Seated Ebisu, one of Japan's 7 lucky gods (Jp. shichifukujin), with a sea bream (Jp. tai), Ebisu's characteristic attribute, tucked beneath the left arm. Meiji Era ca. 1900. Very minor old loss, with traces of polychrome. Light lichen accumulation.

Height: 36.5 cm
Width: 22.5 cm
Depth: 15.5 cm
Packaged weight: 15 kg

Of Japan's 7 lucky gods, only Ebisu has purely Japanese roots, the other six gods having either Indian or Chinese origins...

his is a wonderful Japanese Cloisonne lidded bowl, done in the Plique A Jour style. Lidded bowls like this are very difficult to come across. The piece is fairly large in size measuring 4 7/8" across and is 3 1/2" tall. An array of colorful and bright flowers and leaves decorate this exquisite bowl both top and bottom. The enamel is very thick and the decorations appear to have layered over top of the translucent inner layer. . It stands on 3 enameled and silver feet...

The Choraku line of potters began when a student of Kichizaemon XI (Keinyu) and Kichizaemon XII (Konyu) opened an independent kiln in Kyoto in 1904. The line was officially given the name Choraku in 1906 by Choyuken, the head of a very influential tea ceremony association. Red Raku chawan are a favorite of tea enthusiasts and seem to have a face for every mood. In the right light they may appear like an amber sunset on the horizon. In another light, like lanterns moving through a misty field...

A true Mashiko Chawan by greatest Shoji Hamada with a real beautiful Ameyu glaze, double boxed and originally signed and sealed by the artist.

This treasure was part of the exhibition "The artists who searched for Mingei".

Hamada Shoji (1894-1978) was one of the leading potters of the Japanese Mingei (Folk Craft) movement...

Japanese Showa period monochrome green musen shippo wireless cloisonne vase decorated around the circumference with a band of flowers and scrolling foliage executed in layers of stacked enamel. Chrome rims. 8 1/2" high. Post World War II (circa 1945-1960s). Very good overall condition.

Pair Japanese Blue and White Porcelain Soba Noodle Cups, Showa period, early 1900's, 3 1/8" high, 2 5/8" diameter-top rim, with transfered blue design on white, signed on the bottom. The condition is good, some missed glaze spots on the rim.

Japanese Blue and White Soba Noodle Cup, Showa period, late 1800 to early 1900's, 2 3/4" high, 3" diameter-top rim, tapered top and transfered blue design of flying Phoenix Bird among scrolling vines and leaves, unglazed bottom. The condition is good, some sand spots while firing in the kiln.

A set of five yunomi by Suzuki Osamu enclosed in the original signed wooden box titled Kao no Aru Yunomi. Each cup has a small face on one side, pale glaze covering all but that smiling fellow and the foote. Each cup is 3 inches (8 cm) tall and in fine condition...

A five prong vajra or dorje. Bronze, with fine reddish green patina. Japan, 18th century. Length: 13 cm. Very good condition.

Japanese "Silver 950" marked Jewelry Box with etched design of Imperial Carriage in front of etched design of Mt. Fuji background, mid Showa period, 8 1/2" wide, 5 3/4" deep, 3 1/2" high, original Key included, inside the hinged top lined with red velvet divided tray and red velvet lined on top of Rosewood on the bottom. Beautifully etched and very fine quality of detailed of Imperial Carriage resting on the flowering bushes and Mt...

Wonderful medium-sized crater bowl, thinly potted of black clay and with glossy black glaze pitted with craters for volcanic moon-like effect, Signed Lovera; James Lovera (American, 1920-2015) modernist potter. Teacher at San Jose State University. James Lovera exhibited at the Crocker Museum in Sacramento in 2006: "Craters of Fire: Ceramics by James Lovera". With original inventory tag.

Age: c. 1990s.

Size: 8.5" Diameter x 5.25" Height

Japanese Amida Buddha statue, gold gilt over wood with inlaid crystal third eye. Seated on a lotus throne atop a hexagonal base, carved with smoke and flowers. The left hand mudra showing Varada: a gesture for granting and fulfilling all wishing as well as bestowing mercy and charity. The raised right hand is cradling a golden ball representing enlightenment and everlasting knowledge...

Baby's ceremonial kimono made of machine woven cotton with hand-painting with motif of noble people. It has se-mamori (charm) with silk thread. The diagonal stitches to the left means it is boy's kimono ( to the right is girl's ). In old days, it is believed that evils come from back and a baby is vulnerable without seam in the back, so se-mamori is put. In good condition but a bit dusty from aging. Dry cleaning only. Late 19th to early 20th century. 62cm x 76cm

Kiyoshi Saito
Maiko
Date: ca. 1960.
Size: Oban. Approximately 17.25 x 11.5 inches.
Pencil signed and sealed by Saito.
Self-published by the artist.
Silver mica is used on the collar.
Medium: Japanese woodblock print.
Condition: Excellent. Back margins have adhesive residue.

Ohara Koson (Shoson)
Two Ducks Flying Above Snow-covered Reeds
Size: Approximately 7.25 x 4.75 inches.
Date: ca. 1930s.
Shoson seal at right.
Reference: AS.4 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Front is excellent. Back has paper and adhesive residue.

The old Edo to the Meiji hem pattern silk yuzen dye kimono: It is a pattern of scenery of sparrows in the snow during bamboo digging and bamboo. It has very slight stain , but it is hardly noticeable...

Kai-awase, made from a natural clamshell (Jp. hamaguri, Lat. Meretrix lusoria), the interior surfaces of both halves depicting a nearly identical thistle-flower genre scene hand-painted in the traditional Yamato-e style, characterized primarily by a predominance of gold leaf in addition to natural-pigment polychrome. Late-Edo Period ca. 1850...

Japanese sosaku hanga woodblock print by Tokuriki Tomikichiro (1902-2000) titled “Sanjo Ohashi (Bridge)” dating circa 1950. The artist’s black “tomoe” seal is at the lower right. Shikishi size measuring 11 3/8” x 10 3/4” (paper); image: 11” x 9 1/2.” Excellent color and very good overall condition. There are some slight wrinkles in the paper and a faint diagonal crease in the sky below the bridge...