Cylinder shaped (hanzutsu) tea bowl made of light, fine unrefined Mino clay. Style (trimmed mouth, very controlled glaze) make it appear contemporary with the late Oribe bowls. The expertly thrown body is covered with the typical white, feldspatic Shino glaze which has been poured and under which a decoration of brush strokes has been applied in iron oxide (oni ita) representing grass and fences.

Just the foot ring and its immediate surrounding was left unglazed. The glaze has a beau...

A beautiful quadratic prism shaped translucent brown jade with two ring carved on each end. The jade is strung with three old Chinese beads. Age; Song or earlier Size: 3.4 x 2.1cm. Condition: No chips.

Antique Chinese jumu (elm) cabinet with beautiful original finish complimentary to the bold woodgrain. Classic simplistic design with nicely carved paneling. Republic Period, circa 1920s. Size: 47.5" H x 28.5" L x 15.25" D

Antique Japanese unusual kiri wood (paulownia) tansu with original honey finish, two front doors with decorative iron hardware incised with heart designs. The interior houses ten drawers of varying size opened by hirute style handles complimenting the gorgeous natural woodgrain. Custom iron stand included. Meiji Period (1868 - 1912). Original finish and condition. Very useful storage. Size: 22.5" H (29" H on stand) 26.5" L x 16.75" D

A French porcelain octagonal vase and cover after a Kakiemon original by Samson of Paris, 19th century. This is very close to the original as can be seen when compared to a pair of vases on ormolu stands in the Tokyo National Museum.

Approximately 21.5cm high. The top of the neck has been damaged and pieces glued into place. The stopper is also glued into the neck. Slight loss to enamels here and there.

Please study the photographs.

~~~ IF YOU WISH TO...

Manufactured specifically for export to Europe sometime during the first half of the 18th century. The cutout, rather small in this case, is to allow the bowl to fit comfortably under the chin when the barber is wielding the razor. Barbers at that time also provided a service to the medical profession by bleeding patients and these bowls are sometimes called 'Bleeding Bowls'. The two holes in the rim, pierced before firing in the kiln, are for suspension cords so tht the bowl could be displayed ...

Large Antique Japanese Zushi, or portable Buddhist shrine, with black lacquer exterior decorated by large areas of metal plating embossed with intricate floral designs and double-jointed doors. The interior is gilt lacquered with emblems of mandarin orange blossoms on the top paneling, associated with the Tachibana family. Early 19th Century. Size: 33" H x 27" L x 19.5" D

Paul Jacoulet
Les Jades, Mandchoukuo
1940s~1950s.
Approximately 6.0 x 4.0 inches.
Self-published, one of a series of surimono.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Excellent. Attached along top edge only to original card.

An unusual set of Ching "burlwood" type of handmade wood buttons. The wood is very unusual and of high quality.Qing Dynasty 19th Century

Seated Jizo Bosatsu, the left hand holding a hoju (sacred jewel) and the right a shakujo (crozier), figurally sculpted from a large-grained sedimentary stone. Mid-Edo Period ca. 1725. Minor old loss, with softening of the lines and contours overall.

Height: 62 cm
Width: 47 cm
Depth: 30 cm
Packaged weight: 65 kg

Sadogashima, an island in the Japan Sea off the coast of Niigata Prefecture, is famous for its production of a distinctive style of figurally sculpted stone Jizo. Sadogashima...

Salt box with its lid, of rectangular shape, decorated with incised geometric design on its sides, and geometric, partly in relief, design on its lid. An opening on the lid allows a spoon (now missing) to rest inside the box. Nepal, 19th century. Length: 18,7 cm. Height: 11 cm. Some erosion due to age, otherwise very good condition. Collected in Nepal in the early seventies.

A beautiful Chinese famille rose porcelain footed bowl surrounded with men, women, and children in an outdoor setting. Inside, the bowl are 3 small insects. In excellent condition, it dates to Guangxu period of the late 19th century. No hairlines, no chips, very slight wear compatible with age. Measures 10 1/8 inches x 8 1/2" x 3 1/8" high

Japanese hardwood burl display stand of a unique natural shape with gnarled edges. Smooth silky finish compliments the beautiful natural woodgrain. 20th Century Size: 34" L x 18" W x 2" H

Small charming and rustic Korean bandaji (blanket storage trunk). Made with roughly hewn thickly cut wood. Brass hardware including corner bracing and little bats along the bottom. 19th century. Size: 22 1/2" high x 27 3/4" wide x 14" deep.

An unusual leather overlay wooden table top chest with beautiful hardware. Size: H. 16cm. W. 38 x 22.2 cm. Condition: No repairs. Some loss of the leather, but overall in good condition and useable.

Chinese antique beautiful jumu (elm) wood cabinet, made with large pieces of elm wood with dramatic grain and lovely finish. Opening doors with a bar in the center. One interior shelf with two small drawers. Brass hardware with a large round lock plate and handles shaped like flower baskets.

Early 19th century

Size: 65" high x 35 1/2" wide x 19" deep.

Chinese Qing dynasty painting on paper of a Confucian worthy seated on a chair in a black robe covered with dragons and animals. He holds a green tablet containing his achievements. A calligraphic inscription describing his accomplishments is at the upper left. Newly framed with Plexiglas to facilitate shipping. There is typical wear for a painting of this age with old restorations and damage evident. The painting is mounted to board so no creases or buckling are visible. Frame size: 66”...

Stone hokora sculpted in two pieces from a brown-hued igneous stone. Mid-Edo Period ca. 1750. Minor old loss. Light lichen accumulation.

Overall height: 47 cm
Width of roof: 34 cm
Depth of roof: 28 cm

Originally employed as a symbolic dwelling for a given clan's ancestral deity, this hokora features an unusually high-pitched roof and a window in the shape of an upside-down heart, a traditional motif called inomemado (lit. boar's-eye window) used in Japan since at least the Heian Period...