A large Japanese export porcelain charger decorated with a design based upon a Ming Chinese ‘Kraak’ porcelain dish. Arita, 1680.

For a similar but smaller plate see item 12 in the Impey Collection. ‘Ko-Imari Porcelain from the Collection of Oliver Impey’, Barry Davies Oriental Art, 1997.

Approximately 28.2cm diameter. Perfect condition.

Please study the photographs.

Within the UK payment by bank transfer is preferred.

Customers residen...

Length: 17.2 cm (6.8 in)
Height: 7.9 cm (3.2 in)
Width: 4.5 cm (1.8 in)
Weight: 700 gm (1.5 lb)

Good quality Japanese bronze elephant from early 20th century; unsigned; good condition

Height: 9 cm (3.6 in)
Width: 3.5 cm (1.3 in)
Depth: 1.7 cm (0.5 in)

Quality Chinese inside painted glass snuff bottle; depicts two scenes of male figures in rural settings; jade stopper; signed

Height: 12 cm (4.8 in)
Length: 20.1 cm (8.1 in)
Width: 6.5 cm (2.7 in)
Weight: 1.5 kg (3.3 lb)

Excellent quality bronze elephant from the Meiji Period; produced by and signed Seiya; good condition

A Very Finely Painted with Butterfly by Chung Navi(정나븨) Korea, dated:Sept.1952, signed in Korean and English and red sealed, framed with documents on the back. Painted with 15 different butterflies, and on silk. It's in very fine condition, it measures 7.5” x 10,5” (19cm x 27cm). About Artist: Born in 1906, graduated from Tokyo Art Academy, Tokyo, Japan. A specialist in drawing and painting butterflies. The professors spent 15 years gathering more than 7,000 types of butt...

The creator of this exceptional tea bowl is Koto Kenshi, a native of the town of Hagi in Yamaguchi prefecture who has been producing many fine works since opening his studio in 1970. This piece features a milky ashen glaze with a portion of the foot of the tea bowl exposed, displaying the reddish coarse clay beneath.

Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery. Hagi-ware is prized for its subdued colors and classical feature...

An excellent example of Japanese minimalist aesthetic that transcends its humble origins, this mizusashi, or fresh water pot used in tea ceremony, displays a classic Hagi glaze contrasting nicely with a lacquered wood cover. It separates itself from most pieces of this type by the addition of a pouring spout, which is quite unusual for this type of tea-ware implement.

Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery. Hagi is priz...

A Very Rare/Fine Korean Silver Inlaid with Orchids Iron Box-18th C.: Korea, Joeson dynasty, 18th century. This is a small silver inlaid box, but is a very rare and unusual decoration with Orchids and other floral motifs on the sides, with 4 yellow brass supporters on the bottom. It’s in fine condition but lost some silver inlays, otherwise good condition, it measures 8.2cm x 5.3cm x4.7cm high.

This remarkable tea bowl is from the kilns of Yoshida Shuen (1940-1987)—an apprentice of Miwa Kyusetsu (1910-2012) who was awarded the status of Living National Treasure in 1983. It features a warm crackled glazing with a portion of the foot of the tea bowl exposed, displaying the reddish coarse clay that this piece is fashioned from.

Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery. Hagi-ware is prized for its subdued colors a...

A Very Fine Korean Goryo Bronze Mirror with a Sailing Ship-14th C.: Korea, Goryo dynasty, 13th -14th century. The design is cast in high relief on the obverse of this Mirror depicts a ship sailing on a stormy sea. A large dragon arises from the upper left and right with clouds of spray cap the surging waves. At the top, above the ship’s banner, are four-character inscriptions in archaic seal style script: Huang Pi Chang Chon (clear, vast, luminous heaven) with a good silver-greenish...

Antique Indonesian fine wood carved kris handle. The red/brown hardwood carved as a long-haired seated mythical figure with hands on their knees, with scrolling Cirebon (Cloud) motifs throughout. This imagery is tied to tantric Bhairavist cults. Coiled around the neck looks to be a Naga or serpent. The base of the carving is covered by the metal hilt and stands on an iron base.

The kris or keris is an asymmetrical dagger most strongly associated with the culture of Indonesia. The kri...

This extraordinary cha-ire (powdered tea container) displays an excellent glaze that appears to have only grown more intricate and rich with time. Contrasting against a reddish brown background are flows and pools of darker glaze along with lighter textured speckles. On the base is a stamp indicating that this piece is a type of Shidoru-yaki and the overall appearance shows quite some age.

Shidoro-yaki is a type of Mino-ware that has a long history stretching back as far as the Muro...

Occasionally while browsing through the temple markets of Kyoto or perusing backstreets tea-ware shops, an attractive piece will catch my eye for no particular reason. When this happens, I typically buy it immediately without hesitation, trusting that I will be able to place it to a specific period or kiln given enough time and research. In some cases however, this proves to be a fruitless task and I am left only to appreciate the beauty and form of the object without having access to too many d...

Antique Indonesian fine wood carved kris handle. The red/brown hardwood carved in an abstract figure with a bird's beak, a mystical being, with scrolling Cirebon (Cloud) motifs throughout. This imagery is tied to tantric Bhairavist cults. The style of the kris handle is Islamic and non-representational of human form. It form is birdlike and most likely the birdlike mystical creature Garuda. Garuda being the vehicle of Vishnu. It’s form is of Cirebon/Javanese styling. The Cirebon Sultanat...

Japanese bronze usubata, used for ikebana flower arrangements. With tripod cabriole legs. The interior of the usubata shows verdigris patina from age. The casting is very heavy and shows simple elegance.

Dimensions: 9" w x 4 1/2" h

Japanese shin hanga woodblock print triptych titled “Pine,” Plum,” and “Bamboo” from the “Friendly Garden Series” commissioned by the Franklin Mint and published by the Yoshida Family Studio in 1980. Each of the three prints is pencil-signed in kanji at the lower right margin and black ink signed and titled at the lower left image. The artist’s red seal is below the black ink signature. The three prints have been reframed with archival materials and UV Plexiglas in the origina...

Japanese two section mizuya (kitchen tansu for storage). Constructed of Hinoki (cypress) wood frame with Sugi (cedar) wood, original dark finish. The top section holds a compartment behind pair of sliding panels with Keyaki (zelkova) wood details, open work carving and wire for ventilation. Next to this is a larger compartment with sliding panels with vertical iron studded slats and Keyaki hardwood insert. Below are eight drawers of varying size, opened by iron pulls, with Keyaki burl front pane...

An Arita abalone (Mother of Pearl) shaped dish painted in somenishikide style with a stylised landscape of Mountainous Islands, a shoreline with rocky outcrops with various trees including Pine, flowers and grasses with a rather peculiar and precarious structure in the foreground seemingly lacking several posts in its construction. The reverse decorated with landscape vignettes to the reverse and a six character mark for the Chinese Emperor Qianlong. It dates to the Horeki era of the Mid-E...