A Japanese silver two pronged kanzashi (hair pin) with a cut rock crystal in center within a filigree gilt chrysanthemum, partially gilt body; original wooden box (tomobako) and a label that is written "Gold-silverwork", the retailer's name Kinji Shibuya, Akita city and their two digit phone number. Meiji/Taisho period.

Kanzashi: 6 3/4" long
Box: 9" x 2" x 1"

An elegant ceramic obidome (obi clasp) with silver mount (guaranteed) formed as a leaf, glazed in mottled tones of red and blue, with a hand woven silk cord dyed in the same colors; all contained in original box from Matsumasa, Kyoto. Taisho/early Showa period.

The actual colors are gentle; red in blue/purple tint with a soft blue color. What did not show in the photos are the exact matching colors of the ceramic leaf and silk cord. It is a work of art from the Kyoto area; ceramic possib...

A Japanese tobacco pouch, ojime and pipe case (kiseruzutsu) - a leather pouch with an impressed name/hallmark of a famous sake on the inside of the flap with a gilt bronze clasp of a Chinese man and go (Japanese chess, originally Chinese) table. The ojime is a Bizen type pottery bead modeled as a two headed karako (Chinese boy), lucky god Ebisu or Daikoku. The kiseruzutsu (pipe case) has a hand chiseled textured design on the exterior of an unknown material. Tobacco pouch, 3” x 5”, ki...

Description:

A Triad Blac De Chine Guanyin Statue was beautifully rendered.
In elegant sitting posture the holy deity was accompanied with two attendants in front of the throne.
And on the rocky stands beside her, there's a purity vase on the right and a holy hawk sitting on the left.
Serene and peaceful in mood, her features were well depicted when the flowing robe and the beaded rosary was carved in a fine craftsmanship.
Yellowish green tint was reflected at the pleats ...

There is no visible image of God in Japanese Shinto religion. For this reason, people find the spirit of God in their surroundings, especially in nature. In the noh play “Takasago”, an old couple is seen together on the beach of Takasago (today’s Hyogo prefecture) sweeping pine needles under the trees. The old man Jo and old woman Uba are the spirits of the pine trees that were grown in Takasago and Sumiyoshi. The two trees are located far away but they are together with their spirits. ...

This is a rare ten panel "전서 [篆書)" screen written by 해관(海觀), 유한익(劉漢翼) with gold(?) and light red on cloth, each panel shows a number of antique objects, and seal impressions, all bearing seal script(전서 [篆書] inscriptions. 유한익-劉漢翼) has used 19th century conventions to produce a distinctly archaic version. This screen is an unusual variation on the “백수도”(one hundred longevity Picture), a calligraphic exercise in which the charac...

2 Pairs of very well preserved and extremely rare Khmer Bronze Earrings, ca. 12th Century, Angkor Wat Period. Size: H. 7.3cm x W. 2.2cm. Individual stands for display provided.

Indian carved marble figure of the Hindu warrior goddess Durga sitting on lion, she holds a curved sword over her head and wears a crown, the eyes and mouth are painted on both the goddess and the lion, 12th century. Size: 42" high x 21" wide x 7 1/2" deep.

Artist signed wood box is included. 16 x 10.5 x 6.75 inches, 41 x 27 x 17 cm.

Exquisite and very rare 15/16th Century AVA Disciple from Burma, holding an alms bowl, very gentle, calm and serene expression. Patina reveals some pigment remnants, sandstone of redish-brown-terracotta color. Very good condition, Size: H. 90cm x W. 25cm x D. 20cm excluding Museum quality stand, weight: about 55 kilos (120 lbs.)

Carved wood figure of multi armed ferocious deity with 3 faces, gilt lacquer, carved with wonderful movement and flowing draper, purchased as Japanese but possibly Chinese, 15th century. Size: 28" high x 28" wide

Very old and wonderful carved wood figure of the buddhist god Fudo Myoo, he stands with laso in one hand and sword in the other, made of wood with mineral pigments, glass eyes, metal details including sword, large and dramatic with fire nimbus, Muromachi Period, inscription on the back of nimbus says Yuwayadera (name of temple), nimbus is signed that it was restored by Minamoto Haruhisa April 16, 1560. Size: 62" high

Pichhwai, temple painting, of Radha and Krishna in the Garden, Kishangarh Style, this Hindu scene of the God Krishna and his beautiful consort, the Goddess Radha takes place in a lush garden. The sacred mountain rises up behind them and as the two figures embrace at the opening to a cave.

At the top of the mountain sits a white palace and the sky is filled with 6 bird-shaped celestial chariots toward the it. On the mountain side and in the garden below are many animals including whi...

Artist signed wood box is included. 19.25 x 11.5 x 7 inches, 49 x 29 x 18 cm.

An exquisite large vessel by Seifu Yohei III (1851-1914) enclosed in the original signed wooden box. The mirror smooth surface is lightly tinged pink, a delicate touch only Seifu could create. The Fretwork about the center is absolutely perfect. The vase stands just over 12 inches (31 cm) tall, 5-1/2 inches (13 cm) diameter and in excellent condition. It is signed on the base Dai-Nippon Seifu Zo. Seifu, unlike many potters of his time, was low production and tenacious in his approach to perf...

A brass four prong dorje from Tibet. The primary symbol and ritual implement used in Tantric Buddhism, also know as a vajra. It can be translated as "diamond" or "thunderbolt". Age: Pre 1920. Size: L. 12cm. W. 4.3cm. Condition: Perfect.

Like an aged boxer, the squat muscular crab takes a stance of readiness, one claw up prepared to defend against a coming attacker. This little fellow is unusual in that it is made of thick bronze, with each joint pinned in a way that allows for some mobility. Legs splayed the creature is 9 inches (23 cm) wide, standing it is 3-1/2 inches 89 cm) tall. There is a repair to the first joint of the 2nd left leg. It dates from the first part of the 20th century.

Beautiful art work of Tosa Mitsutoki* embroidered with a theme from the Noh play "Takasago" on an antique fukusa, a Japanese gift cover. The signature, seal and other characters are embroidered. To find a signature on a fukusa from this period (late Edo) is very rare; in fact, I have never seen one. The characters (at the bottom left side) read "e-dokoro azukari" which is the title for the head of the Imperial Painting Bureau. The characters in the next column translate to Tosa Sakin Shog...