Japanese ko tansu, or small chest, with natural finish kiri wood front drawers. The outer frame has the Akamatsu wood dramatic woodgrain in black lacquer finish and cut-out handles for carrying. The hand-forged iron lock plates are in motifs of the Mokko mon.

Edo period (1603-1868)

Dimensions: 22.5" x 10.5" x 10.75" H

Unusual Japanese single section kannon biraki tansu. This safe chest holds an open top shelf and 2 drawers behind the front hinged locking doors.

Edo period (1603-1868)

Dimensions: 27.5" x 14" x 13.5" H

The pistol has an octagonal russet iron barrel with flat sighting plains on top and bore of 3/8". The dai stock is of a hardwood and brass jiita arquebus's firing mechanism, sakura ramrod intact. Good condition.

Dimensions: 16" L x 3" x 2"

DESCRIPTION: Long acknowledged as masters of porcelain, the Chinese also excelled at pottery making. Qing Dynasty domestic pottery used regional clays and showed distinctive regional styles. This pottery, used for the storage of oil and other household goods, exhibited tremendous, quiet beauty as well as utility...

Japanese Meiji Era bronze incense burner with playful shishi dog scenes in high relief depicted on each side. Handles have a twisted rope design. On the lid sits a Buddhist lion or shishi dog. Remains of incense on inside lid. Featuring a beautiful chocolate red patina on outside, this koro is in excellent condition and measures 10.5 Inches high. Seal mark on bottom.

Japanese 2 section kimono tansu. Made with Kiri (paulownia) wood, all natural finish. The upper section holds 8 drawers, which is considered an auspicious number. The bottom section contains 2 drawers with warabite pulls mounted on pierced metal plates. The piece also contains a secret hidden compartment beneath the bottom drawer.

Taisho period (1912-1925)

Dimensions: 39.5" x 17.75" x 66.75" H

Height: 3 cm (1.2 in)
Width: 3.4 cm (1.4 in)
Depth: 2.3 cm (0.9 in)

Fine Japanese (whale tooth material) netsuke of a rat; very well carved; nerve fissure present on the belly; good condition

Two Jizo Bosatsu figures standing side by side with hands forming the gassho adoration mudra, sculpted in relief from a gray-hued igneous stone. Mid- to late-Edo Period ca. 1800. Very minor old loss; traces of decorative polychrome on the figures' garments.

Height: 17.5 cm
Width: 10.5 cm
Depth: 6.5 cm
Packaged weight: 4 kg.

Dosojin is the Japanese Shinto manifestation of a Chinese Taoist deity charged with guarding the border between this world and hell...

Veins of green Kai-yu meander over the body of this spectacular example of Edo period Tamba Pottery capping rich red clay rising from an abrupt base. A few bubbles in the clay reveal character about the torso, the lip powerfully rendered over the shoulder, which slumps to one side like some haggard but still proud old soldier. Four looping handles (mimi) would allow the lid to be tied down. Between two a drip from the roof of the kiln has adhered to the clay forming a point of interest...

This magnificent chawan is a perfect embodiment of the Oribe tradition of Japanese pottery by legendary master and modern avangarde artist Suzuki Goro, mint condition and enclosed in its original signed wood box.

He surely needs no introduction. Suzuki is one of those once in 500 years' type of artists. Suzuki Goro is a potter who goes beyond that usual appellation...

Gorinto (5-tiered stupa) and a seated Amida Buddha sculpted in shallow relief from granite. Late-Muromachi/Momoyama Period ca. 1550. Minor old loss, with softening of the lines and contours overall.

Height: 60 cm
Width: 29 cm
Depth: 14.5 cm
Packaged weight: 43 kg.

An intriguing itahi-form stupa sculpted from a gray-hued granite, featuring a gorinto and an Amida Buddha seated upon a tall base. Exceedingly uncommon.

The battle of Dan-no-ura was a major battle of the Genpei war, occurring at Dan-no-ura, in the Shimonoseki Strait off the Southern tip of Honshu in the year 1185. One of the crucial factors that allowed the Minamoto to win the battle was that a Taira general Taguchi Shigeyoshi defected and attacked his Taira Clan from the rear. He also revealed to the Minamoto Clan which ship the 6 year-old Emperor Antoku was on...

House-shaped box with copper hinged lids. Open frame design with copper hard mounts, handles, and Keyaki wood construction. The Kandouko compartments hold the copper rectangular brazier and a square copper water container with lid, spout and a handle. Fitted with the essentials of travel for a hot drink and food. The brazier has a vent hole in the Sakura motif...

Uji is between the two ancient capitals of Nara and Kyoto. The city sits on the Uji River, which has its source in Lake Biwa. The document box lid is decorated with the Hiramaki-e technique in gold and silver sprays of the Uji bridge and a cascade of Sakura blossoms on to a copper based nashiji ground. It’s complete with a black lacquer interior tray decorated in a minor composition of a riverside scene, with copper sprinkles throughout...

The forked arrowhead (karimata) was named after its resemblance to the V-formation flight of wild geese. Such arrows of different sizes were highly prized on the battlefield and for hunting large game. The Japanese arrowheads, many resembling miniature spears, were made in hundreds of varied shapes of folded, tempered steel.
They were attached to the bamboo shafts by means of long, thin tangs (Nakago)...

Japanese munitions strong box constructed of Hinoki wood, with hand forged iron banding and with hard mounts. Original finish and condition.

Early 19th Century (Edo Period)

16 1/8" x 6 1/2" x 5 3/4"

A slight smile menpo in black lacquer, with angular high cheeks, making its naturalistic ears protrude outward. The L shaped strap holders are mounted on the dimples, the sleek shaped chin with turned strap post and a small hole to vent out perspiration. The interior of the mask is lacquered in red leather. The yodare is in the kiritsuke style plates of four and is laced in blue silk, calico, and pale ocher. The menpo is mounted on steel stand for display...

This type of menpo would have fitted a formal and archaic style gosuku with silk lacing and large sode style of the Heian period. The menpo is lacquered in a dark brownish black with stylized wrinkles. The ears are pierced with plum blossom configuration, turned strap holders, and a vent hole. The nose plate is well rendered with horse hair mustache and hook-holes insertion...