Hamada Shoji (1884–1978) Broken Straw Brush Motif Yunomi

Very good example of Hamada's iconic broken straw brush pattern with distinctive iron pigments.

Similar glaze and iron brush reference: http://www.philrogerspottery.com/portfolio/h186-yunomi-hamada-shoji/
No box is provided.
Size
Width 3.32in (8.5cm)
Height 3.35n (8.6cm)
Weight 225g

Condition
Very Good.
No chips, no cracks

A beautifully crafted Shino ware chawan with fantastic crackled glaze by Kato Gorohachi (?-1900) The potter signature is carved on the bottom.

Probably inspired by early Korean Ido shape examples, the bowl perfectly lies in hands giving strong Wabi feel.

There is not much information available about this Meiji potter even in Japan and his birth year is unknown.
He worked in the Hinno kiln of Aichi Prefecture in late 19 century.

Shino ware pottery is produce...

Antique Chinese belt hook of an unusual anthropomorphic figure with the head and wings of an owl but with human-like arms and legs. The opposite "hook" portion is another animal head. Made of bronze and mixed metal with inlaid swirling motifs and inset with carnelian eyes.

Age: Warring States ( 475BC-221BC)

Dimensions: 3 3/8" long x 1 1/8" wide x 1 1/4" high

This is the pinnacle of production for imperial artist Seifu Yohei III, a large Taihakuji porcelain vase with carved designs enclosed in the original signed wood box. Museum quality would be an understatement. Seifu III was known to have made few large works, so this is a very important piece, and Taihakuji was his most appreciated style. Here we see two pheasants in a blossoming tree overlooking a large crag, with clouds brimming about the rim, all in carved relief. It is signed on the base D...

Cranes rest in the boughs of a massive blue pine overlaying the white clouds billowing on the pink tinged body of this large vase by Seifu Yohei III enclosed in a signed wooden box annotated by Seifu IV. An identical vase held in the collection of the Ashmolean is visible on page 19 in the book Sandai Seifu Yohei (Seki Kazuo, 2012). Seifu III was known to have made few large works, so this is a very important piece. It is signed on the base Dai-Nippon Seifu Zo. It is 46 cm (18 inches) tall, 26...

An antique Japanese single section Kimono Tansu (chest) made entirely of Kirinoki (Paulownia) wood. All original hand forged iron hardware including the Hirute style handles. Front corner reinforcements on all drawer fronts with two side handles on each side for carrying this tansu from room to room. Constructed using thick straight dovetail joinery and hardened wood nails.

Age: Early Meiji Era (1868-1880)

Dimensions: 36 1/2" Wide by 37 3/8" High by 17 3/4" Deep

An antique Japanese Gifu Choba Tansu (merchant chest) made of Hinoki (Cypress) and Suginoki (Cryptomeria) woods. All original hand forged iron hardware including the Warabite stye handles. 5 exterior drawers for storage and organizing with 2 sliding doors behind which store records and books were kept. Hinged door secures 2 small drawers where valuables were hidden away. Horizontal side slats provide strength and a visual design element complimenting the sliding door slats. Through mortise a...

Hiroshige Ando (Utagawa)
The Monkey Bridge in Kai Province (Kōyō Saruhashi no zu)
Date: ca. 1841–42 This edition early 20th century.
Size: Large vertical diptych at 29.0 x 9.625 inches.
Publisher: Bears Tsutaya Kichizo seal on front. This edition published by Adachi (seal on back).
Condition: Slight creasing at top corners. A couple of faint foxing spots near bottom.

Diameter approximately 9.9 cm. Height approximately 7.7 cm. The blue color on the powder box is cute. More pictures are available. In good condition.

Diameter approximately 9.7 cm. Height approximately 7.7 cm. The blue color on the powder box is cute. In good condition.

Painted lacquerware in Asia is thought to have more than 3,000 years of history; originating in China and then later spreading to South East Asia, Korea, and Japan. One reason this craft has taken centuries to perfect is that the sap of the tree used is highly toxic and irritating to the skin and to the lungs. Even minor contact with the raw materials can cause serious issues, making collecting and refining it quite labor intensive. Additionally, once collected it takes on average 3-5 years for ...

A small-scale shi-shi lion sculpted from a single piece of wood and finished in lacquer, gold leaf, and polychrome. Early-Edo Period ca. 1650. Minor old wood loss as well as significant old loss to the finish.

Height: 12 cm
Length: 15 cm
Width: 9 cm.

A classically styled small-scale piece originally employed as a decorative architectural element in a Buddhist temple or Shinto shrine.

Shin-Bijutsukai Japanese Design Magazine, vol. 28
Compiled by artist Furuya Korin (1875–1910).
A monthly magazine (1902-06) featuring the work of talented design artists.
First published 1905. This Yamada Unsodo-published edition dates to 1906 or later.
Contains 20 full-page, original woodblock-printed designs.
Publisher: Kyoto Unsodo.
Size: 9.5 x 6.5 inches.
Medium: Woodblock-printed book bound with silk ties.
Condition: Some wear at front and back cov...

Children on Stilts in Snow
Artist's seal not read.
Date: 1950s-60s.
Size: 4.75 x 3.25 inches.
Medium: Japanese woodblock print tipped along its top edge to original card.
Condition: Excellent.

A huge stone head of Northern Song Dynasty was well presented.

Date:Northern Song Dynasty, 12th Century.

Height including stand:53cm.

Height without stand: 38cm.

Ide Gakusui
Bamboo Grove
Size: 5.75 x 3.75 inches.
Date: 1950s-60s.
Gakusui seal lower left.
Publisher: Watanabe Shozaburo.
Woodblock print is tipped along its top edge to a blank card.
Medium: Japanese woodblock print.
Condition: Excellent.

A scarce antique lady informal padded winter robe, 19th century (Qing Dynasty), China.

Dark blue satin silk is finely embroidered in colored floss satin silk with butterflies flitting amidst peonies, chrysanthemums, and other various flowers.

Sleeves finished with cream-colored satin silk bands embroidered with various figural scenes, bordered with multicolored ribbons and light blue satin.

The front - opening with four toggles and gilt–metal buttons and trimmed together wit...

Antique Chinese grey celadon ceramic military "gunpowder jar" or "bullet jar," late Ming Dynasty (1368-1644).

The jar is handcrafted, strongly potted with a cylindrical tapering form, high shoulder, short neck, and lightly ground down rim.

The body is potted with horizontal coiled ribbing and covered with glaze in various shades of grey celadon.

REFERENCES:

Similar jars are in The Smithsonian's National Museum

https://asia.si.edu/object/S2005.51/

and The Brit...