Tatougami which was used at the pawnshop for wrapping pawned items. The name of the shop is "koyama Shichi-ten" and it has the shop's logo "小" in the square. It is a few layers of old washi (handmade paper) pasted together and painted with kakishibu (persimmon tannin) for strength and waterproof. Shichiya (pawn shop) appeared in Kamakura period and developed much in Edo period. 19th century. 32cm x 81cm

Kogo, box to keep incense, in the shape of a reclining boar, head and nose turned up. Red-brown stoneware with gray and pink glazes, typical for Hagi ware. Inside bottom and cover covered in gray glaze over pink.

Seal impressed in bottom: Tobei.

Japan, Hagi ware, ca...

Clusters cling to the bottom of this heavily encrusted small bottle scorched black and off kilter which must have become lost in the embers by Osako Mikio enclosed in the original signed wooden box titled Ko-tsubo. It is roughly 8 cm (3-1\4 inches) diameter, 9.5 cm (4 inches) tall and in excellent condition...

A magnificent set of five wooden bowls lacquered red with a net design enclosed in the original wooden box titled Shu-nuri Amime Hashiaraiwan dating from the first half of the 20th century. Excluding the lid each is 7.5 cm (3 inches) tall, roughly the same diameter at the rim, and all are in excellent condition. Repeated use of lacquer tends to see the black acquire a brown tinge. These remain jet black, and it is likely they have been virtually unused for the better part of a century...

Antique Japanese large 2-section storage tansu for an herbal merchant. Made of hinoki (Japanese cypress) wood, beautifully worn and patinated from years of use. The top section has a large compartment opened by two sliding panels and with two interior shelves. The bottom section has 38 drawers for storage of various herbs and wares. Every drawer has an iron hirute-shaped pull...

This is a japanese antique indigo dye kasuri hemp kimono.It is in very good condition with no stains or damage.Size: Length: 143cm (56.2inch) Sleeve to Sleeve 122cm (48inch)

Toshi Yoshida
Heirinji Temple Bell
Date: 1951.
This edition later from original blocks.
Size: Oban. Approximately 15.75 x 10.75 inches.
Toshi Yoshida seal and block-signed signature.
Medium: Japanese woodblock print.
Condition: Top back margin corners have paper residue.

Gold dragons prance about the vermillion surface of this exquisite vessel by important Meiji potter Eiraku Zengoro XIV (Tokuzen) enclosed in the original signed wooden box which is in turn enclosed in an outer box also annotated by a later generation Eiraku. Remembered specifically for his mastery of Aka-e Kinsai ware, this is a museum worthy example of this important potters work. It is 43 cm (17 inches) tall and in excellent condition...

A rare antique Japanese Okidoko (display stand for a Tokonoma room) made of Keyaki (Zelkova) wood. The top is one thick solid long piece of this rare wood...

Screen of 2 panels, watercolor on paper. The background is glued with gold leaf square . The scene represents young women in the garden, one of them capturing fireflies. The charming subject is quite unusual for this type of screens which are usually decorated with warriors, animals, plants or landscapes...

A spectacular faceted deep chawan in dual-color by Nishihata Daibi enclosed in the original signed wooden box titled Tamba Kakewake Chawan. It is 9.5 cm (just under 4 inchers) tall, 11-12 cm (4-1/2 to 5 inches) diameter and in excellent condition.
Nishihata Daibi (also sometimes written NIshibata) was born in Tachikui Village, Hyogu in 1976...

Additional photos of this fabulous Accordion book of 12 paintings by Kimura Seiun enclosed in a wooden box titled Atami Dan Ko-gasatsu and dated early Spring of Showa 4 (1929). The introductory page is written by Zen priest Hashimoto Dokuzan of Tenryuji Temple in Kyoto. The paintings are each signed with various names used by Kimura, mostly Seiun or Ren. The introductory and concluding pages are both dated 1929. It is 28 x 14 cm (5-1/2 x 11 inches) and in overall outstanding condition...

NUDE WOMAN

Charcoal on layered washi (Japanese paper) stuck on wooden canvas, 53 x 65.5 x 1.5cm (20.86 x 25.78 x 0.59in), by Eiki Tsukioka (1916-1997), as one of the leading Showa's Nihonga (Japanese-style painting) painter with very unique and alternative worldview, once as the pupil of a master, Seison Maeda (1885-1977)...

This is the part of the Rare indigo dye Katabira Ramie Kimono of the Edo period. The part of the yuzen dye is sewn together. It is not stained but has small holes. size::Length 98cm(38.5inch) / Width 31cm(12.2inch) 　　　2 pieces

A fragment of washi with mending patches, whose ground paper as well as mending patches are kakishibu (persimmon tannin) dye for waterproof and sturdiness. It has several layers of old recycled washi. The original usage is not clear. Late 19th to early 20th century (Meiji). 40cm x 40cm

A fragment of washi with mending patches, groud paper as well as mending patches are kakishibu (persimmon tannin) dye for waterproof and sturdiness. It has several layers of used old washi. The original usage is not clear. Late 19th to early 20th century (Meiji). 40cm x 32cm

A black bird sporting a tufted beak shelters among the thick foliage of fresh bamboo by the easily identifiable and quite rare artist Sakakibara Shiho performed with pigment on silk in the original signed double wood box titled Mosochiku Hakkacho (Crested Myna Bird in Moso Bamboo), a favorite motif by the artist dating from the Taisho period. It is bordered in fine pattered silk threaded with gold and is appointed with solid ivory rollers (these will be changed if exporting)...