A contemporary but very attractive Tibetan ewer, crafted of thin, hand-worked sheets of white metal that appear to be some type of nickel/aluminum amalgam, decorated with deep repousse and chasing techniques forming the decorative bands along the shoulder, neck, lid, and upper base of vessel, with well-formed makara shaped spout and handle, all atop a splayed footed base...

Staff carved out of one piece of a hard species of wood. On the top crouches a female figure with long hair, the arms wrapped around her body. The tip is a lighter middle brown while the rest is patinated a dark brown. Probably used in Shamanistic rites in tribal regions. Himalayans.
Length 16.5 inches (42.5 cm).
Some cracks and chips, nice patina.

Old and Primitive Nepalese Mask with a Great Patina. 11.5h x 6.5w inches, 29h x 16.5w cm.

Old Nepalese Boar Mask. Purchased 40 years ago in Kathmandu by a well-known and widely published collector. 6.5h x 5w x 6d inches, 16.5h x 12.5w x 15d cm.

A nice well made Tibetan prayer beads consisting of 108 bone beads and three pink mountain coral. Two leather counters with ten silver rings each ending with silver inlaid with coral and turquoise. The bone is most likely yak but could also be human. Size:Total length of the necklace 52cm. Each bead is 1.2-1.3 cm in diameter. Condition: No repairs. All original.

Tibetan, colorful with peony and clouds design Saddle Blanket, wear consistent with age.

Circa 1930s

Dimensions: 45"L 24"H

Tibetan Trunk with Garuda 39"L 21.75"H 15"D, 18th century, Central lozenge with Winged Garuda holding offering platter of fruits, outside pair of snarling dragons with raised surface, bordered by peony flowers, iron strapping bands, ring hinges, clasp loss, overall even wear

Leather Tibetan Trunk with Peach and Clouds, 18th/19th century 56"L 20.5D 29H, Colored with green, yellow, blue and reds, Central Lozenge with Peach and Scrolling Vine, Outside Clouds, borders by Scrolling Vines, Iron Strapping Bands, hand-sawn wood surfaces, pitted loss to front face by peach.

Antique Tibetan carved wooden ritual staff handle with three heads; the top head is a skull, the second head is presumably Padma Sambhava, the third is presumably Guru Rimposhe, on new metal stand. Size 5.5" 16th / 17th century.

Antique Bijar rug with nice colors including a light blue, 1920's. Size: 51 1/2" wide x 77" long

19th Century Nepalese Butter Churn Handle. A fine piece of folk sculpture that is well patinated from considerable use. 10 inches, 25 cm. Very Good Condition.

The phurba is one of the most important of the shaman's implements, and this particular phurba is an exceptional example of the great effort and tremendous creativity that goes into the making of this magical tool. It has an upper section with 3 faces, one smiling, one wrathful, and one peaceful. The middle section is a vajra (symbol of lightning) whose twin tips rest on knots of eternity...

19th Century Nepalese Shaman Sculpture with traces of yellow and red pigment and an incredible, dense, dark patina. So thick and dark is the amazing patina that the necklace that covers the chest and back, and the carvings on the skirt, are barely visible. The hole on the bottom indicates that this was likely the handle of a dagger or staff. The old customs seal is also on the bottom. 8 inches, 20 cm. Very Good Condition.

Hanging from the belt on a leather strap, the stylized milking hook was the essential item of ornamentation for any Tibetan woman properly dressed for a festival. Surrounding the hook surface is a heavy etched silver band. The bronze/brass hook has is etched with markings and is inset with 5 large beads, set in silver bezels. The original leather strap shows lots of wear.

These ceremonial hooks have become hard to obtain...

This is a Tibetan Ritual Celestial Crown also know as a Diadem or Ringga. It is worn by a necromancer or oracle during rituals. The "crown" consists of 5 separate paintings on paper and each painting is backed with thin cardboard for stiffness. The sections are connected with string. When worn, the crown is tied around the head with string. The sections are painted with the five Dhayani, celestial Buddhas, each painted with his traditional color and gesture...

This small elaborate Buddhist monk's medicine bottle is sewn into a larger pouch of burgundy homespun wool fabric with yellow/gold silk lining. When worn, the stopper would be securely held in the bottle by a system of handmade cords and bands. The medicine bottle would be worn outside the robes and suspended on the Monk's belt. These were used for both travel and ceremonies.