Japanese bronze brown patinated representing a hare laying on a crescent moon.

Japan – Showa (1912-1926)
Height: 11 cm – 4,3 inches

The Hare is a very beloved animal in Japan. Each year, on the 15th day of the 8th month of the moon calendar, Japanese are celebrating “Tskukumi”, a party paying tribute to the hare of a tale.
A God decided to get down on earth as a starved man...

The organic shapes of Kakurezaki Ryuichi have always been fascinating, less formed by the potters hands and more as if they dripped from the kiln roof, solidifying in the conflagration. This vase, covered in flying ash, is a perfect example of that, it even now appears to be withering in the heat. It comes enclosed in the original signed wooden box titled Yohen Kaki or kiln altered vase and retains the original shifuku and shiori...

An exquisite plate by legendary Okabe Mineo enclosed in a wooden box titled Benishino Hirabachi, annotated inside: Work of Mineo Sensei signed and sealed by Kuroda Totoan. There is something very intimate about this artist and his work, the glaze is thin, reealing the body of the work and you can feel the potters hands in the clay. It is 32.5 cm (13 inches) diameter and in excellent condition...

Unusual green striped overglaze on a tsubo jar. Usually found on shochu sake or soy jars from Shigaraki, a famed pottery area outside of Kyoto. Signed by jinpuku. 15" tall and 12" in diameter. great condition. ask for shipping quote from california warehouse.

Late Meiji Period C.1910 Shinto Shrine Festival Chochin Lantern. Black lacquer on wood with gold hawk feather crest. Copper metal fittings. Written in bold kanji characters, "Go Shin To" Sacred festival light. Very good condition; no tears. H: 30"; W: 7". Ask for shipping quote.

KILN TOOL, KOBACHI

Used for pottery firing. Mino region, Japan, Showa period, early-mid 20th century, approx. D 16 x H 12cm (6.29 x 4.72in)


selected by Jinta




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Antique Japanese scroll painting of Buddha Amitābha also known simply as Amida Buddha and two Bodhisattva attendants: Sanzon Bosatsu (with both hands holding a lotus blossom) and Seishi Raigo Bosatsu (with hands in gassho adoration mudra). The central figure, Amida Nyorai stands with each foot on a lotus blossom, floating on swirling clouds as he descents. His hands are in vitarka mudra, also known as Raikō gesture of welcoming souls to Paradise (Jōdō or Sukhavati in Sanskrit)...

Antique Japanese taiko Buddhist temple drum. Made of keyaki (zelkova elm) wood. Painted with mitsu domoe design, the three comma motif also used as a popular family crest. The design is painted in bold red, blue and green colors. Tightly stretched on both sides with bronze and iron hardware. Taiko (literally meaning "drum" in Japanese) first came about as a way to frighten away evil spirits and crop-threatening pests as well as to call the rain spirit to nourish the fields...

Ogata Korin (1658-1716)
Crows and Moon
Date: 1920s.
Size: Approximately 4.0 x 3.0 inches
Bears the artist's seal.
"Made in Japan" stamp on verso.
Medium: Japanese woodblock print after a design by Ogata Korin.
Provenance: The Robert O. Muller estate.
Condition: Excellent. Some thinning of paper at top margin.

Antique Japanese lacquer jingasa, samurai's hat. Round rim with a gradually pointed top. Lacquered black and decorated with a design of 3 flying cranes in swirling clouds and with a Narabi-ya (double arrows) mon in raised gold lacquer.

The samurai class in feudal Japan, as well as their retainers and footsoldiers (ashigaru), used several types of jingasa made from iron, copper, wood, paper, bamboo, or leather...

A serving tray made of Kozai (Jap. old material) from Todaiji Temple in Nara branded with the marks of the 7 great temples of Nara and enclosed in the original wooden storage box dated 1925. It is turned from keyaki, a hardwood in the elm family famed for durability and beautiful wood grain. On the bottom of the tray is a seal which reads Daibutsuden Kozai (Old Material from the great Hall). The tray is 33 cm (13 inches) diameter and in excellent condition...

Antique Japanese ko tansu (personal storage chest) made with kiri (paulownia) wood drawer fronts and sugi (cryptomeria) wood body and drawer interiors. 5 drawers of various sizes. Finished with red and black negoro lacquer finish. Hand forged iron hardware including hirute drawer pulls and round lock plates.

Age: Meiji Period (1868-1912)

Dimensions: 16" high x 22" wide x 13 1/4" deep

Antique Japanese low tansu with a mix of sliding doors and pull out drawers. Quartered sawn keyaki hardwood front with beautiful natural graining. Original finish with warm red lacquer tones. Hand forged iron hardware pulls. Dark black lacquer top and sides.

Age: Meiji period (1868 - 1912)

Dimensions: 45" long x 16" deep x 23" high

Antique Japanese single section tansu with pair of sliding glass doors. Four uniform drawers sit symmetrically at the bottom of the chest. Overall simple modern design with functional use. Natural finish, over hinoki (Japanese cypress) wood.

Would make for a great low media cabinet.

Age: Meiji Period (1868 - 1912)

Dimensions: 59 1/2" long x 14 1/2" deep x 26 1/2" high

A rare edo period Japanese choba (merchants) tansu from the Niigata perfection in Japan. Made of solid keyaki hardwood (including the back). Finely detailed hand forged iron of a flying crane and longevity turtle seen amongst the pine and bamboo. The lower two drawers depict a lock and drum. Stunning original finish with warm tones. 8 drawers in total each of there own size...

Beautifully plaited bamboo basket by Iizuka Sounsai of the famed Iizuka Family of reknown basket makers in the Taisho and Showa eras. Signed on the reverse with an incised signature by the artist: Kyokusho Saku or Made by Kyokusho (Iizuka Kyokusho, the go or art name of Iizuka Sounsai, active early 20th century). Late Taisho – early Showa era, circa 1920 – 1940. Iizuka Kyokusho was a brother of Iizuka Rokansai and Iizuka Hosai. He worked in Tokyo, and liked to work with slat bamboo...

A four-case lacquer inro in iroe, togidashi, hirame and kirigane lacquer, on a nashiji lacquer background, decorated with a boat, sailing on the flow, carrying numerous passengers, there are some mountains in the background.
Nashi-ji lacquer interior.
The ornamentation probably depicts the Sumida river in Tôkyô. A similar inro is represented in the book Inrô, japanese belt ornaments the Trumpf collection, Uta Werlich/Susanne Germann, Linden-Museum Stuttgart, arnolsche art publ...

Inrô with five compartments with lake landscape decoration in continuity on both sides, in gold lacquer hira maki-e, taka maki-e, kirigane and brown lacquer on a fundame gold background. The interior is in nashi-ji lacquer.

Wooden Netsuke representing the Japanese wonder shell (Thatcheria mirabilis).

Ojime of tubular form in gilded copper and incised with peach decoration. In Japanese popular culture, fishing has the power to drive away evil spirits. The eponymous...