Signed in pencil with artist's stamp. Doi publisher seal in back. Size: 11.75" height, 16.5" width

Japanese woodblock print by shin-hanga artist Kawase Hasui (1883-1957) titled "Rainy Yasuniwa, Nagano Prefecture", Hotei #480. Titled and signed, with 6mm cartouche in bottom right corner. Framed. Size: (entire frame) 15" height, 20.25" width (artwork only) 10" height, 14" width

Japanese limited-edition abstract sosaku hanga woodblock print by Hideo Hagiwara (1913-2007) titled "Bird." The print is pencil-signed, dated '58, and numbered 5/30 on the bottom margin. This print is an example of a reverse printed image on fine, transparent, slightly crinkled paper that is characteristic of his early work. There is an old inventory number (586A) at lower edge verso. Image size: 10 3/4"V x 14 3/4"H (paper: 13"V x 17"H). Very good overall condition...

Vintage Japanese woodblock print by moku hanga style artist Fumio Fujita (1933-present). He graduated the Musashino College of Fine Arts in 1955 and began making woodblock prints in 1963. This piece is easily attributed to Fujita as he is well-known for using trees as a focal point. He combines scenic imagery with abstract geometric figures, using bold color combinations...

Beautiful Japanese woodblock of a large-crested rooster seated beside a hen with dark brown feathers, who appears to be observing insects in the grass. Stamped and signed by artist "Unkyo". Showa period circa 1930s SIze: (entire frame) 22.75" height, 16.5" width (artwork only) 14.5" height, 9.75" width

Woodblock print by Japanese sōsaku-hanga artist Toshi Yoshida (1911-1995) titled "Irozaki Morning". It shows the beautiful Cape Irozaki, done with soft pastels in the sky as the sun rises in the distance. Waves crash upon the rocks in the foreground, and three ships can be seen leaving port. It is signed and titled in pencil along the bottom, stamped in the corner, and also signed in kanji along the outer edge. Size: 11.25" height, 15" length

Gorgeous woodblock print by shin-hanga artist Hiroshi Yoshida (1876-1950) titled "Plum Gateway". In the foreground is a small girl wearing a kimono, standing next to a tree with long, spindly branches and flower blossoms, gazing into the background at her mother and young sibling standing under a gateway. Signed and stamped. Size: (entire frame) 20.75" height, 15.75" width, (artwork) 14.25" height, 9" width

Original shin-hanga woodblock print titled "Sacred Grove" by artist Tōshi Yoshida (1911-1995). It is a nature scene showing a red temple with golden doors and roof, partially obscured by trees. The forest floor is mossy and only a small bit of the sky peeks through the treetops. The print is framed behind glass with a large wooden border. The photo shows reflection on the glass but the print is perfect. Size: (entire frame) 16" height, 12" width (print only) 9" height, 6.5" width

A beautiful and very detailed woodblock print by Japanese artist Ohara Koson (1877-1945) of two herons standing in water with leaves and branches in the background, slightly obscuring the view of a bright crescent moon amongst a beautiful night sky, fading from darker tone blues into icy tones. The herons' feathers are actually embossed into the woodblock and have many other detailed features, such as the scales and claws of their feet and the gleam in their eyes...

Wonderfully detailed print of snowy herons huddled together in the water by Japanese artist Ohara Koson (1877-1945). This is a shin-hanga style of print, a revitalization of the traditional ukiyo-e style, which means "pictures of the floating world", popularized during the Edo period in Japan (17th-19th century). The background of the print fades beautifully from the icy grey and white toned sky into the gorgeous blues of the water...

A rarely encountered limited edition Japanese woodblock print over gold leaf depicting a solitary blue, white, and gold tree set against a barren foreground titled simply "Tree" by Joichi Hoshi (1913-1979) dated 1974. Pencil-signed "J. Hoshi" and dated '74 at the lower right, with the artist's square red seal above. Pencil-titled in kanji at the lower left and marked with the edition number 6/95. Paper size: 10"V x 13"H (image: 7 1/4" x 10 1/2"). Very good overall condition...

A rare Japanese oversized limited edition "sosaku hanga" woodblock print titled "Black Cat, Three Kittens & Butterfly" dated 1967 by Tokuriki Tomikichiro (1902-2000). The artist's black seal is at the lower left and his black ink signature is at the lower right. The print is titled and dated in kanji in the upper right margin. Numbered 14/200 in the lower right margin in pencil. The paper measures 16"V x 21 3/8"H (image size: 15"V x 19 1/2"H). Very good overall condition...

Yoshitoshi Tsukioka's Very Scarce (only about a dozen known copies) Book with Six Full Oban Size Prints, The Flowers of Japan and the Art of Floral Arrangement (First Edition). This is the best known existing copy of this book. Because the prints are in a book, they have been exposed to almost no light, so the colors are more vivid than anything you will ever see...