Circa 1920's hand carved Japanese ivory okimono of a long tailed rooster on a wood perch. Excellent antique condition.

Antique Japanese six panel oshiebari style screen featuring six paintings in sumi ink and colors on gold leaf (kinpaku) applied paper. Collectively depicting an autumn landscape with ducks and songbirds on and above rolling hills beside a meandering shoreline. The scene punctuated with flowering bushclover (hagi), Chinese bellflowers (kikyo) and eulalia grass (susuki, alt...

Japanese rare antique 3-panel screen painting of Raigo Zu: Amida Buddha in Raigo pose. The screen has three panels with the two outer panels half the width of the central panel so they open like shrine doors. A bronze butsudan latch keeps the doors closed. The screen opens to reveal a central panel with a large image of Amida Buddha painted in mineral colors and gold on silk and framed with silk brocade of golden clouds. The outer frame is lacquered red...

Antique Japanese 2-panel screen painting with a tranquil scene of birds near a stream. A pair of mallard ducks swim under a tree branch where black birds and finches rest and frolic. Painted in ink and light colors on paper.

Age: Meiji Period (1868-1912)

Dimensions: 51 3/4" high x 70 1/2" wide

Antique Japanese 2-panel screen painting. The right panel has a scene of a man and woman spending a leisurely day by a stream. Deep in conversation over tea, their wealth is evident by their richly patterned robes and picnic blanket. A robe thrown over knees to keep off the chill and the orange leaves of the maple tree suggest that Autumn is here. The left hand panel has another outdoor scene of a beautiful lady and a young girl out for a stroll by a small stream...

Antique Japanese 2-panel screen painting of a lotus pond. Wide lotus leaves and pale pink flowers blossom on the surface of the water. A white heron comes in for a landing near a pair of Mandarin ducks. Painted in mineral pigments on silver leaf.

Age: Showa Period (early 20th century)

Dimensions: 38 1/2" high x 74 1/2" wide

Three boxes inrô in black lacquer and gold hiramaki-e, maki bokashi, kirigane and mother-of-pearl (raden) inlay depicting peasants planting rice seedlings in a rice field.
Nashi-ji lacquer interior with the inscription ソカウアン (sokauan) at the top of each boxe.
Rice is the staple food in Japan...

Bronze incense burner representing an old man, riding a carp hands joined, in a tumultuous sea.

The man could also remind the deity of fishermen and prosperity, Ebisu, which is often represented with a carp. However, it is usually represented with a large hat called kazaori eboshi.

The carp is a fish symbolizing perseverance, courage and wisdom, as it swims up rivers and waterfalls against the current...

Brush box (fudebako) made of wood and lacquer. On the lid, lacquer decoration representing sagittarius, a flower inlaid with ceramic and a leaf inlaid with mother-of-pearl (raden).
Interior and base of the box in nashi-ji lacquer.

Taisho Era (1912-1926)
Height: 1.4 in. (3.5 cm) - width: 2.8 in. (7.2 cm) - depth: 9.4 in. (23.9 cm)

Four-square inrô in hiramaki-e lacquer, maki-bokashii and mother-of-pearl inlay (raden) in the form of a man sailing on a boat, against a mountain background. On the back side, bamboos are in the foreground.

Horn netsuke of a man resting against a stone, a fan in his right hand.
Ojime in stone painted with white carnations.
Sold in a box which is not original.
Small boxes formed of interlocking compartments, inrō (印籠) are traditional Japanese clothing items...

Small iron lantern of rectangular format stretched in height with its base. The paper comes from a book page of classical Japanese literature. This writing is developed from the 8th century and is borrowed from the Chinese writing.

Japon - early 20th century Height: 11 in. (28 cm) - width: 3.4 in. (8.7 cm)

Wood and lacquer lectern (kendai) with a drawer at the foot. Takamaki-e decoration representing an eagle on a rocky promontory, surrounded by vegetation. Head down and wings half unfolded, it is about to fly away, perhaps to hunt its prey.

The eagle is considered as the king of birds. Its tail feathers are said to be the best feathers for an arrow...

Wooden sculpture of a mouse on a mushroom. The qualities of wood have been skillfully exploited to signify the lamellae of the mushroom, not visible unless the sculpture is lifted.

In Japan, the term nezumi refers to both the mouse and the rat. They are considered the messenger of Daikokuten, the deity of commerce and wealth...

Late Edo period (19cc) Shino ware Chawan for tea ceremony Wabi Sabi

The fine crackle look with natural kiln vivid cracks gives the bowl an authentic wabi sabi feel.
Overall, it is a great example of an old, beautifully crafted Shino tea bowl.

Shino pottery is produced in today's Gifu prefecture since 16th century and it is distinguished by thick white glazes, red marks and the surface of small holes.

Size:
Height 7 cm
Width 11 cm

Conditio...

A bowl deeply impressed with Jomon rope designs by Living National Treasure Shimaoka Tasuzo enclosed in the original signed wooden box. It is 7.5 (3 inches) tall, 13.5 cm (5-1/4 inches) diameter.
Shimaoka Tatsuzo (1919-2007) was born in Tokyo and enrolled in the Tokyo Kogei Daigaku Ceramics division in 1939. The following year he would meet Mashiko Mingei potter Hamada Shoji, and the course of his life was thought set, graduating in 1941...

Wood tray mended with metal hinges. It has beautiful annual growth rings and grains. The first half of the 20th century. W:27.5cm, L:40cm, H:4.8cm, Weight:1100gm

Beautifully plaited bamboo basket we think by Iizuka Sounsai of the famed Iizuka Family of reknown basket makers in the Taisho and Showa eras. It is not signed but exactly like the signed Kyokusho (Sounsai's art name) pc4 we have on the site. Circa 1920 – 1940. Iizuka Kyokusho was a brother of Iizuka Rokansai and Iizuka Hosai. He worked in Tokyo, and liked to work with slat bamboo. 12" tall by 10" wide. Great condition. Ask for shipping quote.

This raw form covered in scorched white has been slabbed off in the Shinogi style by Atarashi Manabu. The word Shinogi denotes the curve on a samurai Sword blade, and has come to be used in pottery to describe things which have been scored or sculpted with a knife. The sake vessel is 15.5 cm (6 inches) tall and in excellent condition and comes enclosed in the original signed wooden box titled Shino Shinogi Tokkuri...