Large Chinese Tang Dynasty Painted Pottery Camel with Oxford TL Test

This unusually large and impressive pottery model of a Bactrian camel was made during the Tang Dynasty (AD 618 - 906). It is heavily-potted and made from a fairly high-fired buff-coloured pottery. In places on the surface are firing cracks, likely due to the thickness of the pottery...

Charming Cizhou style ceramic pillow as a cat, circa late Qing to Republic period in perfect condtion! Great expression- captures the way a cat can gaze so intently at something while appearing calm- as if it is about to pounce on an unsuspecting prey. The Victoria and Albert have one in their TT Tsui Gallery and the Tianjin Porcelain Museum has one on display as well. L: 31cm/12.2in, H: 15.5cm/6.1in and W: 11.5cm/4.5in

Very Rare Chinese Song / Yuan Dynasty Buddhist Lotus Jar with Sanskrit Inscription

This very rare, possibly unique, pottery jar was made between the 10th and 13th centuries, during the Five Dynasties period (AD 906 - 960), Song Dynasty (AD 960 - 1279) or possibly the Yuan Dynasty (AD 1279 - 1368) and has been excavated from a Buddhist site in Yunnan province. 

It is one of the most unusual Yunnan jars that we have seen. The design represents either lotus leaves or a lotus blossom...

Chinese Northern Qi Dynasty Painted Pottery Figure (AD 550 - 577)

This rare and unusual painted pottery figure was made during the Northern Qi Dynasty (AD 550 - 577). It is made from a relatively highly-fired grey pottery that has been "cold painted" in various coloured pigments, traces of which still remain. Note the details of the clothing, the headgear, both tied with a bow, and the facial features...

Rare image of a Qilin Chinese "unicorn" with stunning deep aquamarine Qingbai glaze. This is a fragment of a much larger piece, possibly a finial off a censer. H: 9.5cm/3.9in, W: 7cm/2.8in x 4.5cm/1.8in. The sculpture is in excellent condition, there is a film of hardpacked soil in the crevices which can be (see enlargements), this can be removed with a small blade with a bit of effort, soaking it in water for a week or so will help. I am leaving it on as it speaks to the age of this piece...

Height on Stands: 16 cm (6.4 in)
Width: 9 cm (3.8 in)
Depth: 4.5 cm (1.8 in)

Quality pair of carved Chinese horses on original timber stands; natural material; well-carved pieces; one ear reattached; good condition

TALL Chinese Eastern Han Dynasty Sichuan Pottery Farmer with Shield

This tall pottery figure was made during the Eastern Han Dynasty (AD 25 - 220) and has been excavated from Sichuan province. Such figures are usually referred to as farmers, although during this period Sichuan farmers were also called upon by their masters to become soldiers when required. This figure holds in his left hand a long sword, and in his right hand a shield. There is also a short knife attached to his belt...

Tall Chinese Eastern Han Dynasty Sichuan Pottery Female Figure (Water Carrier) with Oxford TL Test

This fine tall pottery figure was made during the Eastern Han Dynasty (AD 25 - 220). A whole variety of pottery figures of varying sizes of this general type comprising farmers, musicians, domestic servants etc. are known and have been excavated from Sichuan province...

TALL Chinese Eastern Han Dynasty Sichuan Pottery Farmer (81cm / 32")

This tall pottery figure was made during the Eastern Han Dynasty (AD 25 - 220) and has been excavated from Sichuan province. It is made from a reddish pottery and is highly detailed. Such figures are usually referred to as farmers, although during this period Sichuan farmers were also called upon by their masters to become soldiers when required...

A well-made ink-stone box of heavy, rose wood (hongmu). The lid inlaid with thin bamboo slips to form a sentence of four characters reading: “Auspecious Blessings as You Please (Jixiang ruyi).” Late Qing, ca. 1900. L 24 cm, W 15 cm, H 5 cm. Condition: Perfect (very minor wear due to use).

Lovely pottery small lead glazed stove from the Eastern Han Dynasty (202 BCE – 220 CE). There is original flaw in one of the pots on top and a minor glaze chip on the upper edge but otherwise excellent condition with a lot of lead glazed silver paraffin patina on the whitish surface. See last enlargement for reference from He Li’s Chinese Ceramics. L: 25.cm/9.8in, W: 18.5m/7.2in and H: 9.5cm/3.8 in. Excellent example of how people cooked 2000 years ago in China.

Porcelain cup, blue and white, with a decoration inside representing concentric floral designs surrounding a chimera located in the center. On the outside, a floral decor of same type as inside. China, apocryphal mark beneath. Early Qing dynasty period, 18th century. Diameter: 22.8 cm. Very good condition.

A black lacquer snuff bottle inlaid with abalone mother-of-pearl and brass. Stopper en suite, bone spoon. Base signed. Condition: traces of age, few lost inlays. Dimension: 5.2 cm

Length: 14.2 cm (5.6 in)
Width: 9 cm (3.4 in)
Height: 4.5 cm (1.8 in)

Chinese carved cinnabar box; white jade insert carved into bats and lotus flowers; surrounded by cinnabar carved into Buddha hands and floral garlands; minor restoration and age issues; marked CHINA on the base

Chinese export porcelain stem plate, made for the Thai market. With polychrome decoration of Thepanom between two Norasingh, among foliage on a black ground, details of the deities in gold. Condition: good, rim with few color flakes, wear to the gilt (rim). Dimension: diameter: c. 13 cm, height: 6.9 cm.

Green lead glazed oil lamp or candle stand from the Han Dynasty. In excellent condition with no damage, there are still traces of the classic silver patina as may be seen in enlargements. H: 13.5cm/5.3in and D: 10.5cm/4.2in.

An unusually small creamer, Chinese export porcelain from the Qianlong period, c 1770. Decoration in the European taste of scattered flowers, a thin lattice border and garlands. Height "3 1/3/ 8.5 cm. Condition: a professional restoration is visible near the beak where the decoration is restored with exactly the same enamels as the original (cf. pics).

Magnificent pottery Ding. The long legs and “cockscomb” design where, the legs join the body, are in keeping with bronze vessels from the Zhou to Warring States period, which pottery pieces were trying to emulate. There are traces of a repetitive meandering impressed band below mid circumference. The body is thinly potted with very light gray clay and originally had a dark gray slip applied to the outside (the original gray slip is still intact in the cavity)...