Lidded crystal eyes gaze serenely down from the Rakans purchase high on the lofty temple walls. The face is expertly crafted, with a distinct Chinese air reflecting the fact the Rakan (Arahat) were all from the Continent. The robes of green, white and red are patterned with scrolling vines and dials. A dedication on back Appears to be Made for/by Konoike-mura Hachiuemon and is dated Ho-Ei 7 (1710). The new wooden base on which it stands states the piece was restored in 1993...

Beautiful Japanese antique storage tansu with locking bar, made with all keyaki (elm) wood front and frame, iron hardware, top portion has three drawers covered by a vertical locking bar, bottom portion has sliding panels with horizontal slats, bottom right side opens to reveal two small interior drawers, deep red translucent lacquer finish, Edo Period. Size: 41" high x 38" wide x 19 1/2" deep.

Rare and beautiful Japanese antique kura tansu (storage chest), all keyaki (elm) wood front and framing, iron hardware, top portion has 3 drawers and lower portion has sliding panels with horizontal slats, bottom right interior has two small drawers also made of keyaki wood, deep brown translucent lacquer finish with wonderful patina, Edo Period. Size: 41 3/4" high x 38 3/4" wide x 21 1/4"deep.

Beautiful and unusual Japanese antique kuruma tansu (storage chest on wheels), made all of heavy keyaki (elm) wood with iron hardware, front has sliding panels with horizontal slats, sides and back all have wooden bracing, interior left side has 4 drawers of different sizes with iron hardware, right side interior has hidden compartment that opens to reveal 2 secret boxes.

Late Edo Period

Size: 36 1/4" high x 38" wide x 23" deep.

Japanese keyaki bar tansu with original finish, kiri leaf shaped lock on top drawer, bar opens with one key. Dimensions: 24.25" High x 29.5" Long x 20.75" Deep

Antique 17th century (circa 1650-1680) Japanese Arita porcelain ewer of oval form with a waisted neck and loop handles, painted in underglaze-blue with panels of peonies reserved on karakusa, the neck is with stylized peonies...

Japanese sagemono (hanging object) tobacco pipe set consisting of a wood kiserutsuzu (pipe holder), kiseru (pipe), and wood tonkotsu (tobacco box) in the form of a humorous yawning Daruma with arms overhead grasping the two cords with his fists. The cords hold an ojime (sliding bead), which is attached to the pipe holder. Daruma’s body is kiri (pawlonia) wood and his eyes are inlaid with mother of pearl. His face lifts and functions as a cover for the tobacco box...

Japanese Meiji period Satsuma foliate form bowl decorated in overglaze pigments and gilt highlights with a large bird in a cherry tree at the foreground set against a landscape scene with beauties in a pavilion at the right and a waterfall at the left. The exterior features three flying female mythological figures. The base bears a gold on black square “Satsuma Hotoda” mark and circular Satsuma family crest. 4 1/4” diameter x 1 3/4” high. Late 19th century...

This is an uchikake robe (outer kimono gown) probably used as Kabuki stage costume. The bottom and the openings of sleeves are thickly padded with cotton stuffing. The design is large paulownia leaves and flowers. The exterior and liner are both thick cotton. This robe is old, and a little soiled but the fabrics still have not lost it’s strength. It is an attractive display piece...

Ushi-nori (Cow-Riding) Dai-Nichi Buddha figuratively sculpted from tuff, the hands forming the chi-ken-in knowledge fist mudra. Mid-Edo Period ca. 1750. Old loss, most notably to the cow's horns and left foreleg. Good lichen accumulation.

Height: 37 cm
Width: 30.5 cm
Depth: 22 cm.

A well-executed depiction of Ushi-nori Dai-Nichi Buddha, sculptural depictions of which are exceedingly uncommon.

Beautiful Japanese maru obi! Obis can be used as a belt to hold a kimono together. The classic design from the Heian Period (794-1192AD) of ox carts, fans and court music instruments run throughout the front and back. The gold is woven into the fabric almost entirely and sparkles when it is hit by light – it has much gentler tones in the dark. The earth tone green and rusty brown are particularly pretty on this obi...

An unusual chato (tea room sword) in the shape of an octopus, its 8 legs stretched out in uniform with one curled back exposing the suckers. Eyes are intimated on one side, with an old chip where the breathing hole is opposite. About the neck is wrapped a faded silk chord. It is 22 inches (56 cm) long. It is said that these wooden swords were produced from the mid to late Edo period, in lieu of swords for those not allowed to carry weapons (all but samurai)...

Japanese uchikake (wedding gown) with a colorful design of flowers and birds done in the Tsujigahana-zome (dye) style. The old Tsujigahana dye technique was used on the clothing of the Muromachi to Momoyama period elites. Inside the tie dyed area, flowers and birds were painted with blue, purple and black ink. Tsujigahana-dye was short lived and completely vanished by the early 17th century because of its extreme complexity...

In pristine condition, is this Japanese woodblock album displaying 6 famed prints, although these are not originals, yet they are actual wood block prints done for the 1964 Olympics in Japan. Please read the label description on book cover; the woodblocks are 44 years old with no soiling, smudge, or any imperfection whatsoever. They were adapted for stamps, but each are sized image area about 5" by 7" and each come with the original acid free protective tissue paper.

Stone frog. Meiji Era ca. 1900. Old loss to the front-left leg; otherwise, fine. Desirable patination and lichen accumulation overall.

Height: 16.5 cm
Length: 30 cm
Width: 24.5 cm.

An irrepressibly charming specimen, sculpted from a relatively lightweight gray-hued stone of volcanic origin.

Prosthetic rock included.

From our Japanese Collection, a superb Kinkozan satsuma vase of tapered ovoid form, Meiji Period 1868-1912, most likely 1880-1890, depicting a finely painted bijin on one panel along with finely painted roosters and flying birds in a garden setting on the other panel. Both main panels are separated by reserves of elaborate gilt work set against a rich cobalt blue ground. Kinkozan signature and impressed mark on the bottom...

Japanese antique iron Shokudai (Buddhist candle stand), flaming drop shape hoju no tama, the wish granting symbol which grants enlightenment and release from earthly desires, Japanese writing on the cloud like portion at the bottom of the drop, holds 12 candles, Taisho/Showa Period. (c 1930). Size: 42 1/4" high x 23 1/2" wide x 11" deep (at base).

A lovely and cute Japanese pickle relish dish dated to the late Meiji period (1868-1912). The type is known as geisha ware due the subject matter so wonderfully represented. It is further without chips, cracks, or any damage whatsoever. It measures 9" long x 3.25" wide.