Japanese Antler Netsuke and Leather Tobacco Pouch with Glass Ojime, 19th Century, Leather Pouch-4" x 3 3/8" wide, Glass Ojime-1/2" diameter, and Netsuke-1 1/4" x 1 1/8" wide, 3/4" high, carved Antler Netsuke is a shape of Tree Branch, plus Glass Ojime. Netsuke and Ojime are in good condition, the Leather Pouch shows a lot of wears but no damages.

Shoda Koho
A boy playing a flute while riding an ox
Date: 1930s.
Size: Tanzaku 13.25 x 3.125 inches.
Publisher: Hasegawa/Nishinomiya Yosaku (stamp on verso)
Artist's seal at lower right.
Reference: No. 1570
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition: Excellent.

Edo Period (1603-1868) Hagi ware Chawan (Tea Bowl) for Tea Ceremony

Hagi pottery became popular throughout Japan for tea ceremony during Edo period (1603-1868). Hagi ware has its distinctive nice cracks together with soft texture which is highly prized among tea lovers around the world.

Size
Width 4.1in (10.5cm);
Height 2.85in (7.3cm);
Weight 495g.

Condition
Good.
No chips, no cracks.
Supplied with wooden box.

A Very Fine Large Korean Decagonal Incised Brass Brazier/Incense Burner-19th C.: Korea, Joseon dynasty, 19th century. A quite large and rare decagonal shape incised with auspicious characters and floral designs charcoal brazier and using as an incense burner as well, two large octagonal handles with large bats It’s in very fine condition with old natural patina, it measures 23.7cm h. x 31cm d.(handle to handle), 10bls

Japanese incense cabinet kodansu in wood veneered with tortoise shell on its different sides and the three drawer fronts that compose it. Interior of the door and drawers in black lacquer.
Floral decoration in hiramaki-e lacquer of gold and kirigane lacquer on the different faces, the drawer fronts and the interior of the door. These are peony flowers, maple leaves, cherry blossoms, daylilies and irises. Two butterflies on the inner door. Nashi-ji lacquer edges.
Fittings and handle ...

An Amazing Shigaraki flattened form with offset neck covered in pools of liquid green crystal and dark encrustations of ash by Furutani Hirofumi, head of the Churoku-en. This piece truly shows the best of what Shigaraki has to offer, in the exposed raw terracotta clay, the molten ash glaze, the Hi-iro color of flame, and the build up of dark ash deposits. Every viewing angle is unique. This flattened form has been made by separating two slabs with a band of clay which has had feet and a wheel...

A stunning Pair of Antique Japanese Meiji Period (1868-1912) paper doors, depicting 2 hunting noblemen on elegant horses with bows and arrows on the first panel, as well as pine trees on the second panel. Very finely hand painted. Script/Signature on the bottom right side of the second panel. Condition: 1st panel has a repaired torn area and both doors show aging/flaking of the paper at the very bottom. These doors are framed in black wood as shown in the photos. Wonderfully preserved colours....

Wow I need that! is all I could say the first time I saw this piece by Furutani Taketoshi while visiting the Churokuen Kiln early this year. The tendrils of natural ash glaze wrap around the simplified form like the roots of some ancient Shinboku (God Tree). It is unpretentious, but stands out clearly as a masterpiece by this very talented young potter. It comes enclosed in the original signed wooden box titled Shigaraki Shizen Yu Yohen Hanaire (Shigaraki Natural Ash Glazed Kiln Altered Vase)...

An original Edo period kōsatsu public proclamation dated Tenwa I (1681) detailing the laws against Christianity, rewards for turning in a Christian to the authorities, as well as punishment for the offenders. Of cypress wood with sumi ink, and a hand-forged iron loop for suspension from a post or gate. The signboard has a shallow peaked “roof” to protect the calligraphy from the rain. However decades in the weather have caused the original surface to wear and bake away the surface, leavi...

Early Edo Myochin Signed Nimai Do with Nanban influence featuring gilded kusazuri and sode laced with blue chord dated Genwa 3 (1620). There are rows of Prominent rivets all about with nobori-kiri crests on the top of the munaita. Comes with an old wrapping cloth dyed with the same crest. The Hon-kozane Kusazuri are removable, attached to two leather belts suspended from iron tongs about the waist. The takahimo shoulder straps are wrapped in leather. The shaped horn clasps are extant but on...

An antique Japanese Kotansu (personal storage chest) made of Toneriko (Japanese Ash) and Keyaki (Zelkova) woods. All original Urushi lacquer and hand made bronze/nickel hardware including the Mokko handles. The accent corners and backplates have incised designs of feathers, vines, and flowers. The bottom drawer is lacquered in Makie with Bamboo and a landscape design while the body has a lacquered silhouette of auspicious lucky Japanese symboled. Six fully lacquered drawers for storage and or...

Kawase Hasui
Onshi Park, Shiba
Date: 1937.
First edition with Watanabe E seal (used 1932-1942).
In this edition, the rain is overprinted with silver mica.
Size: Oban. Approximately 15.75 x 10.75 inches.
Reference: Hotei #422.
Medum: Japanese woodblock print.
Condition: Excellent.
Hasui's biographer "Narazaki writes: 'An ancient pine tree at the side of a pond; it conveys the brooding mood of a bleak nocturnal downpour. The work was undoubtedly created...

A masterful Original Acrylic and Pen Painting with stunning irredescent Gold/Copper accents/sheen, depicting Lotus Blossoms and Leaves. Artist R. Seed Sa-ardwaree. Size: 18.5" x 14" (47 cm x 35.5 cm.). Very nicely framed under glass and ready to hang!

A masterful Original Acrylic and Pen Painting with stunning irredescent Gold/Copper accents/sheen, depicting Lotus Blossoms and Leaves. Artist R. Seed Sa-ardwaree. Size: 18.5" x 14" (47 cm x 35.5 cm.). Very nicely framed under glass and ready to hang!

Massive Qing dynasty Chinese polished bronze tripod ding censer with compressed body, two arched loop handles at the rim, and tapered legs fitted on a custom hardwood stand. Cast in a Ming dynasty style and bearing a six-character apocryphal Xuande reign period mark within a rectangle on the base. Believed to date as early as the 18th century. Censers of this size and form were typically used in temples. Censer: 11 1/2" diameter (10 3/4" diameter at the rim) x 8” high (to top of handles). ...

Hagoita (battledore) with oshie which is the Japanese traditional craft. Motifs are figures, kabuki actors, flowers, birds etc. They are made into raised pictures with silk crepe with lining of cotton and attached on the wood or paper board. Hagoita is used for the game "hane-tsuki" played on the New Year's Day. Two persons hit a shuttle with hagoita. This one has oshie woman in traditional kimono. It has letters that show it was made in Meiji and in Tokyo. In good condition with an original box...

Large Leafed Vines are silhouetted against age darkened silver on this striking covered basin by Banura Shiro enclosed in the original signed wooden box. A segment of vine serves as a handle on the lid and it appears to float above the table on three ribbon feet. It is 25 cm (10 inches) diameter, 15 cm (6 inches) tall and in excellent condition.
Banura Shiro (1941-2001) was born the fourth son of influential Lacquer Artist Banura Shogo. His sensitivity to textures may stem from that exa...

Korean Norigae with Chinese White Jade Carved Parfumier, Plaque, Knife, Charms Butterfly Pendant with Tassels, circa 1900

The overall length is 13 inches (33 cm). The Parfumier is 2.2 inches (5.5 cm) wide by 0.63 inch (1.6 cm) thick. The rectangular jade plaque is 2.95 inches (7.5 cm) in length by 1.6 inches (4 cm) wide. The butterfly is 2 inches (5 cm) in length by 3.1 inches (8 cm) wide. Total weight is 227 gram.

It is tarnished and has rubbing of gilt, and surface wears and scratche...