Gorgeous woodblock print by shin-hanga artist Hiroshi Yoshida (1876-1950) titled "Plum Gateway". In the foreground is a small girl wearing a kimono, standing next to a tree with long, spindly branches and flower blossoms, gazing into the background at her mother and young sibling standing under a gateway. Signed and stamped. Size: (entire frame) 20.75" height, 15.75" width, (artwork) 14.25" height, 9" width

Antique ukiyo-e woodblock print of a samurai warrior in a crouched pose, one sword on his hip and one in his hands. He wears a blue and red kimono and he has a traditional chonmage hairstyle. Framed behind glass. The back of the frame lists artist Utagawa Kunisada (1786-1864). Size: (entire frame) 21.75" height, 17.25" width (artwork only) 14.25" height, 9" width

Antique ukiyo-e woodblock print of a man wearing a white kimono with designs of black bamboo shoots, a black apron, and black lacquered geta (footwear). Artist Toyohara Kunichika (1835-1905), pupil to Kunisada. Set behind glass in a large frame, with artist and publishing information written on back. Size: (entire frame) 22.5" height, 17" width, (artwork only) 14" height, 9" width

Antique ukiyo-e woodblock print of an anxious person in a brown checkered kimono, with light blue trim and obi with black flowers, assisting a rather bored looking woman in a gorgeous, long black kimono with pink and blue blows, blue trim, and a pink under kimono and obi. By artist Ichiyosai Toyokuni Okada. Size: (entire frame) 21.5" height, 17" width (artwork only) 14.75" height, 9.5" width

Antique ukiyo-e woodblock print of a woman in a blue checkered kimono, standing with her back to her front doors and a beautiful mountainous scene behind her. By artist Kunisada, signed under his assumed name Toyokuni II. Set behind glass in a large frame. Back of frame states "censor's seal between 1859 and 1874". Size: (entire frame) 22" height, 17" width (artwork only) 14.25" height, 9.5" width

Original shin-hanga woodblock print titled "Sacred Grove" by artist Tōshi Yoshida (1911-1995). It is a nature scene showing a red temple with golden doors and roof, partially obscured by trees. The forest floor is mossy and only a small bit of the sky peeks through the treetops. The print is framed behind glass with a large wooden border. The photo shows reflection on the glass but the print is perfect. Size: (entire frame) 16" height, 12" width (print only) 9" height, 6.5" width

Antique ukiyo-e woodblock print of a woman with a look of frustration on her face, wearing a black kimono, decorated with light pink and blue sakura blossoms, and a salmon pink under robe. Behind her are several cottages with trees and mountains, and stylized signatures in the top right corner and middle left side. Ukiyo-e is a genre of woodblock print that was popular during the 17-19th centuries in Japan...

Abstract print by well-known Japanese print artist Masao Ohba (born 1928). He won first prize in 1998 at the 17th Biennale of Contemporary Ex Libris in Malbork, Poland. His work is colorful with interesting textures. This particular print almost appears to be an abstract take on the Japanese flag, with interesting shapes and flecking of red, yellow, and blue peeking through black sections. circa 1950s, signed and marked "87/150" Size: 7" height, 10.5" width

Japanese original print of two women and a young child by the artist Yoshitoshi Mori (1898-1992). He studied at the Kawabata School of Fine Arts. He was a member of the mingie folk crafts movement working in textile stencil dyeing. In the 1950's Yoshitoshi Mori started print making using a technique called kappazuri stencil. He became a key member of the sosaku hanga movement...

Japanese large print entitled "Fruit" by the artist Reika Iwami. She was born in 1927, graduated from the Tokyo Bunka Gakuin Art College. She studied the art of doll-carving and worked under the national treasure, Hori Ryūjo before becoming a print artist in 1954. This print exemplifies her use of large abstract shapes and a muted pallet. In this print, Iwami has used mica and an embossing technique. Signed in graphite, dated 1959...

Tsuchiya Koitsu
Summer Moon at Miyajima
Size: Approximately 16.75 x 11.25 inches.
Date: 1936. This edition is postwar (1950-1963).
Koitsu.com catalog no. TK-DH-036.
Publisher: Doi Hangaten. Carver: Harada. Printer: Yokoi.
Condition: Excellent. Full margins on all sides.

Ohara Koson
Fox between reeds near moonlit water.
Date: ca. 1930.
Size: Oban. Approximately 15.0 x 10.5 inches.
Publisher: Kawaguchi and Sakai. Seal in left margin.
Reference: No. S41.4, p. 212 in "Crows Cranes and Camellias: The Natural World of Ohara Koson" (Reigle Newland).
Condition: Very good. Toning line evident at margin.
A rare design.

Kawase Hasui
Rain at Shinobazu Pond
Date: 1929.
Size: Oban. Approximately 15,25 x 10.0 inches.
Publisher: Watanabe Shozaburo. Bears the Watanabe A seal in the right margin, indicating a first edition.
Condition: Very good. Light toning and fading.

Kawase Hasui
Hachirogata Lagoon in Akita District
Date: 1927.
Size: Oban. Approximately 15.0 x 10.0 inches.
Publisher: Watanabe Shozaburo. Bears the Watanabe A seal in the right margin, indicating a first edition.
Condition: Very good. The margins have been repaired by a conservator. The verso is toned.

Woodblock print by Japanese sōsaku hanga (creative print) artist Rikio Takahashi (1917-1999) titled 'Old Drift'. Takahashi had a very unique style of abstract art. He often avoided primary colors and gravitated towards warm browns, cool blues and greens, typical of the gardens of Kyoto. He used irregular, abstract shapes and overlapping of colors to create beautiful and interesting effects...

Japanese print of a seated Buddha by the artist Shiko Munakata (1903-1975). A member of the sosaku-hanga movement and the mingei folk arts movement in Japan. As a young artist, Munakata was influenced by Vincent Van Gogh and studied oil painting. Later he was inspired by Buddhist religious imagery which became the main subject matter of many of his prints...

Japanese print entitled "Last Supper" by Sadao Watanbe. Sadao Watanabe (1913-1996) was part of the Mingi (folk art) movement in Japan which involved the use of natural materials. Watanabe's early boyhood job as a textile dyer has influence his work greatly. He used organic mineral pigments with a soybean milk binder (katazome) on hand crumpled paper (momigami). Watanabe's upbringing as a Christian is the main influence of his subject matter...

A brilliant set of 5 gentlemen from the Edo Period C.1850 by Kunisada I, one of the masters of the time. He was given the name Toyokuni III by his famous teacher Toyokuni in 1844. Fine detail and colors still very vivid. Framed in 3D out away from the surface would make a spectacular piece of art. H:28" x w:29". Ask for shipping quote.