This is a japanese antique indigo dye thick hemp katazome Plaid long Roll textile. It is a handspun & natural indigo dye katazome. There is no stain.There is no damage and it is in very good condition. Size:Length:1143cm(37.49ft) / Width: 33cm(12.9inch)

This is a japanese antique Indigo dye katazmome thick hemp long roll fabric, hand-spun thick hemp long roll fabric. There are no stains and damage and the fabric is in very good condition. Size: Length: 848cm(27.8212 ft) / Width: 36cm( 14.1inch)

This is a Japanese antique indigo dye thick hemp katazome Stripes long fbric. It is a handspun & natural hemp. There is no stain.There is no damage and it is in very good condition. Size:Length:300cm / 118.11inch Width: 36cm / 14.1inch

Japanese antique wood block print of the sumo wrestler, Unryū Kyūkichi (Unryū Hisakichi) with beard and wearing a keshō-mawashi (ceremonial apron-style belt). Unryū Kyūkichi was in the makuuchi league since 1852. Name used from 1850-1865. He retired in 1865. Signed by Kōchōrō Toyokuni ga and date seal between 1851-1853. Framed print.

Age: Edo Period

Dimensions: Framed 19" high x 14 1/2" wide. Image: 13 1/2" high x 9 1/8" wide

Japanese antique wood block print of the sumo wrestler, Tsuneyama Gorojin wearing keshō-mawashi (ceremonial apron-style belt). Gorojin was in the Makuuchi league since 1843. Name used from 1842-1856. He retired in 1859. Print by Kuniyoshi Utagawa and dated 1852 (year of the Rat) or 1853 (year of the Ox). Framed print.

Age: Edo Period

Dimensions: 20" high x 15" wide (framed). Image: 14 1/4" high x 9 3/8" wide

Big, oval shape bamboo flower basket, Hanakago, with a large mouth for use in important, large flower arrangements. *Material: smoked Madake bamboo, rattan, lacquer...

Kawase Hasui
Evening at Miyajima
Date: 1950s-60s
Size: Approximately 5.5 x 3.75 inches.
Hasui oval seal and title at lower left.
Publisher: Watanabe Shozaburo.
Medium: Japanese woodblock print.
Condition: Edge of top margin is browned.

BAMBOO SPROUT MADE OF BAMBOO

Sculpture of bamboo shoot made with grown-up bamboo that back to the form of its childhood. Showa period, 20th century, Japan. H 27 x D 10.5cm (10.62 x 4.13in)...

An ornate porcelain image of a horse draped in full regalia by Miyanaga Tozan I enclosed in the original signed wooden box. The detail about the head is fabulous, and the artist has done an excellent job capturing the musculature of the creature while allowing something ethereal. In Japan horses (and cows and foxes and deer and lots of other creatures) are often enshrined as messengers or embodiments of the gods in Shinto. This is 21 x 9 x 23.5 cm (9-1/4 inches) tall and in excellent condition...

Small cast iron tea-pot. One side is decorated with lotus flowers, the other side is without any decoration. The spout is doubled in bronze, the handle is in copper as well as the lid which has a decoration of small rounds in light relief of different patina, perhaps formerly gilded. The grip button is in silver plated copper and shakudo. It is likely that this type of jug was also used for alcohol as specified on the invoice issued by the seller in Kyoto which dates it to 1850...

Porcelain dish from japan, arita, kakiemon kilns. end of the 17th century. Decor in the center of phoenixes, rocks and peonies in overglaze enamels and underglaze cobalt blue (which is unusual for Kakiemon). On the edge, decoration of the three friends, bamboo, pine and prunus, by fantasy the artist added chrysanthemums. On the reverse the apocryphal mark of the Chinese emperor Tcheng-hoa. Traces of 4 pernettes of cooking. Diameter about 20cm...

Japanese chuban format shin hanga woodblock print by Takahashi Shotei, also known as Hiroaki (1871 - 1945) depicting two figures walking in the snow in the foreground, one holding a parasol walking toward a hut, the second crossing a bridge over a stream. A snow laden tree and torii gate are at the left. Titled "Snow at Ozawa; Torii Gate and a Cottage" the print was published by Watanabe prior to 1930. The title and artist's red Shotei seal are at the upper left...

A very modern and sleek interpretation of the classic lacquer sake warmer otherwise known as a “chōshi” in Japanese. The author of this piece, Kado Isaburō, was born in the town of Wajima in Ishikawa in 1940. Born into a crafting family, he learned the family trade from a young age from both his mother and father and would later go on to do an apprenticeship under Hashimoto Tetsuhiro...

BLACK AND RED LACQURED CONTAINER

Old wooden lidded container for storing food like vegetables, lacqured up in the refined two tones of black (for surface) and red (for inside), once used among the middle class or richer in the Edo period (1603-1868) in Japan, D 35 x H 26cm (13.77 x 10.23in). Some lacqure-peelings due to aging as is...

First edition Japanese woodblock print, large Oban 9.5” x 12.5”, of “Owl” by Iwao Akiyama. Printed on handmade paper, it is numbered 130/200, and dated 1973. Measures including frame 12” x 15”. Note: Color is excellent, any variations is from reflections in the glass.

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Kuro Oribe pieces are the most common with their jet-black glazes and feldspar ornamentation tending towards the minimalistic, abstract; and, some would say, Zen-like aesthetic. While the piece shown here is not entirely typical of Oribe pieces, the black glaze, contrast window, and unmistakable kutsugata shape all point to this genre of Minō pottery...

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for...

Interesting Arita Imari bowl, late Edo with scalloped rim and panels with reserves of flowers and figural scenes of an elderly teacher (?) surrounded by pupils, the reserves contoured in raised overglaze black. Brocade or diaper patterns in green, red, blue and gilt surrounding a stylized turtle in underglaze blue. The exterior shows three Buddhist symbols repeated three times in underglaze blue, red enamels and gilt. Bull’s eye base and a green-glazed Uzu-Fuku mark...