Boro momohiki (panta) made of indigo dyed cotton and has mending patches. The first half of the 20th century. W: 80cm (flexble) L: 90cm

Japanese set of 10 blue and white sobachoko or soba cups. With cobalt blue underglaze floral motifs and ocean landscapes, double ring below the inner rim, and a floral medallion in the center of the well with single ring. The foot is slightly recessed and left unglazed except for the center.

17th/18th century Edo period (1603-1868)

Dimensions: 3" W x 2 1/4" H

A lacquer box decorated with a Rimpa style thatched house under blossoming tree by Kamisaka Sekka dating from the late Taisho period. It is 12.5 x 12.5 x 6 cm (5 x 5 x 2 inches) and is in excellent condition. An identical box which was part of the permanent collection of the Ruth and Sherman Lee Institute along with the original design sketch is visible on page 154 of the book Kamisaka Sekka: Rimpa Master - Pioneer of Modern Design published by the Kyoto National Museum of Modern Art in 2003...

Splendid and absolutely rare double vase of old Karatsu-yaki. It has a vivid Chosen-Karatsu glaze, and the grandiose embellishment of color creates a sublime sense of tension between the dark glazed and color infusion.

This very decorative vase was made around the mid 19th century (late Edo Period).

Very good antique condition with only a light crack of glaze on the back of the white top, which enforces the all over wabi-sabi look...

This is a children's kimono used in Kyoto during the Edo period. This is depicted in Tsutsugaki. This is exactly the bold expression only Tsutsugaki has. It is the carps, waves and rocks, movements are boldly expressed in Tsutsugaki. It is a three-dimensional expression. It has a sharp color. This is expressed in high quality natural indigo and is impressive. It has four pinholes and a few slight stains, but it does not stand out. Size length 92 cm 36.2 inch width 88 cm 34.6 inch

Height: 3.5 cm (1.3 in)
Width: 2.8 cm (1.2 in)
Depth: 1.7 cm (0.8 in)

Japanese netsuke; probably whale tooth or walrus; depicts a Hotei with his bag; early angular form; very good honey-coloured patina; good condition

Japanese 4-panel screen painting depicting a scene of ducks swimming along the edge of a pond or stream. Tall grasses and rocks rise from the water. Painted in mineral colors on gold ground.

Showa Period (circa late 1940's)

Dimensions: 34 1/4" high x 60" long

Antique Japanese 2-panel screen painting of a scene with a songbird on a gnarled, moss-covered rock. A stream runs around the rock. Blue and white irises grow on it's banks. Painted in mineral colors on gold leaf.

Dimensions: 43 3/4" high x 36" wide Meiji Period c1900

A mid Edo period (16th to 17th century) five plate cuirass (go-mai-do) of heavy iron emblazoned on front with a sun and moon in inlayed silver over the fierce god Fudomyo with protective sanskjrit characters in silver damascene on the sides and a five character phrase (The Gotoku or five precepts of Confucianism, also espoused in the book of five rings) on back, also in silver...

Height approximately 34 cm. A crack at the body.

Japanese lacquer tray with low relief depiction of a peacock in fine gold maki-e lacquer, with maki-e lacquer chrysanthemums, against a nashiji gold flake ground. The peacock's face and the "eyes" of the feathers are inlaid with finely ground shell. The edges of the tray are of a mokko melon shape and the reverse of the tray is all in nashiji lacquer. With display stand.

Dimensions: 13 1/4" L x 9 3/4" W x 3/4" H (without stand)

Silk crepe kimono with modern design whose techniques are katazome (stencil-resist-dye) and hand-painting. In excellent condition except for a few stains in the top collar, however unvisible as it is folded inside, and light blue color slightly faded in the jointing parts of the body and sleeves. 1960s or 70s. 130cm x 146cm

Japanese calligraphy box made with Keyaki (elm) wood in original dark red lacquer finish. The lid lifts open on three iron hinges with a top iron handle to a shallow lacquered compartment for storing calligraphy papers, and closes securely with a small iron latch. The front of the box holds three drawers with iron lock plates and handles on floral shaped iron mounts.

Edo period (c1850)

Dimensions: 16" L x 12" W x 12" H

Rei Yuki (1928-2003)
Coincidence (Guzen)
Edition: 4/60
Pencil signed, titled and numbered.
Not dated.
Paper size: 12.5 x 10.25 inches.
Condition: The back has light tape marks. The paper is thinner at the upper right corner margin.

Takahashi Shotei (Hiroaki)(1871-1945)
Shrine in the woods; blue Sky
Size: Approximately 5.5 x 3.5 inches.
Publisher: Watanabe Shozaburo.
Shotei seal at lower right.
Date: Pre-1936.
Reference: Shotei catalog #S-38.
Medium: Japanese woodblock print in postcard form.
Condition: Mark near upper right edge.

This is a great example Meiji Era satsuma. It is probably my favorite piece from Shizan. The colors are rich and the detail is fantastic. It stands 4 3/4 inches tall. This Ewer is in nearly perfect condition.

The full moon glowing in shimmering gold illuminates the silver blossoms adorning the ragged plum tree growing along the river bank, a superb lacquer box dating from the 19th century enclosed in a period wooden box titled Plum & Moon Maki-e Suzuri Bako. Inside the lid the stream continues, running past golden rocks and young flora reaching for the moon...

An impressive large shallow dish of foliate form decorated with a pair of auspicious Hoo birds with Kiri (Pawlonia) painted principally in underglaze blue which trail over the rim on to the reverse of the dish; an “over the wall pattern”...