Japanese Buddhist scroll depicting the Legendary Sixteen Arhats. The Arhats are described as sage beings who have attained enlightenment, yet have not become a full Buddha. The Sixteen Arhats are traditionally worshipped for they are said to have renounced Nirvana out of compassion to help relieve human suffering on earth...

Japanese hand-forged iron tsuba, used to protect a swordsman's hand from sliding up the blade during use as well as to provide balance. The openwork motifs depict a man and ox resting below pine trees and a cottage with gold gilt, with a faint signature illegible from wear.

Edo Period (1603-1868)

Dimensions: 2 5/8" x 2 3/4"

A whimsical Japanese boxwood carving of a toad, with inlaid eyes, crawling atop a functioning cylindrical box carved of bone. The box is hand-carved with flying insects and leaping frogs in a lily pond, the base carved with a floral band. Signed by the artist.

Dimensions: 3 3/4" x 2 1/2" x 6 3/4" H

Japanese small amber carving of a frog resting on a leaf. The golden yellow amber has natural inclusions.

Dimensions: 1 3/4" x 1 3/4" x 1" H

A contemplative and artistic rendering of a lotus leaf bowl with deteriorated edges. The lotus is a symbol of purity, beauty and a metaphor in teaching Buddhism. The lotus bowl has a small frog sitting on the leaf's edge with outstretched leg. The underside of the leaf bowl has 3 characters of the artist's signature.

Meiji Period (1868-1912)

Dimensions: 9" x 8 1/2" x 1 3/4" H

A cultural treasure - our oldest and most important mizusashi: wonderful Chosen Karatsu Tataki Mizusashi from the Momoyama Period (1573 - 1603). It was perfectly thrown first into a cylinder shape and then squeezed and paddled into a distorted pear. Iron oxide glaze has been poured inside and out.

On the rim a blueish rice straw ash glaze has been applied in the typical Chosen Karatsu fashion. The mizusashi is supplied with a tailor made lacquer lid of a somewhat later date...

Considered auspicious symbols of wealth, status, and good fortune; foo dogs—commonly referred to as shishi or koma-inu in Japan—are often seen in pairs guarding shrines, straddling the doorways of shops, and protecting public buildings. These mythical effigies have deep religious and social symbolism and can be seen in countries across Asia...

The creator of this lovely Hagi chawan, Hirose Tanga (b. 1939) is the master-potter of Tenpozan kiln in the city of Hagi. When I acquired my first tea bowl by this artist it reminded me of bowls produced by Yoshida Shuen (apprenticed under NLT Miwa Kyusetsu). As it turns out, Yoshida worked alongside Hirose in establishing Tenpozan and in training young potters in the art of “Oni” Hagi which utilizes a rough textured clay and a milky translucent glaze...

Among popular Japanese symbolic animals are frogs. There are many species of frogs in Japan as a result of flooding rice fields in Japanese agriculture. These creatures are often used in poetry and art, and are sometimes carried by travelers to make sure they return home safely from their journeys. The word "frog" in Japanese means "return" which is why the frog is considered a Japanese lucky animal and seen as good fortune in things returning...

Japanese five section lacquer inro in the hiramaki-e technique. The low relief gilt lacquer adds depth throughout the landscape composition of pine forest, distant ocean, mountainous terrain, and the famous Uji bridge. The black ground lacquer also shows the use of nashiji gold flecks creating mist and cloud formation. The interior of the compartments are covered with the nashiji gold flecks, resembling a pear skin effect...

A high grade Japanese Kura samurai saddle detailed in high relief lacquer. The maewa (front arched plate) and shizuwa (rear arched plate) display a lacquer relief carp climbing a waterfall motif. The maewa and shizuwa are connected by two igi (contoured side bands). The igi rest on either side of the horse's spine and serve as the under frame for the leather seat (basen or kura tsubo) and are slotted for stirrup straps (chikara-gawa or gekiso) to pass through. Mounted on custom stand...

Japanese Kura samurai saddle in red lacquer, with black and gilt lacquer. The maewa (front arched plate) and shizuwa (rear arched plate) are adorned with a copper inlay flying crane. The red lacquer area surrounding the crane is hand-carved with scrolling vines of flowers and shippo pattern in gilt lacquer. The maewa and shizuwa are connected by two igi (contoured side bands)...

A pair of mounted panels painted with battle scenes from the Tales of Heike. One panel appears to take place during the battle at Dan no Ura. This painting of samurai contains the signature crest of the Heiki clan (the butterfly). The other panel is a portrait of the famous monk warrior, Benke, on horseback in the Shichi-henge form (where he carries many weapons)...

What a great Chawan! Cylinder shaped (hanzutsu) tea bowl thrown on a kick wheel. The little iron oxide bearing clay has been fully (except the footring and its surrounding) covered with a wood ash glaze which reacted with the iron oxide in the clay.

The thick and glossy glaze (guinomi-de) has a fine beautiful crazing...

The shape of the this tea bowl is known as “tsutsu” in Japanese and is regarded as being especially attractive. Tsutsu bowls are used mainly in the depths of winter to keep in the heat and prevent the tea from cooling too quickly. Though most tsutsu bowls are defined by their smooth, curved edges and contoured clay bodies, this piece is distinct in having more defined edges and straight sides...

Wonderful Kutani Guinomi (Sake cup) with typical wan shape, produced by one of the most famous contemporary artists of Kutani, Tokuda Yasokichi III (1933-2009).

The stone ware clay was covered with dark purple glaze, which turns to light blue towards the brim. His stamp (Masahiko) is inside the unglazed foot ring.

It comes with its originally sealed and signed wooden box, inscribed on the lid: guinomi - kutani - masahiko saku.

Size: 4,4 cm height x 6,6 cm in dia...

Daikokuten standing atop two rice bales on an elaborate two-tier plinth, a wish-fulfilling magical mallet in the right hand and a treasure-filled sack in the left, sculpted in wood and finished in lacquer, gilt, and polychrome, with eyes of inset crystal, the entirety encased in a protective case (Jp. zushi) sculpted from wood and finished in lacquer and gilt with gilt-copper hinges and decorative fittings. Late-Edo Period ca. 1825. Loss of the zushi's closing clasp; otherwise, very good conditi...

Antique Raku Chawan of rarest color, made by the 1st Choraku Ogawa, one of the most legendary potters of the 20th century. The Chawan is in great antique condition and comes with its originally signed and sealed wooden box. No chips or repairs. Only natural inborn kiln cracks caused during firing.

Ogawa Choraku was the founder of the Choraku lineage of Raku potters. Choraku studied under Keinyu (11th Raku) and Konyu (12th Raku) of the Raku family, and in 1904, with the support of K...