A Bizen type kogo in form of a primitively rendered reclining sage or monk. Signed on bottom. 20th century. Good condition. Length: 5 inches (12.7 cm)

Edo Tsutsugaki Indigo Hand-spun Cotton Nobori This is Tsutsugaki cotton Nobori of Edo period. As for this, cotton is spun by hand. As for this, the cotton that the texture is very good of Edo period is used. The design is Shojyo. Shojyo is an animal in the imagination to be handed down from ancient times. This comes up in one of the representative programs of the Noh. In Japan, this has the meaning of the beast of the good luck...

A very unusual modern Japanese pottery vase. Exaggerated chatter decoration spiraling from the foot to the shoulder, the tacky clay lifted to a very coarse texture before firing. The neck to rim, also spiraling up the vase, finished smoothly. Apparently in the tradition of the stoneware tile work kilns of Bizen and Tokoname. Studio artist marks in impressed cartouches on the foot. Excellent condition. Height, 8 inches.

An unusual Bizen stoneware figural group depicting three sages with attributes in clouds in a stele formation. One with wheat and sword flanked by attendants, one also with wheat and sword and the other with a palm frond or banana leaf fan...

A Bizen stoneware figural study of Daikokuten with attributes including full face, large earlobes, smile, hat, bag of rice and mallet. Impressed signature cartouche. Good condition. Height, about 7 1/2 inches (19.05 cm). Length about 8 inches (20.32 cm).

Standing Kaiko-no-Kami, the hands holding a flowering mulberry tree branch, sculpted in relief from a gray-blue volcanic stone. Meiji/Taisho Era ca. 1920. Very minor old loss. Light lichen accumulation.

Height: 45 cm
Width: 25 cm
Depth: 16 cm

Kaiko-no-Kami, the Japanese goddess of silkworms and, by extension, raw silk production, is a relatively obscure member of the large pantheon of Shinto folk deities...

The design of the bamboo grass this snow lies thick is a famous costume of kabuki. This silk kimono is making yuzen dyeing and embroidery with a hand.That's bold and the striking design. There are discoloration and a little stain for that. But there is no damage and it's a valuable silk kimono by the very good condition. size:Length 154cm (60.6") sleeve to sleeve 124cm (48.8")

Antique Japanese candle holder made of iron, with attractive teardrop shaped tiers that hold five candles on each side, two inside, and one main candle at its very top. Its base is rectangular and solid, with a nice patina, and it stands on three legs. Size: 60 cm height, 17" width

A standing Jizo Bosatsu placed within a recessed alcove beneath an overarching pediment-style mandorla, sculpted in relief from a high-quality granite. Early-Edo Period ca. 1650, possibly earlier. Old loss, most notably to the lower-left edge, and softening of the lines and contours of the figure. Good lichen accumulation.

Height: 43 cm
Width: 24 cm
Depth: 12 cm

Antique Japanese hirado porcelain brush washer in the form of a fu dog, laying on his backside and sporting a large, whimsical smile. The brush washer sits on three short legs. The form and detail in this little guy are wonderful. Size: 2.5" length, 2.25" height

Seated Sho-Kannon Bosatsu, the hands holding a long-stemmed lotus bud, sculpted in relief from a grayish-brown igneous stone. Late-Edo Period ca. 1800. Old loss, most notably to the upper-left edge of the overarching mandorla...

A large Japanese sashi netsuke carved from stag antler, depicting the mythical Chinese fisherman Ashinaga with his long legs. The face is carved very expressively and the natural himotoshi (cord hole) is running through his curled hair. Condition: nice patina. Dimension: 17.8 cm long.

Antique Japanese tansu from the Sendai region, made of keyaki wood with red lacquered top and sides, ornate iron hardware such as mokko (melon) shaped handles, large round lockplates with incised designs (the top lock has pierced floral side designs) and a side lockbox. Size: 33" height, 45.5" width, 17.25" depth

Two Jizo Bosatsu figures standing side by side with hands forming the gassho adoration mudra, sculpted in relief from a gray-hued volcanic stone. Mid-Edo Period ca. 1750. Minor old loss.

Height: 26.5 cm
Width: 14.5 cm
Depth: 6 cm

Dosojin is the Japanese Shinto manifestation of a Chinese Taoist deity charged with guarding the border between this world and hell...

Japanese Meiji period woodblock print by Toyohara Kunichika (1835-1900) from the series "Pride of Tokyo - Famous Things" featuring famous places, products, and people of Tokyo. The top section features preserved foods, a kimono fabric sample is at the lower left, and a beauty reading a newspaper within a bamboo frame is at the lower right...

Yokote Kasuri Yogi was used in the Akita region during the Meiji period. Dyed with natural indigo. In this regard, the cotton is hand-spun. The pattern is Urashima Taro. This pattern is extremely rare. Very good condition No stains or damage. Size 147cm x 140cm (57.8" x 55.1")

Japanese Meiji period "omocha-e" (toy picture) woodblock print illustrating various kitchen and restaurant products and furnishings available in the late 19th century. Chefs and waitresses are demonstrating their use. The title and artist's name (unidentified) are in black ink at the top margin. The publisher's information and the date of Meiji 15 (1882) is in the lower right margin. Vertical oban print measuring 14 1/2"V x 9 5/8"H (image: 13 1/4"V x 9"H)...

DESCRIPTION: A large and fabulous Sumida Gawa tankard with an unglazed body, graceful handle, and figures of a man and small boy in very high relief. A thick, flowing flambe' glaze in blues and brown coats the mouth and runs down the body and handle in thick drips. Fine attention to detail has been paid to the handmade figures of a seated man with a cane facing a young boy, both supported by craggy rockwork ledges...