Buddhist lion in gilded bronze. Japanese work from the Edo period (17 ° -19 °) difficult to date with precision. However the style of the round patches of the coat does not seem to me to be 17 °, it is more reasonable to think 18 ° -19 °. The cast iron is of good quality and very thick which makes it very heavy (18 kilograms). The bronze was hot gilded with mercury and then covered with translucent lacquer which gives an orange color...

A Shigaraki vase by Furutani Kazuya enclosed in the original signed wooden box titled Shigaraki Konsei Hanaire. The Konsei blended clay creates a unique texture. The coloration on thi piece makes it stand apart from its contemporaries. Very unusual and striking combination of raw clay, orange, black and a few crystaline beads of green glazz around two white eyes. It is 29 cm (11-1/2 inches) tall, 15 cm (6 inches) diameter and in excellent condition, directly from the artist...

Kozuka in sentoku inlaid with silver, gold plated strip (not gilded) details inlaid in solid gold. This is one of the 24 Chinese legends on filial piety, that of Mo-So who brings a tasty bamboo shoot to his old mother in the middle of winter...

Certainly Choki the devil hunter emptying his sack, it is funny to see the three devils captured and emptied from the sack depicted on the inner side of the kozuka, so the artist has cleverly increased his reading page using the reverse side as well.Many goldsmith techniques used. Partly golden...

Kozuka shibuichi inlay with gold and silver. I think ,with this large hat and sword that's Chokki the Oni hunter.The reverse striped simulating rain what would explain the large hat? Signed on side. Excellent quality. Excellent quality.Probably Meiji period. It would be necessary to find the name of the artist to date with certainty, I did not do it but I can do it on request. Fine condition. About 100x15mm.

Iron kozuka inlaid with a bronze or brass paddle wheel and waves.Details in silver. Simple but powerful good work. It reminds me of the Onin style tsuba. This kozuka seems to me very old 18 ° or before. Its simple appearance while being of good quality, its solidity makes me think that it was not made during the peaceful and sumptuous Edo period but before during the agitated war period of Muromachi. Dimensions about 100x15 mm

Five unique plates by Tomimoto Kenkichi, from various eras depicting bucolic scenery each uniquely signed on the back. Kenkichi changed his signature regularly, which makes it very easy to date his works. These date from the 1950s. Each is between 18.5 and 19.5 cm diameter (roughly 7-1/2 inches). One has a slight firing flaw near at the rim, otherwise they are all in excellent condition. A smaller 6th plate will be included, bonus...

Iron kozuka inlaid with a bronze or brass lobster.Details in silver. Simple but powerful good work. It reminds me of the Onin style tsuba. This kozuka seems to me very old 18 ° or before. Its simple appearance while being of good quality, its solidity makes me think that it was not made during the peaceful and sumptuous Edo period but before during the agitated war period of Muromachi. Dilmensions about 100x15 mm

Kozuka of good quality.Shibuichi inlaid with silver, gold shakudo and sentoku. Cockfighting and a Chinese person. curiously no signature. About 100x15mm Good condition. 19th century or earlier.

Kozuka representing pumpkins and its leafs.Bronze inlaid with shakudo , silver, copper and gold. Some part gilded. No signature. About 100 x 15 mm Edo period. 19° or earlier?

Netsuké carved in stag antler or deer horn,very simple but compact in shape and with a very nice patina. Very pleasant to hold in the palm of the hand. It represents a Chinese child lying on a drum. For the Chinese New Year the children drummed to cast out demons. Probably our little boy is resting on his drum after having accomplished his mission? Edo period, early 19th century or before. 40 x 27 mm There are two small holes above the ears, probably 2 missing inlays?

Antique Chinese Song Jian Zhan chawan (tea cup) with beautiful cafe au lait coloring and subtle hare's fur effect. Made specifically for the appreciation of whisked tea.

19th century or earlier

Dimensions: 3" high x 5" wide

Hanging scroll with erotic painting. Image of a man of the merchant class and a woman having intercourse, while being surrounded by a multitude of other women having their own fun. Ukiyo-e style.
Black ink, gold and bright color on silk.

Unsigned...

Kawase Hasui
Chuzenji Lake, Nikko
Date: 1930s. This edition early postwar.
Size: Approximately 5.625 x 3.625 inches.
Publisher: Watanabe Shozaburo
Not sealed by artist. Sealed examples exist.
Print is tipped along its top edge to an original card.
Medium: Japanese woodblock print.
Condition: Excellent.

In Japan, woven baskets such as this are often referred to as “karamono” (Chinese style) to denote their stylistic origins tending towards symmetrical proportions and tight weaves. Though the maker and date of production for this piece are unknown, judging from appearance it was likely crafted in Late Edo or in Meiji—with the box being furnished at the time Houn-sai granted his endorsement...

Third son of the director of the Kano School of painting, Yasunobu was appointed head of the Kyoto branch at a young age after his father’s death. Meanwhile, his two older brothers went to Edo to take up prestigious positions painting for the Tokugawa Shogunate. In 1662 Yasunobu gained the honorific title of “Hogen,” and near the end of his life in his 70s he wrote a treatise on the art of painting that would server as a central doctrine for later generations of painters...

Large cloth which is recycled from hemp maku (shroud) with Tomoe-mon crest (three-way), dyed with vegetable indigo and painted with sumi (ink). Both warp and weft yarn are hand-plied. The original maku might have been used in the temple or shirine, or on the occasion of rites and festivals. Generally in god condition but has a few mending patches and the indigo blue faded parts and wear. 19th century. 148cm x 2m80cm

A voluminous ink landscape built around two scholars viewing the cascade dropping into the canyon on this huge scroll by Tanaka Hakuin enclosed in the original signed wooden box dated Meiji 45 (1912). Performed with rich black ink against the sheer white paper, the mountainous crags and leafy forms built up in layers of gray and black. The scene is mounted in patterned silk with white piping in the Mincho style popular among literati painters in the era, and features huge bone rollers...