A matched pair of iron tsuba. Wasp and antler motif. Relates to a Japanese saying (we’ll research and get back with an account). Not a true daisho pair, the workmanship and subject are more than just close enough to appropriately use well on daisho swords. Edo period Shoami work, circa 1800. I’ve also seen this motif attributed to Kanayama (the surface texture would be consistent). There could be overlap as Shoami was more a movement than a region-bound school. Good condition...

Daisho ko-Shoami marugata form (round) tsuba. Gunbai-uchiwa motif (gunbai referring to a war signal fan and uchiwa referring to the form of the fan). A pair being understood as a daisho (though one tsuba being for the longer of two swords, and the other for the shorter sword, they are more often than not graduated in size). These started life together...

THE BIRTH OF VENUS

Anonymous vintage Japanese oil painting on wooden plate attached with original wooden frame. Early 20th century. Frame: 43.7 x 35 x 3.5 cm (17.20 x 13.77 x 1.37in)...

A high quality porcelain sometsuke underglaze blue san kaku-gata choku, three sided cup decorated with contrasting patterns of a pair of "Dutch" figures, orandajin, set against a diaper brocade ground, and a scene of Chinese boys, karako, one playing with a standard, the other holding a double gourd form tokkuri, and an auspicious kara hana (literally Tang flower) inset within an arabesque of kara-kusa (Tang grasses) painted in kakiwake style...

GOD OF HAPPINESS

Wood. Edo period (1603-1868), Japan. H 11.9 x W 7 x D 5.5 cm (4.68 x 2.75 x 2.16in). Seems to be Ebisu god because of the fish holding in arm, but uniquely much more like rustic and primitive than typical type...

A dramatic sculpture in raw white porcelain partly coated in crystalline glaze by Kato Tsubusa made to hang on the wall enclosed in the original signed wooden box titled Freeze Flame 1992. It is 43 x 24 x 21.5 cm (17 x 9-1/2 x 8-1/2 inches) and is in perfect condition.
Kato Tsubusa was born in Tajimi city, the home of Shino, in 1962, graduating the municipal Pottery Design and Technical Center in 1979...

A dark clay vessel partially closed like an empty seed pod by Ogawa Machiko enclosed in the original signed wooden box titled simply Utsuwa (vessel). It is 20 x 17 x 12.5 cm (8 x 7 x 5 inches) and is in excellent condition.
Ogawa Machiko was born in Sapporo on the Northern Island of Hokkaido in 1946...

Viscous white glaze crawls and cracks on this round sake bottle by Shino Legend Hayashi Shotaro enclosed in the original signed wooden box. It is 13.5 cm tall and in excellent condition.
Hayashi Shotaro (b. 1947) is one of the biggest names in contemporary Mino ceramics. Although initially entering regular employment upon graduating high school, in 1967 he returned to Toki city to help his brother Kotaro. Very quickly within him was born the urge to create...

An incredible vase covered in carbonized color by Hayashi Shotaro enclosed in the original signed wooden box titled Manyosai Henko. This was featured at a solo exhibition in 1997, and is published in the catalog, item number 46. It is roughly 30 cm (12 inches) diameter, 27.5 cm (11 inches) tall and is in excellent condition.
Hayashi Shotaro (b. 1947) is one of the biggest names in contemporary Mino ceramics...

Iron strikes up in vicious strokes under the crawling white tinged feldspathic glaze covering this quintessential vessel by Hayashi Shotaro enclosed in the original signed wooden box titled Shino Te-Oke Hanaike (Handled Bucket-Shape Shino Vase). It is roughly 14 cm (5-1/2 inches) diameter, 31 cm (over 12 inches) tall and in excellent condition.
Hayashi Shotaro (b. 1947) is one of the biggest names in contemporary Mino ceramics...

Ohara Koson
An Eagle on a Tree
Size: Approximately 17 cm x 12 cm. 6.625 x 4.75 inches.
Date: ca. 1910.
Koson signature and seal at lower right.
Publisher: Matsumoto (no. 442). Tag at back.
Medium: Japanese woodblock print.
Condition: Excellent.
An early and rarely seen design not listed in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland). The design is similar to K13.3 (Eagle on leafless tree) in the above catalog.

White blossoms cluster along the thin branches draped over the shoulder of this exquisite pink tinged vessel by Imperial artist Seifu Yohei III enclosed in the original signed wooden box titled Shiroyama no Sakura no Zu Kabin (Blossoms of Shiroyama Vase)...

CARNATION ARRANGED WITH EMPTY BOTTLE

Antique Japanese watercolor painting on paper by an anonymous artist with unique motif of foreign importation for that time, Showa 2nd (1927), framed with original wooden frame (from Kawachi art supply store in Osaka), 53 x 61 x 6 cm (20.86 x 24.01 x 2.36in). No glass plate. Damage at frame due to age as is, as some cracks at four corners, stain, complete split of back plate, deterioration of metal fittings and ropes, etc. ...

Cotton unlined kimono which has weft kasuri mask motif, such as Otahuku (woman with chubby cheeks), Hyottoko (man with stick out mouth) and Hannya (woman with rage and jealous), In good condition, but the collar cloth has whitish line. 20th century. W:132cm, L:148cm

A long porcelain sculpture by Yagi Akira retaining the original wooden stand enclosed in the original signed box titled Jiken Vestage 92-7. The artist has formed it in the shape of an ancient relic, then covered the flat front side in orange-red lacquer which has been buffed through reveling the white clay beneath. It is 9.5 x 2 x 75 cm (4 x 1 x 28-1/2 inches) and is in excellent condition. Signed box original wooden stand.
Yagi Akira was born in Kyoto in 1955, son of avant garde Yagi ...

Maple leaf shapes are impressed into the viscous autumn tinged pale glaze covering in thick swaths the organic clay form of this veseel by legendary Hayashi Shotaro enclosed in the original signed wooden box titled Shino Koyo-mon Tsubo. It is 25 cm (10 inches) diameter, 38 cm (15 inches) tall and in excellent condition.
Hayashi Shotaro (b. 1947) is one of the biggest names in contemporary Mino ceramics. Although initially entering regular employment upon graduating high school, in 1967 he...

Not just for alcohol, this is perfect for winter tea, a beautifully formed deep cup covered in tri-colored glaze occasionally revealing the rough clay beneath by Murakoshi Takuma enclosed in the original signed wooden box titled Shunju Shochu-nomi. Literally translated Shunju is Spring and Fall, a phrase denoting all the colors of the seasons, and it is the term he has chosen to poetically describe the various colorations of his work. This cup is 12 x 9.5 x 9.5 cm (5 x 4 x 4 inches) and is in ...

A long extruded vessel by Kato Tsubusa. It also includes hand-drawn illustrations and signatures. It is 57 x 17 x 16.5 cm (23 x 7 x 6-1/2 inches) and is in perfect condition.
Kato Tsubusa was born in Tajimi city, the home of Shino, in 1962, graduating the municipal Pottery Design and Technical Center in 1979. From then to 1983 he worked as a decorator at the Otai Kiln moving out on his own in 1984. In 2007 he was selected for the Paramita Museum Ceramic Exhibition, and established his curr...