A very important find and a great day for the serious Satsuma collector who acquires this exceedingly rare pair of plates of breathtaking beauty, detail and color by the renowned Satsuma Master, Ryozan, depicting the two Goddesses of the Seven Lucky Gods, Benzai-ten and Kichijo-ten (Kichijo-ten sometimes replaces Fukurokuju in portrayals of the Seven Lucky Gods)...

A beautifully gold accented imari small dish from old Japan, detailed and profusely decorated with tendrils and flora with a well painted mythical Kylin; the contrast is simply stunning and well defined, condition is excellent and the enamels well preserved, minor glaze imperfection on the backside, but hardly worth mentioning save for accuracy sake, we date this beauty to the Meiji period pre-1900. Measurements: 10.16 cm diameter (4 inches)

A Japanese sake ewer (kurojoka) shaped as a minogame (mythical tortoise with a tail that symbolizes long life) covered with mottled brown, gray and yellow glaze, probably from Satsuma province in southern Kyushu Island.

Kuro (black) joka is a container that is used to heat "shochu" wine which is made from sweet potatoes. Shochu, started in Kagoshima area has been a cheaper wine for common people. It is different from "sake" wine which is brewed rice wine...

A dragon wraps around the trumpeting form of this brilliant yellow vase by Makuzu Kozan II (Hanzan) enclosed in the original signed wooden box. A vibrant contrast between the yellow and blue is enhanced by the artists care and minute detail. The vase is 8-1/2 inches (21 cm) tall, 6-1/4 inches (16 cm) diameter and in perfect condition...

Japanese Fukagawa, Koransha baluster vase decorated in underglaze red with a leaping carp, on a shaded blue ground, Koransha orchid mark to the base, original wood box (13" x 9" x 9"). Dimensions of the vase are 12" in height and 7" in diameter (at the widest).

19th Century Japanese Porcelain figure of Kintaro in court attire in the style of a Gosho Ningyo (Palace Doll) holding a Crane. Kintaro loved all birds and animals. This rare porcelain figure is signed by Makuzu, a well recognized porcelain artist who is collected by museums and collectors in Japan. He uses glazes in his own recognizable style. 4 inches, 10 cm tall. Excellent Condition. From a prominent and widely exhibited collection.

A signed classic Kakiemon Japanese Porcelain Vase by Meiji Period artist, Ucho, featuring a wonderful flower image with gorgeous, brilliant under glaze red on pure white glaze. This vase has the wonderful global shape of perfection. 8.5 inches (21.5 cm) tall. Excellent Condition. From a prominent and widely exhibited collection.

Japanese Imari porcelain figure of a seated girl. Beautifully done in a blue, yellow, green, and red under glaze. A wonderful, fine example for the discerning collector. 9 inches, 23cm tall. Excellent Condition. From a prominent and widely exhibited collection.

Antique, rare 3-piece Japanese Imari lantern decorated with dragon in clouds, phoenixes, cranes, fu-dogs, rabbits and moons, with waves around the base. Outfitted with metal fittings from previous estate. Meiji Period. Size: 37" high x 12 1/2" wide

A very unusual Shino-yaki ceramic Tsuri-doro hanging lantern with bronze handle and chain dating from the early 20th century, Meiji to Taisho period. Made in the shape of a thatched house, four ragged posts support the roof and delineate the rounded sides. A different opening is seen on all four sides, a square door, grated circular window, The character Hisa, and a latticed circular window. The white glaze is scorched red on the edge of the roof...

A pair of ceramic Cormorants by preeminent early 20th century Master Miyanaga Tozan enclosed in the original signed wooden box. The cormorant has a special place in Japanese art. Like the hawk is a bird used in hunting, the cormorant is a bird used in fishing. A rope would be tied around the long necks of any number of the birds, them then taken out into the water with huge torches burning on the prows of the fishing boats...

Nita A ring of skulls playfully sojourn on the front of this rather unusual deep Edo Karatsu Chawan. On back another pair tumble helplessly over the thick speckled glaze. The base is bare earth, dark and shiny with age and handling. The skulls are not just resist painted on, but are actually incised, the eyes and nostrils set deep into the southern clay. The bowl is 3-1/2 inches (8.5 cm) tall, roughly 4 inches (10.5 cm) diameter and is in excellent condition, enclosed in a wooden box.

What a fantastic expression worn by this Edo p. Seto Hand warmer (hibachi or properly Shuro/ Te-abure). The dark shiny Seto glaze suits well the beast portrayed. Coals would have been burned inside, heating the surrounding pottery walls, and the piece would have been placed on a step leading into the house for guests to warm their hands on or used within the house in a more formal room. It is 13 inches (33 cm) long and is in fine condition overall...

Oribe Green runs in a curtain over the pale yellow glaze of this Edo period andon-zara oil dish. It is unglazed on bottom, measuring 8 inches (20 cm) diameter and in excellent condition, enclosed in a custom kiri-wood box.

A Karatsu style shuhai sake cup with cream glaze decorated inside and out by the Zen Priest Nakahara Nantenbo, a priest who was instrumental in reviving the Zen tradition in the beginning of the 20th century. Circling the circumference is a seven character inscription, the first six reading Kaisei Fugetsu O Kan, the last we have not been able to read...

A very unusual pale yellow-green (kiji) porcelain vase in the shape of a Chinese Gu by Seiji Celadon master Suwa Sozan enclosed in the original signed wooden box. Fretwork and a roiling dragon body have been softly engraved into the sides; the slightest variation in tone the only hint to the subtle design-work. The vase is 11-1/2 inches (29 cm) tall, 6 inches (15 cm) diameter and in fine condition...

This baluster form vase is quite large by Japanese standards at 14 inches (35 cm) tall and in perfect condition. Chrysanthemums decorate the sides in rich, dark blue. There is a slight yellow tinge to the white glaze. It is signed on the base Makuzu Kozan Sei. The name Kozan was granted by Prince Yasui-no-Miya in 1851 in honor of the tea ware produced during the later Edo for the imperial Court by the tenth generation head of the Kyoto pottery family Miyagawa Chozo...

Finely crackled which glaze covers this late Meiji Chinese inspired form clearly stamped inside the footring Tozan Ito Tozan. There is an incredible sense of mastery in the concise lines and perfectly sculpted form. It is 13 inches (33 cm) tall, 10 inches (26 cm) diameter and in excellent condition, enclosed in an older custom made wooden box.