The size of Bowl: 6" Dia x 1 3/4" High. Nice Japanese Ko Imari sometsuke Bowl. The bowl is made from nice quality porcelain which was molded in the design of Shippo at the rim area. It has sometsuke decoration of Yoraku and landscape design in the center. Back has leaf design. The condition of bowl is excellent, no chip, no crack and no hairline. One little Kamahi line at the edge 3 o'clock but it is in the glazing. One gosu blue spot at the edge, 7 o'clock...

A very unusual art nouveau style Kutani vase decorated with a jagged forest of pink trees on soft green carpet, butterflies circling the shoulder which breaks into a darkened cloud of moriage beads decorated with spiraling karakusa designs in slightly raised gold. Superb workmanship, it is simply signed Kutani-zo (made in Kutani). The vase is 10 inches (25.5 cm) tall and in excellent condition and dates from the first quarter of the 20th century.

A very tall footed chawan by Kawai Kanjiro enclosed in a fine Kiri-wood box endorsed by his daughter Koha, head of the Kawai Kanjiro Museum. The piece is very much in this potters unique style. The pale rough clay is covered in ash colored glaze with a wide band of soft green, within which are two floral scribbles in red and blue. The bowl is 6 inches (15 cm) diameter, 3-3/4 inches (9 cm) tall and is in perfect condition...

Elegantly modeled Satsuma teapot of Cherry Blossom Viewing, Scene encircling body of teapot with diamond shaped top border in a dark green. Very good condition with some wear to gilt and signature. Signed"____ZAN". 5 inches high. Taisho Period.

Antique Japanese Satsuma ware bowl in the shape of a money pouch, decorated with motif of procession of children pulling flower cart, ceramic with gold and polychrome overglaze, Meiji Period. Size: 5 1/2" high x 6" wide (diameter).

DESCRIPTION: A very elegant and complete porcelain Noritake dinnerware set for twelve in the Camillia pattern, having intricate hand painted gilt designs with medallions and floral swags against white porcelain. The set includes twelve dinner plates, luncheon plates, large and small bowls, salad plates, and cups and saucers. Serving pieces include a creamer, sugar, gravy boat, covered tureen, two vegetable dishes and a platter...

Japanese 20th century large porcelain vase by FUJII SHUMEI. The large bulbous form is decorated in a beautifully detailed mountain landscape with many trees. Signed SHUMEI on bottom. FUJII SHUMEI is a famous porcelain artist who exhibits at the prestigious annual NITTEN show in Japan. No storage box. The vase measures 12 1/2" tall and has a 11" diameter.

Japanese late 18th century white IMARI figure of a gentleman. Formed by hand and made of white porcelain with a clear glaze. The gentleman is dressed in formal kimono and is carrying a fan. Done with wonderful expression and in very nice detail. The piece has some natural flaws in the clay and glaze, such as stress cracks and glazing flaws. The figure stands 17 1/2" tall, is 6 1/2" wide and is 5" deep.

Japanese Late 19th or Early 20th Century FUKAGAWA large vase. Beautifully done with the design of Mt. Fuji and mist. No storage box. The vase stands 12" tall by 11" wide.

Japanese 20th Century porcelain vase. Made by artist, ITO SUIKO. ITO SUIKO is the art name, or GO of ITO YOSHIHARU 1894-1980. Born in Kyoto, Japan, ITO SUIKO studied ceramics under ITO TOZAN I and ITO TOZAN II. He first showed at the TEITEN in 1929 and established his own kiln in the GOJOZAKA area of Kyoto in 1931. In 1964 he became a judge for the prestigious NITTEN show, held annually in Japan. Stamp of artist, SUIKO, lightly stamped into bottom of vase...

Japanese late 19th or early 20th Century porcelain vase. Made by artist SUWA SOZAN. Stamp of artist on bottom of vase. Comes with TOMOBAKO, original artist's box. The side of the vase has small raised rectangular areas which have design of fish, snail, chrysanthemums, peaches, shellfish, butterfly, phoenix and Japanese shishi lion. The vase is 10" tall and 9 1/2" in diameter.

A superb pair of Tokkuri sake flasks by LNT Tokuda Yasokichi III (Masahiko, b. 1933) enclosed in the original signed and stamped wooden box. The slightly belted form seems to imitate a gourd, with glaze fading up from rich purple to green to deeply crackled white. Each piece is 6-3/4 inches (17 cm) tall, signed on the base in a traditional Kutani cartouche Masahiko. Masahiko was trained under both his grandfather and father, succeeding the family name in 1988...

Very thin eggshell miniature Hirado saucer with decoration of samurais and banners, 19th c. Possibly Hichosan, c f marks in app. six nr 98 in Lawrence: Hirado, Prince of Porcelains Diam: “3 ½ /9 cm Condition: Minimal nicks and small chip to rim

Very thin Hirado saucer, decorated in Kakiemon style with birds and flowers in orange, red, blue, green and puce, 19th century. C f marks in app. six in Lawrence: Hirado, Prince of Porcelains Diam:”4 ¾ /12 cm Condition: Fine hairline at blue flower and star crack, not possible to render visible on photos

One of the most interesting vases I have seen by this potter, quite striking in appearance, with brick colored dashes struck briskly through the dark molasses of the vase. Under the glaze we can see the artists signature Jomon rope impressions pressed into the clay. The Jomon pattern (the Jomon were ancient peoples of Japan whose pottery was typified by rope impressions) is what Tatsuzo is most famous for...

Here is a fine squat jar form vase, the deep red clay covered in fish-eyed tenmoku glaze by Living National Treasure (Ningen Kokuho) Shimizu Uichi (1926-2004), enclosed in the original signed wooden box. Iron red shows through with startling effect like meteorites in a dark night sky of blue and brown. It measures 6-1/2 inches (16.5 cm) tall, the same diameter. Shimizu is known for the soft persimmon red temmoku (iron oxide) glaze, as well as crackled white and celadon glazes...

An unusual modern art vase in robbins-egg-blue dating circa 1970 enclosed in the original signed wooden box by Kyoto artist Kumakura Junkichi (1920-1985).. The blue metallic glaze flows down the sides leaving a distinct pattern in the smooth surface, collecting in oil drop pools around the thickened base. Notches cut in the surface are turned out at various points to allow the insertion of flowers and twigs on all surfaces...

A lovely late Edo to early Meiji period square footed dish decorated with autumn grass and crosshatching in underglaze iron with a charming lacquer repair in one corner featuring a crescent moon expertly rendered. The dish has been formed on a cloth covered pattern; impressions remain visible in the surface through blanks in the thick white glaze. It was made with fluted corners, with 4 pressed on loop feet...