A Taisho period Lacquer writing box of superb quality decorated with a design of a stone lantern under broad leaves enclosed in an age darkened kiri-wood box. The scene is performed with Thick slices of shell and lead inlay on black Ro-iro ground with Taka-maki-e and Hira-maki-e designs. Inside is finished in Kin-gin (gold and silver) Nashiji...

A classic mid 20th century Dry-lacquer vase by Kawai Masazo enclosed in the original signed wooden box. Rankaku (crushed egg shell) on cream colored lacquer alternating with highly polished black. This work truly encapsulates the freedom for form which artists were seeking in the post war period. It is 45 cm long and in excellent condition. Kawai Masazo was born in Osaka in 1928, graduating the Osaka Municipal School of Art and Design...

Like the layered hills of Kyoto at twilight, this vase is of Kanshitsu dry lacquer body with layers of colored Urushi by Okada Yuji enclosed in the original signed wooden box. in the dark blue about the base glimmers tiny flakes of mother of pearl. The rim is covered in white Chogai shell applique. About the flaring neck, is a slight indentation, a very challenging form to be polished out. It is 34 cm (just more than 13-1/2 inches) tall and in perfect condition...

Lacquered wooden box inlaid with gold, silver and mother-of-pearl mosaic, typical work of the famous Somada family of Japanese lacquerers. The box is made up of two superimposed parts which are partially covered by a surprisingly openwork lid, largely revealing the sides. Inside there is a small tray. The preciousness of this box is matched only by its fragility; however, it is in a perfect state of conservation, which is exceptional...

Porcelain cranes in a lead tree decorate the lacquered top of this gilded wooden box enclosed in the original wooden box titled Romatsu Sokaku Zu (Ancient Pine Two Cranes) and signed Sekka, with signatures of Tozan II (porcelain decoration) and Suzuki Hyoetsu (lacquer artist) inside...

A splendid set of five Chataku Tea Cup Saucers of turned wood decorated in ridiculously thick lacquer floral decoration by Ikkokusai enclosed in a fine wooden box signed by the artist and dated Meiji 39 (1906). Accompanying is a note stating the set was received as a gift upon visiting the Naganuma Ryokan during a trip to Hiroshima in the fifth month of Meiji 43, accompanied by the name Kayanomiyasama. Kaya-no-miya were a collateral branch of the Japanese Imperial family...

A small circular table likely made as a stand for an incense burner or suiban basin dating from the Muromachi era (late 14th to 16th century ) covered in black lacquer over which has been applied vermillion in the style known as Negoro. About the center a ring of wood grain is typical of the era. It is supported by three curling feet extending from a billowing diaper. The lacquer, originally black, has oxidized to a mellow chocolate color beneath...

A lacquered cabinet for storing Tea accoutrements by Koyama Kogetsu enclosed in the original signed wooden box dated 1931 and titled Tsukiyama Maki-e Kikkyoku (Mon and Hills Maki-e Tea Cabinet). On the door deer stand on the edge of a glade, gold, lead and Raden (mother of pearl) trees with branches of gold and silver maki-e above. The door lifts off to reveal the silver disc of a full moon rising over evening hills. It is signed in gold Kogetsu...

The title does not lie, this is one against which all others might be measured. A celebratory sake set consisting of three cups and a stand enclosed in their original lacquered wooden boxes. The cups are over the top, decorated with plum pine and bamboo in taka-maki-e gold over red replete with bits of kirigane gold and ke-uchi details. The cups are equally gorgeous on top and bottom, the design extending even inside the foot ring...

A quintessential 16th century design in worn gold covers all the dark surfaces of this lacquered wooden box dating from the Momoyama period. Here auspicious cranes and turtles, reported to live a thousand years, laze among pines. About the lid boaters enjoy leisure seas. Ichimonji checkerboard patterns rising diagonally up the sides alternate with garden trees, the ends decorated with wisteria and ivy. The box retains the original inner tray in festive red decorated with garden grasses...

A fine Japanese incense burner, made of wood with pierced gilt copper lid, the interior with copper lining. On a black lacquer ground slightly raised decoration showing a landscape with rockwork and trees in different gold lacquer techniques. Condition: please look at the photos carefully, traces of age and usage, few small lacquer losses, rim with two cracks, lid slightly distorted. Dimension: c. 8.4 cm high, c. 4.8 cm long and wide.

An antique Japanese scholars table with inlaid mother of pearl (Raden). The top features a landscape scene with blooming Wisteria, a tree with flowers, birds, water side huts, borders and rippling waves of water. The scene is surrounded by a checkerboard design with a raised lip. Gold makie lacquer highlights the designs on a chestnut brown hardwood.

Age: Meiji Period (1870-1890)

Dimensions: 23 3/4" Wide by 7 3/4" High by 15 1/2" Deep

Box in black lacquered wood inlaid with mother-of-pearl, golden details. The decor is composed of birds among plants and shrubs. The birds are very active, the one in the center tends to what appears to be a stylized egg in a nest? Probably a meaning. The designs are simple but harmonious and very elegant. The inlay work is empirical but the materials used are solide and they have stood the test of time well indeed the lacquer has not peeled off and the mother-of-pearl is still well maintained. ...

Pair of square-shaped hibachi made in lacquer and gold. The hibachi is a traditional Japanese brazier used to heat rooms. Gold, with its sheen and warm hue, accentuates the overall beauty of the braziers, making them true pieces of art. At the center of each hibachi is a metal container, which acts as a basin to hold the glowing charcoal. In addition to their practical functionality, these hibachis are true artistic masterpieces. Origin: Japan Period: Taisho 1920 ca. Dimensions...

Kobako box decorated with stylized foliage in black and gold hiramaki-e lacquer. The motif is karakusa, a growing plant extending in all directions. It symbols prosperity and longevity. Interior is lined with a floral fabric and topped with a pewter border.

Japan – Meiji era (1868-1912)
Height: 2.5 in / 6.5 cm – width: 3.5 in / 9 cm – depth: 3 in / 7.5 cm

Antique Japanese lacquer suzuri bako (writing box) and matching large stationary box inspired by Korin Ogata of the Rinpa School tradition. The larger box was used for writing paper while the smaller box was used for writing implements. Inside the suzuri bako is an ink stone and a metal water dropper. Both boxes are decorated entirely with a highly raised design of blossoming cherry branches on a gold lacquer ground. Each flower is made of inlaid shell. The interiors of both boxes are lacquere...

Antique Japanese rectangular box decorated with gold and silver dragonflies on a black lacquer ground. The lid is fastened on by a green chord. Inside is a removable tray lacquered with gold and silver crickets in wisps of golden grass. This box comes in a cedar tomobako.

Age: Meiji Period (1868-1912)

Dimensions: 5 1/8" high x 7 3/4" long x 5 1/2" wide

Antique Japanese makie lacquer suzuri bako (writing box) and matching large stationary box signed with bold signatures on the bottom reading: 光琳　青々Kо̄rin Seisei, an artist name used by Ogata Kōrin (1658 – 1716).
Both boxes have domed lids and are decorated entirely in gold lacquer with highly raised designs of flowers and silver pine branches. The flowers are further embellished with inlaid shell. Inside the boxes are motifs of swirling water.
The larger box was u...