The size of Each Sake Cup: 2 7/8" Dia x 1 1/16" High (74 mm x 22 mm). This is beautiful Japanese Porcelain Kutani Sake Cup in Yoshidaya Style. Each cup has beautifully handpainted with thick enamel work of green border with line works. The design on the center with Grapes and Squirrel design. Back side with brown glaze painting with line works which the photo could not captured the design. Each cup has the signature of artist name "Shu, or called Hide" The condition of both cups are excellent, n...

A pair of 19th century Japanese bronze vases with stylized dragon handles. Body with raised relief decoration depicting birds amidst a pond landscape. Raised on a ringed cut-out base. In very good condition, the vases measure 12" high, 6.5" wide at handles, and 5.75" diameter. Circa 1900

Kobayashi Kiyochika
Dawn at Ryogoku Hyappongui, Tokyo
From the series, Famous Places of Tokyo (Tokyo Meisho).
Date: 1879.
Signed by the artist at lower right.
Publisher: Fukuda Kumajiro.
Size: Oban. Approximately 14.25 x 9.75 inches.
Medium: Japanese woodblock print.
Condition: Missing some margin. Frayed areas of the margin have been repaired by a conservator. Excellent color.

A fine cricket cage, composed of a body made from a gourd and a rim and lid made of ivory. The lid itself is nicely carved to represent a lotus and foliage around surmounting an openwork geometric design. Its silk case, partly damaged, is joined to the cage. China, 19th century. Length: 7.8 cm. Very good condition.

Kawase Hasui
Bird's Eye View of Kiyomizu Temple in Snow
Date: 1930s.
Size: Approximately 5.675 x 3.675 inches.
Publisher: Watanabe Shozaburo.
Artist's oval seal at lower right.
Reference: Hotei #Hp-59.
Medium: Japanese woodblock print.
Condition: Excellent.
This marginless print is from a mid-century collection that included another marginless Hasui print.
Most examples are found with margins, so it may have been trimmed or issued in this state.

A rare writing box made of papier-maché with polychrome and gold decoration under a lacquer varnish showing different Hindu gods as Hanuman, Krishna etc. Condition: traces of usage, wear, lacquer and further small losses, some cracking. Dimension: c. 28.5 x 9.5 x 7.7 cm.

Antique Japanese Scroll of Two Quails amidst chrysanthemum flowers, painted with a delicate painterly touch. Signed and sealed by Tosa Mitsuoki (光起) (1617-1691). In 1654, Mitsuoki won back the position of edokoro-azukari for the family, which enabled him to revive the school.Mitsuoki rejuvenated the traditional Tosa style by introducing elements from Chinese painting. He is particularly noted for his elegant paintings of quail, as for example, the Chrysanthemum and Quail screens which he...

Hiroshi Yoshida
Little Harbour
Date: 1941.
Size: Chuban. Approximately 10.375 x 7.825 inches.
Signed and sealed in the image. Titled and signed in pencil.
Jizuri seal at upper left margin indicating self-printing by the artist.
Medium: Japanese woodblock print.
Condition: Excellent.

Width approximately 29.5 cm (across the handles). There are few soft chips at the handle. More pictures are available. In good condition.

Height approximately 28 cm. There was a chip at the rim and repaired. There is a hairline. In good condition.

Height approximately 11.8 cm. There are some parts missing glaze. In good condition.

Diameter approximately 20.3 cm. Fritting at the rim. In good condition.

The censer in the form of a woven basket with a domed open-work lid, suitable for the transportation of avian livestock especially the Gallus domesticus. The base with the mark Seimin chu (cast). Meiji period.

The censer comes with the original box with inscriptions on the lid and front panel, alongside a paper label.

Approximately 6.7 cm by 6.7 cm, 9 cm high. Perfect condition with only a little wear to the patina from use. This is exaggerated by my lighting. The tomobako is ...

An unusual Arita blue & white porcelain plate, circa 1700 - 1750. A smaller dish with similar moulded and gadrooned edge and border of spiky foliage is in the Victoria & Albert Museum, London. FE.66-1970. An identical dish, dated from the first half of the 18th century is kept at the Rijksmuseum in Amsterdam.

The base with an apocryphal Chinese Ming Chenghua reign mark and 5 spur marks.

Approximately 21.2 cm diameter. Perfect condition.

Please study the photog...

A Japanese Arita dish decorated with scrolling flowers, a central roundel of ( possibly ) passion flowers. The base with four spur marks and an apocryphal Chinese Ming Jiajing reign mark.Circa 1700.

Approximately 19.4 cm diameter. Perfect condition.

Please study the photographs.

Within the UK payment by bank transfer is preferred.

Customers resident in China must make arrangements to pay by International Bank Transfer in GBP, fees paid.

Please note tha...

An Arita Export porcelain plate in Dutch ‘Kraak’ style. A plate with the same border is illustrated in the Impey Collection “Japanese Export Porcelain, Catalogue of the collection of the Ashmolean Museum, Oxford. Hotei Publishing, Amsterdam, 2002”, item 12. The border pattern shows a striking similarity to that used for V.O.C. orders produced at the Hikeoba and Sarugawa kilns. Circa 1680.

Approximately 22 cm diameter. Perfect condition.

Please study the ...

An Arita Export porcelain plate in Dutch ‘Kraak’ style. A plate with the same border is illustrated in the Impey Collection “Japanese Export Porcelain, Catalogue of the collection of the Ashmolean Museum, Oxford. Hotei Publishing, Amsterdam, 2002”, item 12. The border pattern shows a striking similarity to that used for V.O.C. orders produced at the Hikeoba and Sarugawa kilns. Circa 1680.

Approximately 21.7 cm diameter. Perfect condition.

Please study the ...

A Japanese baluster vase painted with two scenes, separated by brocaded curtains. The neck in imitation of a cloth cover also featuring two Shimizu mon. The painting is quite remarkable; please remember when you look at the detail photographs that the vase is just a tad under six inches tall. Within the foot-rim is an extensive signature that begins…Satsuma, and is followed by two lines, one ending Sei (made) and the other Ga (drew) so this vase might prove to be the work of two artists.

...