Antique Japanese Bizen ware figure of Tanuki, he is dressed as a monk, a jar for drinking hangs from one arm, in the other hand he holds his ledger book. Very charming expression and lovely detail.

Meiji Period 1868 - 1912

Size: 9 1/2" high

'Remote Landscape' by Tanomura Chokunyu (1814~1907)

Chokunyu was the step son of Tanomura Chikuden and he studied Chikuden's work. Chokunyu started to learn from Chikuden when he was 9 years old, and Chikuden found his talent and adopted him. Chokunyu learned Confucianism from Tsunoda Kyuka and Chinese poetry from Hirose Gyokuso. He also learned and got skills of Omotesenke Tea Ceremony, Kodo (Japanese art of appreciating incence) and Kenjutsu (the art of the sword)...

Paul Jacoulet
Les Perles, Mandchoukuo
Size: Dai-oban.
Date: December 28, 1950.
Edition: 297/350.
Carver: Maeda, Printer: Ogawa.
Medium: Japanese woodblock print.
Condition: Very good color and condition. Toning at back.
"More than 300 individual impressions of nearly 60 blocks were needed to create this ultimate technical tour de force of twentieth century art." - Richard Miles, The Prints of Paul Jacoulet.

Paul Jacoulet
L'Attente, Celebes Menado
Size: Dai-oban.
Date: September 15, 1947.
Edition: 175/350.
Carver: Maeda, Printer: Fujii.
Condition: Excellent.
"The pink background is sprinkled with bits of silver leaf… The curl of smoke from the lady's cigarette is gauffrage." - Richard Miles, The Prints of Paul Jacoulet.

Japanese Imari Porcelain Black Ship and Namban design Bowl and Cover, 3 1/4" high & 5 1/8" diameter-with cover, 2 1/4" high & 4 3/4" diameter-bowl, later part of 1800's Meiji period, with overglaze decoration of six(6) Dutchmen and black ship in iron red background, highlighted in gold. Underglaze blue decoration of diaper pattern borders inside the bowl and under the lid, floral decoration on the bottom and the cover. The condition is good, no damage or restoration.

Japanese late Edo Period (ca. 1860 / 150 years ago) buddhist bronze bell from S¨­fuku-ji ( ³ç¸£Ë ) Temple in Gifu.

Measurements diameter 21 cm H 23 cm. Materials: bronze, wood, silk. Made entirely by hand. The base is in lacquered wood. On the side of the bell trademarks with the name of the place of provenance and craftsman. Beautiful patina with natural signs of wear and some scratches due to the age and use...

This is a CHOSHI of Japanese lacquer ware. CHOSHI is a kettle for the sake which was made about 170 years ago in the late Edo period.

This is an old original item of master craftmanship. It is never imitation. It is lacquered on wood and never plastic etc. Used was only real Japanese lacquer. This incredible lacquer work is called MAKI-E.

MAKI-E is made carefully, applying very long days and months...

Wan shape with a small foot and no Kagami (mirror - tea pool) inside.

The light iron bearing clay is decorated in the style of a Korean Miji-Hakaeme bowls: inside and the upper three quarters on the outside covered with a whitish Engobe over which a transparent ash glaze was applied, just sparing the inner part of the foot.

The Uchigaso kiln was the second of the Takatori kilns established by Korean potters, it was active between 1614 and 1624.

The bowl was ex...

Japanese studio porcelain Quail family. Three pieces include male, female and young. The male and female heavy (1.8 lbs and 1.29 lbs [814 g and 586 g] respectively) and of stout potting though with well defined details and clear glaze with very faint bluish celadon trace where the glaze pools - mostly between feathers around the birds' necks. These two are clearly of earlier, accomplished production though not marked...

A very finely painted Imari porcelain bowl, decorated on the outside with underglaze blue and over glaze iron red and with a central kinrande style panel of gilt floral scrolling. The interior is painted in polychrome enamels and is decorated with the "Three Friends of Winter" - Bamboo, Prunus (plum) Blossom and Pine Tree and with a Crane and a mythological Turtle to the centre. On the base is an iron red Fuku (good luck) mark. This item was made in Japan in the 19th Century, probably during ...

This is a water pot called SUITEKI made of Japanese copper ware. SUITEKI is one kind of the tools for calligraphy. It is used to pour water into an ink stone.

A Suiteki of copper in this square pot form is doubtlessly very rare.

This small water pot Suiteki is a high class piece which was made about 200 years ago. It dates from the Japanese Edo period. This is an old original...

Pair Japanese Brass/Bronze Hibachi, late 19th century Meiji, with high relief design of travelers in beautiful landscape setting, elephant handles on both sides, 8 3/4" high, 9 7/8" diameter on top rim, 12 1/2" diameter include handles. There are some wear and tear from usage with some minor dents but no major damages. Compacted ash on the bottom remain for both Hibachis.

A very rare late Edo Period Iki Noh mask of Hannya, the jealous, revengeful demon who was once a beautiful woman. Carved of Poloma wood with many layers of lacquer. Glass eyes and horse hair. 8h x 5w x 3d inches, 20.25h x 12.75w x 7.5 cm.

This is shijira Noshime kimono of the samurais with luster dyed with an indigo plant of nature of the Edo era. This has two places of small holes and thin stain This Nosime features deep indigo dyeing with clean luster and Kasuri of transparent blue. In this way, Nosime of the indigo dyeing of Sijira with the luster is rare. This was made in Kyoto and was used in Akita. Size 141cm x 132cm (55.5” x 51.9”)

Try describing this incredible Vase is not difficult: Spectacular is all that comes to mind. This large vase is covered in glassy Oribe green glaze by the important Mino Ware master potter Tsukamoto Haruhiko, born in Mino in 1959

His work, reflects a certain, more modern departure from the established tradition, without compromising the quality of its craft and design.

Tsukamoto Haruhiko studying with Nonaka Shunsei and Asai Reiji...

Silver canines gleam menacingly in the corners of the mouth of this terrifying Edo period sabiji-nuri iron Menpo face mask. It has a three lame nodokake also with sabiji-nuri, laced with tight blue chord. The mustache is a bit ragged and there are typical chips around the edges from use.

A comparatively large sized Japanese Amitabha AMIDA-NYORAI from the Mid Edo Period - about 200 years old.

It is made of premium wood and has been carved by a master craftsman. The golden colour is still vivid and shiny and looks absolutely amazing...

Rare, Spectacular late Edo Period Musha Ningyo of Toyotomi Hideyoshi. A musha ningyo (Boy's Day Ningyo) representing Toyotomi Hideyoshi in sumptuous gold court robes and armor, wearing an Eboshi winged hat and a fantastic sword, holding a gunbai-uchiwa (military fan). This Musha Ningyo of Toyotomi Hideyoshi is the finest quality example from the late Edo Period. Incredibly carved face covered in many layers of gofun (oyster shell lacquer). Seated on a lacquered platform...