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Tall Chinese Tang Dynasty Painted Pottery Zodiac Figure - Rabbit
This pottery figure was made during the Tang Dynasty (AD 618 - 906). It takes a human form, other than the head which is of the zodiac animal represented, in this case the rabbit. The figure stands upright with hands clasped together against its chest under a flowing robe. It is made from a reddish pottery that has been cold-painted in a base coat of white on top of which are traces of black & red pigments. Height 31 cm (12...
Japanese : Tea Articles : Contemporary
item #1446499
(stock #TRC210602)
Kyoto Ceramics and Fine Art
Sold, Thank You! Before styles such as Raku, Hagi, Karatsu, etc came into fashion for use in the tearoom in early Edo, it was commonplace in cultured society to use tea-ware imported from China. One of the most common implements that first made its way to Japanese shores was the tenmoku style tea bowl that has been adopted and carried on through countless generations of Japanese artisans. Here we have an excellent example of this style of tea bowl—in perfect condition and featuring a custom fit silk pouch. Thi...
A Chinese porcelain bowl, the outside and base with yellow glaze. The foot with carved mark "CHINA". Probably dating to the first quarter of the 20th century. Dimension: diameter: c. 19.8 cm, c. 6.3 cm high, weight: 450 g. Condition: outside having few areas with kiln dust.
Zentner Collection
SOLD A stunning large antique Japanese lacquer bunko (document box). Decorated all over with raised blossoming white rhododendron. Charming details of the leaves show where they have been nibbled appreciatively. Very unusual and beautiful use of takamaki-e lacquer technique. Signed on the underside of the lid by 源十郎 Genjūrо̄. Considered the representative lacquer ware artist of the Showa era, 吉田源十郎 Yoshida Genjūrо̄ (1896-1958) exhibited at the Bunten, Teiten, Shinbunten and...
Zentner Collection
$4,500.00 An antique Japanese Kyoto Mizuya Tansu (kitchen chest) in 2 sections made of Keyaki (Zelkova), Hinoki (Cypress) and Sugi (Cryptomeria) woods. All original hardware including bronze sliding door handles and hand forged iron drawer pulls. The full moon theme follows the round upper sliding door handles and the drawer pulls. There are five horizontal and five vertical drawers for organizing storage with spacious storage behind the sliding doors. Unusual shallow depth of 16 1/2" for a large Mizuya...
Zentner Collection
SOLD Antique Japanese lacquer tebako (accessories box), made of lacquered wood with dense gold nishiji and a gold maki-e lacquer design of flowers, possibly clematis, on a vine. The rim is made of pewter and the interior is lacquered with a spars nishiji on a black lacquer ground. Comes with kiri wood tomobako.
Age: Tokogawa Era, early 18th century Dimensions: 2" high x 2 7/8" wide x 2 7/8" wide
Zentner Collection
$9,000.00 Antique Japanese lacquer suzuribako decorated with a pair of deer in raden (shell inlay) and lead on a black lacquer ground. The box opens to reveal a writing set including a lacquered copper rectangular water dropper, an ink stone with brush rests on either side against a background of black lacquer with Rinpa style gold maki-e designs of curling plant fronds.
Age: Meiji Period (1868-1912) Dimensions: 10 1/2" long x 9 1/2" wide x 3 1/4" high
Zentner Collection
$1,450.00 Antique Korean Bandaji known as a blanket storage trunk, made of a heavy Red Pine wood with a deep rich original patina. A single door is hinged horizontally and opens downward to reveal a large compartment for storage. Though these trunks were used for storage of household items, bedding was usually folded and placed on top, thus giving them the name blanket storage trunk.
Constructed using dovetail joinery for strength and durability. Hardware is made of iron and includes large hin...
Haruko Watanabe
$30.00 Hand-woven silk sakiori obi (sash) whose weft is bunch of mixed color of silk yarn and warp is off-white silk yarn. Generally sakiori is hand-woven of recycled strips from old cloth for wefts , however we call the one also sakiori whose wefts are bunch of yarns. In good condition but has folded line along the length. 20th century. 25cm x 3m42cm
Haruko Watanabe
$30.00 Hand-woven silk sakiori obi (sash) whose weft is bunch of mixed color of silk yarn and warp is black cotton yarn. Generally sakiori is hand-woven of recycled strips from old cloth for wefts , however, we call the one also sakiori, whose wefts are bunch of yarns. In excellent condition. Black borders are recycled cotton strips. 20th century. 13cm x 2m56cm
Japanese : Woodblock Prints : Pre 1970
item #1446363
(stock #Saito020)
Era Woodblock Prints
SOLD Kiyoshi Saito
Ikaruga-No-Sato Nara (C) 1970
Edition: 36/80 Matted size: 27 x 22 inches. Visible image size: 21.5 x 16.75 inches. Date: 1970. Self-published by the artist. Signed and sealed in the image. Titled, numbered, and dated in pencil. Condition: Edges or full print laid down to backing. Note: Print is not framed.
Gallery Rex
sold This piece is baked in "Anagama" for 10days, so it is naturally covered by ashes of red pine fire woods and has been firing- denatured on surface in natural. We Japanese call this change "窯変 Yohen", This vase is able to use by two ways, hanging or setting. It is suitable for tea ceremony very well.
Movie/YouTube: https://www.youtube.com/watch?v=hSOywHuZPSs
Accessary : wooden box with signature of artist
Size: 9.2cm (D) 17.5cm (H)
Very Rare Chinese Liao Dynasty Glazed Pottery Ewer with Oxford TL Test
This very rare and unusual (possibly unique?) ewer was made during the Liao Dynasty (AD 907 - 1125). The body is decorated with moulded leaf and floral designs, and coated in an attractive amber glaze. The mouth opening has been formed into the shape of an opening leaf or blossom and is glazed in green. To the shoulder, opposite the handle, is the short spout. The glaze falls short of the flat base revealing the pale pink... Rare Large Chinese Song / Yuan Dynasty Qingbai Porcelain Bottle / Vase - Lotus Flowers
This porcelain vase was made during the 13th - 14th century, during the latter part of the Song Dynasty (AD 1279 - 1368), or possibly the following Yuan Dynasty (AD 1279 - 1368). It is unusually large for its type and its moulded decoration is very interesting: between bands of geometric patterns, are four lotus flowers in various stages of blooming. The outer surface and inner mouth are coated in a finely... Rare Chinese Song / Yuan Dynasty Qingbai Porcelain Bottle / Vase
This porcelain vase was made during the 13th - 14th century, during the latter part of the Song Dynasty (AD 1279 - 1368), or possibly the following Yuan Dynasty (AD 1279 - 1368). Its moulded decoration is most unusual with two bands of raised studs surrounding the body at its waist. Around the shoulder is a more conventional floral scroll. The outer surface, as well as the inner mouth, is coated in a finely-crackled pale green ... Chinese Song / Yuan Dynasty Qingbai Porcelain Jar / Rice Measure
This small jar was made during the 13th - 14th century, during the latter part of the Song Dynasty (AD 960 - 1279), or possibly the following Yuan Dynasty (AD 1279 - 1368). Its form is often referred to as a "rice measure". It has moulded decoration around the shoulder and is coated in a finely-crackled blueish-green qingbai glaze save for the rim and base that remain unglazed. Diameter 8.5 cm, height 6 cm. Condition is go... Thai 14th - 15th Century Underglazed Sukhothai Bowl
This stoneware bowl was made at the Sukhothai kilns during the 14th - 15th century. The striking floral / geometric pattern is in underglaze iron-brown on top of a white slip. The honey-coloured clear glaze is finely-crackled. The glaze is at its thickest to the upper surface. On the underside the glaze is thinner and has degraded in places leaving a matt surface. To the centre are five "spur marks". The base remains unglazed. It is a... Thai 14th - 15th Century Sawankhalok Celadon Tall Bowl / Jar
This stoneware bowl was made at the Sawankhalok kilns around the 14th - 15th century. It is "heavily-potted" and coated in an attractive and finely-crackled glossy celadon glaze that has just a hint of blue in places. Decoration is minimal with none to the inner surface and simple incised bands to the outer surface just below the rim and above the foot. To the unglazed base is the round mark of the pontil on which this bowl stood w... |