A very good brown glazed jar with two attached handles to the neck, covered overall with glossy brown glaze. Tang Dynasty to Five Dynasties period found at Sumatera Island. Condition is very good, no any chips, no any cracks and free from any restoration. Height: 13 cm.

A very good white glazed censer with well balance potted, standing on three short legs, covered overall with monochrome white glaze. Condition is perfect with no any chip, no any crack and free from any restoration. Ming dynasty circa 1368-1644 found at Kalimantan Island. Height: 12 cm and Mouth Diameter: 14 cm.

Song dynasty qingbai white glaze large bowl with carving flower motif, possibly product of Hutian kiln, good condition please see picture for detail, size: 18 cm diameter.

Authentic large stone Shiva Lingham. Size as shown in photo. These stones are very heavy, Located in central London, collection only. Stand not included.

Authentic large stone Shiva Lingham. Size as shown in photo. These stones are very heavy, Located in central London, collection only. Stand not included.

Authentic large stone Shiva Lingham. Size as shown in photo. These stones are very heavy, Located in central London, collection only. Stand not included.

Authentic large stone Shiva Lingham. Size as shown in photo. These stones are very heavy, Located in central London, collection only. Stand not included.

Chinese 4 panel lacquer 'landscape screen. Qing Dynasty, painted with ink on a gold leaf ground with huts and pavilions, all within a border of dragon panels on a cash ground. Separated and hung from rings. Overall size 72x48 inches

Antique Japanese carved wood panel depicting the familiar figure of Maneki-neko. The beckoning cat with one paw raised, is a popular folklore symbol thought to bring good fortune, whether that is in the form of customers for a business (left paw raised) or, in this case, money or good fortune for the household (right paw raised). Beautifully crafted with attention to detail.

The most popular legend relating to Maneki-neko, is that of a cat belonging to a monk living in a small...

Antique Japanese carved keyaki (zelkova, Japanese elm) wood panel from a temple or shine depicting two dragons. The dragons are intricately carved and have reverse painted glass eyes. They coil amidst swirling clouds.

Age: Meiji Period (1868-1912)

Dimensions: 49 1/2" long x 7 1/2" high x 1 3/4" thick

Antique Japanese 2-section shodana, display cabinet for heirlooms and works of art. It's rare, mostly open configuration gives a floating appearance to it's multi tiered shelves and compartments. It has intricate pierced carved details of phoenixes and curling flower vines. A rectangular compartment in the center portion has a hinged door that is decorated with blue lacquer and bone shibayama inlay of a bird in tall grasses stalking a bee. Two drawers on the lower portion of the cabinet are...

Large Artist's Proof of Munjado Calligraphy by the Famous Kim Ki Chang aka Unbo (1913 - 2001). Calligraphy has been the most revered field of art throughout Korean history. Despite being deaf, Unbo was one of Korea's most beloved 20th Century artists. His works are now sought by museums and collectors internationally. This is the original signed AP (Artist's Proof) of this large lithograph, where Unbo gives us a most creative rendering with anthropomorphic figures in the ancient style of figurat...

Pair Chinese Famille Rose Wall Pocket, hanging Wall Vase, later part of 1800's, 10 1/2" high, 4 1/4" wide-widest part, 2 1/2" deep top area, overglazed Famille Rose decoration of Mother and child in the garden scenery within the border of low relief pattern of the Ruyi Head. Chinese letters written on the upper right side. The condition is good.

Unusually large Chinese nephrite jade recumbent camel curled up, well carved with lovely detail, mottled brownish green color. With hardwood stand on feet.

Size: 5.5"H 11"W 11.5"D. with stand 8.25"H

Ming Period

Unusual Japanese antique standing pendulum clock with reverse painted landscape scene on glass, with carved pair of dragons and wishing ball on rounded top frame casement. With double-ended winding key for chimes and movement.

Age: Meiji Period (1868-1912)

Size: 17.25"H 11"W 5"D

A set of three 19th century Indian jeweler's moulds, made of bronze, each one representing a Hindu deity. The first one shows a female deity, maybe Sarasvati, with four arms, holding her four attributes in her hands, riding a horse and surrounded by foliage. An inscription is incised at the back of the mould. Height: 6.3 cm. The second mould shows god Khandoba (a form of Shiva), holding a sword, riding a horse together with his wife, and accompanied by a dog running under the horse. Height: 6.2 ...

Before styles such as Raku, Hagi, Karatsu, etc came into fashion for use in the tearoom in early Edo, it was commonplace in cultured society to use tea-ware imported from China. In fact, some pottery styles uniquely Japanese (such as Shino) are thought to have been born out of unsuccessful attempts to emulate these extremely high-quality and refined ceramics. The number of such pieces imported was so great that today it is not uncommon for Chinese collectors to visit Japan in search of authentic...

Japanese sumi on paper—this piece by well-known Meiji/ Taisho artist Tomita Keisen depicts a lone banana tree. Deceptively simple in style, each brush stroke made with sweeping yet calculated motions to evoke nostalgia for sultry summer days and tropical climes. Traditionally in Japan the leaves of the banana tree are used as a wrap for cooking or for carrying food for a picnic—adding to the imagery of lazy summer afternoons spent with friends, family, or perhaps lovers out in nature.
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