Mint Oni-Hagi masterpiece chawan with notched foot by star potter Seigan Yamane. This extraordinary tea bowl is covered by wonderful different shades of white and light green glaze. In my opinion it is the one of the most aesthetic chawans that he made. The seal of the artist is stamped on the bottom.

Seigan Yamane was born in 1952, and started making Hagi ware in 1987...

Sculpture of Fudo standing in front of a flaming halo from which three phoenix heads emerge. Fudo holds his sword in his right hand, his rope in his left. His flaming halo is curved, surrounding him in a dramatic way.
Exquisite carving in very soft wood, probably cryptomeria (sugi), lightly stained with a shade of darker brown.
Japan, Meiji period.

Height 10.6 in. (27.6 cm).

Excellent condition

Nichiren Buddhist shrine containing a sculpture of Kishimojin in demonic appearance, her hands folded in prayer. Kishimojin, or Kishibojin, or Kariteimo, is a complex deity. Originally, she was a demon who stole and killed other people’s children in order to feed her numerous own children. After Buddha Shakyamuni made her see how she made people suffer, she repented and devoted herself to protecting all children. Instead of the flesh of children, she fed her own children pomegranate henceforth...

Mukoyama Fumiya enclosed in the original signed wooden box titled Zogan Yusai Fusha-mon Tsubo (Color Inlayed Wind Mill Pattern Tsubo). It is 25 cm (10 inches) diameter, 22 cm (8-1/2 inches) tall and in excellent condition. Mukoyama Fumiya was born in Tokyo in 1960, graduating the Kyoto Ceramic Research institute before apprenticing in Hagi under 15th generation Sakakura Shinbei in 1984. He spent time in Shiga before settling in Mashiko in 1990, establishing his own kiln in 1993...

Vintage Japanese kiri wood round smoking set made from one piece of wood showing a bold beautiful grain. This tobacco smoking hibachi has a copper bowl and receptacle which are used to put a pipe or other smoking tools and ashes. Often used with tea ceremony, it measures 3.5" high x 6.5" diameter.

Two pieces of asa kaya cloth (hemp mosquito net. Warps and wefts are hand-plied and vegetable indigo dyed. Faded indigo blue and good condition. Late 19th century. 34cm x 2m80cm

Japanese Woodblock Print by "Tsuchiya Koitsu" "Hachiman Shrine" with two(2) women in in Kimono in front of the Shrine, dated 1938, 11 1/4" x 17" high-paper size, 10 1/2" x 15 1/2"-image size, some stains and some paste mark remain on the corners in the back, this print was out of mat and frame, and later edition.

Japanese Mizuya, one(1) piece Kitchen cabinet, Meiji period, 1880-1900, 68" high, 33" wide(top and bottom moldings are 5" wider), 15" deep, Persimmon wood drawer front with Copper handles on all drawers, all inlaid Persimmon wood arrows indicate the top up direction, two(2) frosted glass sliding doors above the metal mesh screen doors (one carving section is missing), stylish wooden display shelves are inside the sliding glass doors, constructed with side moldings on both sides...

Japanese limited edition sosaku hanga woodblock print depicting two horses in profile galloping neck and neck by Tadashi Nakayama (1927-2014) titled “Running Horses.” The print was executed in bold colors with gold diagonal lines and silver highlights set against a black background. This horizontal image is pencil-signed “T. Nakayama,” numbered 59/95, and dated 1984 in the bottom margin. The bottom margin edge also contains the title and original purchase price of 150,000 yen...

A signature work by Kiyomizu Rokubei VI enclosed in the original signed wooden box. Golden light shines through the silhouette of iron colored trees on the tapering cylinder. It was a design technique developed by this generation. The original rosewood stand is included. The vase is 31 cm (12 inches) tall and in excellent condition.
The Kiyomizu family potters managed one of the most productive workshops in Kyoto’s Gojozaka district throughout the second half of the Edo period...

A pair of unorthodox Edo period guardian corbels in the shape of mythical lion-like creatures (Shishi) made to be notched into a corner under the eaves of Shinto and Buddhist temples to ward off evil spirits. Ordinarily just the heads are carved, these are unusual in that their fore-paws have also been depicted, granting a greater sense of movement than most. Carved Hinoki (cypress), they are 30 x 18 x 20 cm (12 x 7 x 8 inches) each and in overall fine condition.

A shu-iro red lacquered sign in the shape of a tea jar dating from the late 19th to early 20th century. A long verse has been carved into the surface before lacquering. The back is bound with cloth and lacquered black. The sign is 16 x 20 inches (41 x 50 cm). There are minor chips typical of age, but is in overall very good condition...

Two Amida Buddhas seated side by side, sculpted in relief beneath an overarching pediment from a large-grained granite. Early-Muromachi Period ca. 1450. Old loss, with softening of the lines and contours overall.

Height: 80 cm
Width: 33 cm
Depth: 18 cm
Packaged weight: 70 kg

Amida Buddha, the hands placed centrally on the lap in the Amida jo-in meditation mudra, sculpted in relief from a tan-hued granite. Kamakura~Nanbokucho Period ca. 1350. Old loss, with softening of the lines and contours overall.

Height: 56 cm
Width: 38 cm
Depth: 19 cm
Packaged weight: 55 kg.

A classic 14th-century seated Amida Buddha, sourced from a Kyoto-based collector. Uncommon.

An antique Japanese Kyoto Mizuya Tansu (kitchen chest) made of Hinoki (Cypress), Kaki (Persimmon) and Sugi (Cryptomeria) woods. Constructed using mortise and tenon Japanese joinery and inlaid solid Persimmon wood sliding door runners. Hand made bronze hardware with Warabite and Maru Warabite handles. Side ribs accentuate the exterior design and add strength and beauty in design for years of lasting enjoyment...

Hanging scroll. Shoki holds Futen’s wind bag which balloons around him and protects him from a very light rain. While Shoki has his hands full trying to control the wind bag, his bulging eyes are rolled in defeat and annoyance towards the right, where a little demon who has a Chinese mortar on his head and holds the pestle in its hand jumps in front of him.
Ink and color on silk...

Hanging scroll. Black ink, light colors and gofun on paper.
Painting of the demon of Rashomon stealing back his severed arm from Watanabe no Tsuna. Excellent use of dry-brush technique.
Signed: Yoshimitsu saku, seal Hoko. Japan, Taisho/Showa era.
Newly mounted with original embroidered brocade.
Image: 24 x 12.5 inches...

Height: 18 cm (7.2 in)
Width: 7 cm (2.8 in)

Satsuma vase; hexagonal in shape; two main panels of figures in rural settings; additional scenic panels decorated with sepia colour tones; raised gilt and enamel features throughout; some wear to gilding; good condition