During the Kamakura period in Japan (1185-1333), a remarkable form of Buddhist sculpture known as the votive Buddha emerged. Commonly referred to as kakebotoke (hanging Buddhas), pieces like this would have been mounted on spherical plaques made of bronze or copper and hung in a Buddhist temple or possibly even in a Shinto shrine. These small-scale sculptures were created to serve as objects of devotion and were often commissioned by wealthy individuals or temples...

1900's Large Japanese Satsuma Vase with Relief Flower

It is 18.1 inches (46 cm) tall by 9.45 inches (24 cm) wide. It is 12.9 Lb.

It has firing cracks, rubbing of gold and paint, minor skip glazes, and surface wear and scratches (as seen in the photos).

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Ash flows through and fills the deeply crevassed surface of this closed bottle form by Furutani Hirofumi (Churoku II) enclosed in the original signed wooden box titled Shigaraki Shizen-yu Kuchi Jime Yohen Hanaire. All one must do is turn it a few degrees to get a new aspect or a new point of contemplation. Shinshoku, blasted green, olive fingering, and charcoal black all studded with the famous Shiseki of Shigaraki...

Cosmic rays flow away in a burst of green over the twilight color of this vessel by Furutani Hiromu (Churoku I) enclosed in the original signed wooden box titled Shigaraki Shizen-yu Yohen Tsubo. The entire vase seems to be covered in ashen gray over which the vivid green glass has flown, forming rivulets leading to a single crystalline drop on the opposite side. It is 22 cm (9 inches) diameter and in excellent condition, directly from the artist...

The term “Raku” was once reserved for a style of pottery produced by a specific household in Kyoto that began over 450 years ago. Over the years, as it gained popularity, several branch kilns were established (Ōhi, Tamamizu) and a number of other lineages arose making pieces in the style of Raku, though they were not formally associated with the Raku household...

Hard porcelain vase covered with a crackle glaze. Decor of two facing dragons enamelled in an exceptionally bright electric blue, their eyes enamelled in yellow. Two friezes enamelled in green and a frieze of stylized flowers molded in relief on a celadon background. The style and quality of the drawings, enamels and technique suggest a creation by Makuzu Kozan...

Antique Japanese gyosho bako (peddler's chest for a traveling salesman). Made with sugi (cryptomeria - cypress) wood on the outside and kiri (paulownia) wood on the inside, this box would have been light enough to carry. The single door opens to reveal a series of 10 light weight stacking trays which slide out like drawers. Each is marked with a character in light ink for organization. There is also an exterior drawer with a round iron lock and square handle...

One of a kind art deco Ca. 1935 wood stand for incense burner or object. Thick wood and old Negoro lacquer indicates even an older time period. Condition good with some age wear. see pictures. 12" high by 12" wide with a depth of 7". Very rare. Ask for shipping quote.

A pair of lovely gold lacquered zen temple lotus offering stands Ca. 1930. Very good condition with minor wear. see picture. Height; 11" x Diameter of 5". Ask for shipping quote.

Lavender tinged crawling pale glaze covers the soft porous clay of this classically inspired Mizusashi by Living National Treasure Miwa Kyusetsu XI enclosed in the original signed wooden box titled Shiro-hagi Mizusashi. It is 20 cm (8 inches) diameter, 18 cm (7-1/4 inches) tall...

A superb example of Karatsu ware by Nakazato Tarouemon enclosed in the original wooden box titled Tataki Chossen Karatsu Mimitsuki Mizusashi signed Jusandai Tarouemon. The pale clay is covered in white with color fingering its way through in permeated drips from the rim. The vessel is 19 cm (7-1/2 inches) diameter, 16 cm (6 inches) tall and in excellent condition...

Tsuchiya Koitsu
Maiko Sea Shore
Date: 1936.
Size: Chuban. Approximately 10.75 x 7.75 inches.
Publisher: Doi Hangaten.
Printer: Yokoi. Carver: Harada. This combination of seals indicates an early postwar edition.
Reference: TK-DH-23 in Koitsu catalogue.
Medium: Japanese woodblock print.
Condition: Back has one tape remnant at top right and a small foxing spot. Slight fading.

Eiraku Zengoro XVI Sokuzen (1917-1998) Double Gourd Vase with excellent red glaze...

Tsuchiya Koitsu
Snowy Miyajima
Date: 1936.
Size: Chuban. Approximately 10.75 x 7.75 inches.
Publisher: Doi Hangaten.
Printer: Yokoi. Carver: Harada. This combination of seals indicates an early postwar edition.
Reference: TK-DH-25 in Koitsu catalogue.
Medium: Japanese woodblock print.
Condition: Back has one tape remnant at top right. Slight fading.

An antique Japanese Okidoko (low display stand) made of Keyaki (Zelkova) wood. Used in a Tokonoma as a portable display stand atop which decorations like scrolls were hung or flower arrangements were displayed. Drawers were used to store items for display and the interior shelves were used to display seasonal items. All original bronze hardware.

Age: Meiji Era (1890-1900). Dimensions: 31 1/4" Wide by 12 1/4" Deep by 14 1/4" Deep

A rare antique Sado Island Kasane Tansu made of Kiri (Paulownia) wood. All original hand forged iron hardware including the Warabite handles and original Urushi lacquer finish. All hardware was custom made with no two matching parts. The locking plates feature many auspicious symbols including Ebisu, Daikoku, the Lion Dancers, a crane, two turtles, a Fu Dog and an old wise man...

A beautifully crafted image of a cormorant seeking fish by Ishida Rainosuke enclosed in the original signed wooden box dating from the early 20th century. The bird is 38 cm (15 inches) long and both bird and fish are in excellent condition. A very interesting treatment of the position of the back foot shows the bird kicking, as if speeding up, eye on the prize...

From a 2006 excavation site in Tokyo known to be occupied by the Owari Tokugawa clan—the most senior contingent of the Tokugawa clan that united Japan under one rule—this lovely Mishima tea bowl has been given a new lease on life with a gorgeous and detailed kintsugi repair with maki-e gold painting. Known to have been devoted patrons to cultural institutions, the Tokugawa’s governance and policies contributed greatly to the flourishing of arts, literature, theater, and urban ...