Japanese pair of Fukugawa Imari ware porcelain bottle neck vases. With imagery of blue and gilt enamel phoenixes against a ground of red cherry blossoms, blue waves, floral medallions and gilt outlines. The long slightly fluted neck with medallions on a gilt design ground and gilt rim, tapered to a rounded body with short tapered foot, blue lotus petals and double ring above the foot, each vase signed with a Fukugawa mark signifying the pieces date from 1900 - 1920...

Pair of Japanese Kutani tall porcelain bottle vases, with elongated bodies slightly tapering to the short neck and gilt rim, decorated with red enamel landscape scene and gilt clouds over white crackle ground. Each vase signed with 2 character mark.

Circa 1900

Dimensions: 3" x 9 1/2" H

Japanese 2 panel byobu screen painting on silk, of a male and female deer resting below a maple tree. Each panel is bordered in gold leaf and signed "Kagayama Hakuho" with a red chop.

Kagayama Hakuho (1880-?) was born in the Okayama Prefecture Japan. His studies continued under Takeuchi Seiho in Kyoto, and later moved to Kobe for his work. Works by Hakuho have been displayed at the Kyoto City University of Art.

Dimensions: 69 1/2" W x 68" H

A collection of twelve samurai arrows, or yajiri, mounted on a custom built museum display stand.

Dimensions: 8 3/4" x 3" x 16" H (overall)

Two matching small Imari dishes with high quality applied decoration, including the "three gentlemen" at the center of each dish (pine, bamboo, and plum blossom). The dishes have a scalloped edge, and have a stylized Ching Dynasty, Yung Cheng, reign mark on the recessed base. Each dish measures about 5 1/2" in diameter x 1" high, and dates to the mid 19th Century. The condition is excellent/perfect. The asking price includes shipping within the USA.

A collection of samurai arrows, or yajiri, mounted on a custom built museum display stand.

Dimensions: 5 1/4" x 1 1/4" x 9 3/4" H (overall)

A beautifully shaped cloisonné enamel incense burner with roundels containing flowers or butterflies amidst spiral shaped wire ground. Gilt wires, rim and base. Condition: fine, partial little wear to gilding. Dimension: c. 12.3 cm high.

A rare late 1950s to '60s sculptural work by Kitade Fujio, an artist credited with bringing Kutani into the modern age, enclosed in the original signed wooden box titled Hekimen Ni Seshite Okizaru Kaki (Vase left abandoned by the wall). The clay is quite pure, covered in blasts of black and beige. It is 9-1/4 x 5-1/2 x 11 inches (24 x 14 x 28 cm) and in excellent condition. Kitade Fujio was born in 1919 the first son of potter Kitade Tojiro...

A rare sculptural basin by Kiyomizu Kyubei dating from the late 1950s signed on the base Yo. Very heavy, it is 11 x 8 x 9 inches (28 x 20 x 23.5 cm) and is in excellent condition. This came from the Rokubei family estate. No box. Early works by Kyubei are rare because, according to the catalog: Yagi Kazuo to Kiyomizu Rokubei (exhibited at the Muse Tomo in Tokyo, 2017) “he changed names several times and is said to have destroyed the works he produced in those days...

Very unusual and art deco Taisho Period C.1920 hanging iron lantern. Each of the four panels has a separate scene; one with a bat for good luck, an owl, plum blossoms and paulownia motif. Excellent condition. Ask for shipping quote.

Two shades of black form ethnic patterns on this hishigata vessel by Kiyomizu Rokubei dating circa 1960 nearly identical to figure 12 (page 85) of the catalog Yagi Kazuo to Kiyomizu Rokubei exhibited at the Muse Tomo in Tokyo in 2017. It is 18 x 13 x 24.5 cm (roughly 7 x 5 x 10 inches) and is in excellent condition. This came from the Rokubei family estate. No box
Kiyomizu Kyubei (1922-2006) was born Tsukamoto Hiroshi in Nagoya...

Antique Japanese scroll painting of a flying goose, sumi ink on paper. With calligraphy signature and red chop. This scroll has the original two tomobako (storage boxes).

Early Edo Period Circa 1600's

Dimensions: 22" x 48 1/2" H (entire scroll) 15 1/4" x 11 1/2" H (artwork only)

24" x 3 1/2" x 3 1/4" (red lacquer tomobako)

Museum grade very large Japanese Ginbari enamel vase. Ginbari is a technique using a foil design made with an embossing plate. The vase has a robin's egg blue enamel ground comprised of small flowers, with Wisteria branches bearing pastel green and purple flowers, small birds perched and flying through the tree branches. The elongated vase has a slightly tapered form with short, fluted foot and neck...

A lobed form by Nakajima Yasumi enclosed in the original signed wooden box. It is 12 inches (30.5 cm) tall and in fine condition. The name of Nakajima first came to notice in 1908, when the first generation Yasumi (1877-1950) was awarded at the Senkatsu Kinen Exhibition...

An exquisite lacquer box by Imai Seitaro dating circa 1959 featuring multiple layers of colored lacques carved through with a design of grapes on the vine enclosed in the original signed double wood box (Niju-bako) titled Choshitsu Budo Moyo Shikishi Bako (Carved Lacquer Grape Design Poem Card Box). It is roughly 11 x 12 x 2 inches (27.5 x 30 x 4 cm) and is in fine condition...

A Japanese Butsudan, or Buddhist shrine for in-home use. The exterior of the shrine is lacquered in red with black lacquer and gold gilt pigments. The gilt hardware of the butsudan are highly ornate with motifs of chrysanthemums, lotuses, vines, and dharmachakra wheels. The lower area of the shrine features two pull-out platforms and hidden drawers...

Tsunenobu Kano (1636-1713)
Pheasant and Wildflowers
Date: 1900-1910s.
Size: 8.75 x 6.75 inches.
Medium: Japanese woodblock print.
Condition: Residue at back. Light creasing.

An unusal tri-legged bronze incense burner with finialed dome pierced top signed on the underside. It is 6 inches (14.5 cm) diameter, 7 inches (18 cm) tall and in fine condition, dating circa 1935. Hori Joshin was a student of Oshima Joun and was active from the early to mid 20th century.