Fragment of an itahi, commonly referred to as an aoishitoba (lit. blue-stone stupa), sculpted from a blue-green schist, the bonji (Sanskrit character) symbolizing Amida Buddha incised onto the front surface. Clearly dated to the Jowa Era (1345~1350), Nanbokucho Period. Loss of lower portion.

Height: 31.8 cm
Width: 17.3 cm
Thickness: 1.8 cm

The earliest extant examples of stone itahi date to the mid-Kamakura Period ca...

Standing Jizo Bosatsu, a hoju (sacred jewel) held in both hands, sculpted in relief from a fine-grained sandstone. Late-Edo/early-Meiji ca. 1875. Excellent condition, with pastel-green lichen accumulation.

Height: 45 cm
Width: 21.5 cm
Depth: 17 cm

An arresting Jizo stone.

Beautifully hand-carved Japanese Bugaku theatre mask, meant to be worn whilst performing the solo, rejoiceful Genjoraku dance. This dance references the practice of snake-eating for medicinal purposes in central Asia and would often be performed as celebration of the return of an emperor to the palace. The mask has movable eyes, jaw, and eyebrows, stringy hair, bulging veins on its forehead, and an upturned nose of a tengu demon...

Standing Jizo Bosatsu, a long-stemmed lotus bud held in both hands, sculpted in relief from a brick-hued sandstone. Clearly dated to the fourth year of the Kaei Era (1851), late-Edo Period. Minor old loss. Variegated lichen accumulation.

Height: 37.5 cm
Width: 18.5 cm
Depth: 13 cm

Perched on a lotus-form dais with a lotus-bud bobbing balloon-like overhead, a notably charming Jizo, dated clearly to the mid-19th century.

It is indigo dyeing Patched Sashiko-stitch beautiful BORO kimono of very rare and amazing in the Edo era . This is all an original state.This can enjoy both sides. As for this, the good cotton of a texture spun by hand in the Edo era is used. This was colored into Katazome, Shibori, solid color with an indigo plant of nature. This was found in the very rich area of the Tohoku district. It was food, money and an easy heart. As for this, hemp thread is used all for Sashiko...

This is a very nice Meiji vase from Meizan. It has excellent gold detail and enameling. It is even finished off at the inner top rim area with fine white enamel beads. The work rivals that from the Yabu Meizan factory and it is believed that some of the Meizan artists went on to work for Yabu Meizan. This beautiful 5 inch piece has slight wear to the gold but overall is in outstanding condition.

Antique Japanese Noh mask of the O-beshimi fierce deity, or mythical tengu. "Beshimi" means "mouth clamped shut". This mask is hand-carved from kiri wood, and inside you can see the chisel marks left behind by the artist. There are visible traces of white gesso in the crevices of the face, which was used as a filler to cover the wood grain. Edo period, 19th century Size: 9.5" tall, 7" wide

This is a set of a vintage Japanese porcelain tea plate, which was made by a Human National Treasure, Kaiji Tsukamoto (1912-1990) about 40 years ago.

This legendary star potter was honored in 1983 with the most importend award "Living National Treasure/Japanese Human National Treasure.

Flowers are molded on the plate. The seal of his kiln is stamped on the bottom.

The original wooden box with the signature of his kiln name & his profile are also included...

Lithograph page titled "Entrance To A Temple At Hakotadi" taken from the expedition of Commodore Matthew C. Perry's expeidition of Japan and Ryukyu, published between 1880-1890 by Sarony & Co NY. Commodore Perry (1794-1858) played a huge role in creating connections between Japan and the West. This lithograph depicts three monks, one kneeling before the other two, and one holding a spear in front of a beautiful two-story temple. A ship can be seen floating in the water beyond the temple's fence...

Woodblock print titled "Girl By Twilight" by Japanese artist Rakutei, also known as Takahashi Shotei circa 1951, published by Shima Art Co. A young woman stands under a tree in a deep purple, blue, and red kimono, gazing at a village that lies beyond a bridge. The silhouettes of several villagers can be seen illuminated from their windows. The young woman's bright and beautiful form are contrasted against the dark night...

A truly extraordinary print of the streets of Tokyo by Japanese Shin-Hanga artist Tsuchiya Koitsu circa August of 1939. Two women, both wearing beautiful blue kimonos, walk in the rain holding parasols. The streets are colored a purple/mauve as the rainwater reflects the light of lanterns from inside of a nearby shop, trees rise above buildings, and despite the depicted weather conditions, this is a very colorful scene. Print is signed and stamped in the bottom left corner...

A beautiful and very detailed woodblock print by Japanese artist Ohara Koson (1877-1945) of two herons standing in water with leaves and branches in the background, slightly obscuring the view of a bright crescent moon amongst a beautiful night sky, fading from darker tone blues into icy tones. The herons' feathers are actually embossed into the woodblock and have many other detailed features, such as the scales and claws of their feet and the gleam in their eyes...

An exquisite Japanese silk haori with a wintery skiing scene featuring tickets from Tokyo to Akaura and from Kyoto to Ibuki. Made of habutae silk a with woven lining, it can be worn or displayed with either side facing outward. The outside is solid black with 5 mons (family crests). The inside back panel’s weaving includes the use of varying shades of taupe, bronze, gold, black, and silvery gray silk metallic lacquered threads...

Imari-yaki calligraphy-brush holder decorated with a Nanbanjin (lit. southern barbarian person) motif. Mid- to late-Edo Period ca. 1775. Excellent condition.

Height: 14.3 cm
Diameter of mouth: 2.4 cm
Diameter of foot: 4.7 cm

Wonderfully detailed print of snowy herons huddled together in the water by Japanese artist Ohara Koson (1877-1945). This is a shin-hanga style of print, a revitalization of the traditional ukiyo-e style, which means "pictures of the floating world", popularized during the Edo period in Japan (17th-19th century). The background of the print fades beautifully from the icy grey and white toned sky into the gorgeous blues of the water...

Colorful woodblock print of a rural house in Japan, with multicolored pinwheels spinning overhead, accompanied by fish wind socks called koinobori, which are traditionally flown to celebrate Kodomo no Hi or Children's Day (March 5th). By Kun Pu, circa 1960-1950, published by Uchida Art Co. Size: 17.5" tall, 11.75" wide

Woodblock print by Japanese artist Saito circa 1950-1960, published by Uchida Art Co. This print is of two young girls wearing very bright and beautiful kimonos in various shades of green, blue, yellow, pink, and red. One girl holds a fan while the other holds a small toy of a bird. A paper lantern hangs behind the head of the smaller girl. Both girls have precious, doll-like features. Size: 17.5" tall, 30cm wide

Beautifully rendered Japanese Edo Age Bronze incensor of two playful wrestling Fu Dogs. Great attention to detail, with a stunning original natural patina, consistant with age.

Late Edo Period (c1850).

Size: Length 8" x width 6" x height 8.5"