Seated Yakushi Nyorai (Healing Buddha), a medicine jar held in both hands, sculpted in relief from a gray igneous stone. Mid-Edo Period ca. 1700. Minor old loss.

Height: 20 cm
Width: 15.5 cm
Depth: 10 cm

An unusually small-scale Yakushi Nyorai, Edo-Period stone depictions of which are uncommon.

Very old Karatsu Chawan (early Edo), slightly deformed rare wan type.

It is thrown on a wheel from coarse unrefined iron baring clay and has tasteful colours.

Smooth feeling in the hands and great antique condition with expected fine hairline cracks and inborn kiln cracks.j

Size: 11cm diameter, 7cm in height.

Shipping included

Japanese white solid Porcelain Pestle, heavy weight, 9 1/2" long, 2 1/2" diameter-widest part, with glazed solid white porcelain except tip of round grinding area which is unglazed. The condition is good, no damages. I also have two(2) different size-11 1/2" long and 7 1/2" long, if anyone is interested in different size, please inquire.

Few foreign potters are able to embrace the Japanese aesthetic as well as Jeff Shapiro. Here is a piece from his second solo exhibition in Tokyo dated 1991. This piece is 9-1/2 inches (24 cm) tall, 9 inches (23 cm) diameter and in excellent condition.
Shapiro was born in New York in 1949. He studied ceramics in Japan from 1973 to 1980, returning to America to build an Anagama kiln in New York in 1981...

This is Sashiko kimono used in Kaga area Kanazawa for the Meiji period. As for this, cotton is dyed with a natural indigo plant. The cotton is spun by hand. This is a very good texture. The pattern of Sashiko is a leaf of Basho. There are no stain, damage. The state is complete. Size: 132cm x 122cm (51.9 "x 48")

This is Tsutsugaki Noren used in the rich merchant's family of the Shonai, Yamagata district for Edo period. It is a characteristic of Edo period that a motif has dynamism. Good cotton spun by hand is used. The characteristic tortoise expresses Edo period well. This is dyed with a very good-quality indigo plant very densely. The movement of a crane and the tortoise. The movement of a wave and the cloud. The expression of the trees and plants. All these lines were created by good creativity...

Wonderful kutsugata chawan of the late Momoyama Period.

Distorted shoe shaped (kutsugata) tea bowl made of light, coarse unrefined Mino clay.

The expertly thrown body is covered with the typical black oniita glaze inside and outside, with the exception of the bottom, the roughly cut foot ring and window, which is decorated with a geometric pattern in black under a transparent Shino type glaze...

Antique Japanese wooden bucket with handle and iron rings around its body, use for taking measurements of rice. Within it is a large nokogiri saw with a wooden handle and a long, wooden blade cover, a thinner hand saw, and a small axe with engraved symbols and arrows pointing towards the blade. May be separated for individual purchase by request...

1 of 2 matching Bamboo tubular shaped Ikebana, this beautiful flower arrangement piece is the smaller of the two. Characteristically carved with bamboo, and charmingly contrasted with black lacquer lining on inside. Top holder is dish like depth, and bottom holder is designed deeper to hold flowers. Circa 1930s-1940's. Dimensions: 25.5" High X 6" Diameter at base

Beautiful large Bamboo Ikebana, with two pots for separate flower arrangements. Appealing contrast lining of black lacquer, complimenting wonderfully the light shade of bamboo. Charming natural wear at the base of Ikebana, with circling rings. Circa 1930-1940. Dimensions: 31" High X 6" Diameter

Modern Hagi Chawan By Miwa Kyusetsu X (Kyuwa) (1885-1981)

The rough white Hagi clay with fairly big enclosures is expertly thrown into half cylinder shape (hanzutsu); The light feldspatic hagi glaze turning to yellow beige; inside the foot ring stamped Kyusetsu.

Many of Miwa's chawan have a split cross footring called a warekodai that was favored by busho chajin (warrior tea men); it traces its origins to Korean chawan...

This katana (69.09 cm [27.2 inches] cutting edge) was purchased in May, 2014. Signed Kashu Ju Kanewaka Tsukuru/Zo. It was left in the care of a second party subsequently invited into the investment...

Antique Japanese gyosho bako (merchant's chest) made from kiri wood with a dark brown lacquer on its exterior, iron corner hardware, side handles, door hinges, and front lock. Its front door swings open to reveal a large storage compartment with a locked drawer below. The inside of the door has the antiquated remains of a paper sheet, printed with the image of the prosperity god, Daikoku. Comes with a custom iron stand that craddles the piece in place...

Japanese tansu chest for storage, two large sliding panels with decorative scalloped edges, inside on right is a series of five drawers, inside on the left is open with one shelf, nice iron handles slide out on top for carrying, also on the sides are two copper handles, made of kuri (chestnut) wood, this piece is very solid and heavy, the interior of each drawer is made of thick kiri (paulownia) wood, beautiful deep brown finish, Showa Period (c...

Beautiful Japanese Kuri Tansu made of rich chestnut with black lacquer on frontal frame, sides, and top. Contains four big drawers for ample storage space. Decorated with four iron lock fixtures on each drawer in the shape of Japanese fans. Tansu has two iron side handles for carrying. From Meiji Period (1868-1912) Dimensions: 34.75" Height, 34.25" Width, 16.75" Diameter

Japanese silk kimono made with black chirimen silk, decorated with a resist design of fans, inside is lined with pink and cream color silk, very artistically mended in one subtle place to enhance to kimono (see detail), Taisho Period. Size: 66" long x 51 1/2" wide

This is one of the best Shounai-Noren used in Shonai, Yamagata area for Edo period. As for the hemp of this item, a delicate thread spun by hand is used. The pattern is full of Chadougu which was popular in Shikoku. Chadougu is an instrument used at tea ceremony. The Chadougu design reached shounai by a goods-carrying merchant ship. The artist Fujita displayed cloth full of Chadougu in the atelier of Japan. There was the picture near a great painter without sense of incongruity...

Seated Jizo Bosatsu, a hoju (sacred jewel) held in both hands, sculpted from a fine-grained granite. Early-Edo period ca. 1650...