Wooden panel covered with a thick layer of green urushi lacquer decorated with a lake landscape. A pontoon on stilts in light relief brown, ocher and yellow lacquer is surrounded by flowering Irises. The leaves are also in green thick lacquer and the flowers are in mother-of-pearl and eggshell, probably ostrich. The work is particularly neat and very solid. No signature, but certainly an excellent artist...

Cabinet in black lacquered wood. Decor of plants in gilding and mother-of-pearl inlay. The mounts are incised and gilded copper. Two doors conceal a series of drawers and a small door. The small handles of the drawers are in cast bronze as well as the handles. On the top is represented in mother-of-pearl Mount Fuji partly concealed by clouds...

A large table made of layers of lacquer carved through to reveal the various colors by Suwa Sozan I enclosed in the original signed wooden box titled Guri Joku and bearing the Teishitsu Gigei-in Seal of the Imperial Art Academy. It is 65 x 40.5 x 20 cm (25-1/2 x 16 x 8 inches) and is in excellent condition. The artists seal is expertly incised into the back of one ball shaped foot...

An exceedingly rare (in fact the only one I have ever seen) Tenmoku-Dai stand for a Tenmoku Chawan by Suwa Sozan I enclosed in the original signed wooden box titled Kuruwa Tenmoku Dai (Curved Circular Tea Bowl Stand). It is made of layer upon layer of lacquer, carved with scrolling designs revealing the depth of the lacquer in a style known as Guri. The artist has carved his seal into the inside of the base. It is 15 cm (6 inches) diameter7.5 cm (3 inches) tall and in excellent condition...

Layer upon layer of lacquer has been carved with scrolling designs revealing the depth of the surface in a style known as Guri by Suwa Sozan I enclosed in a wooden box titled Guri Kobon. It is 23 x 33 cm (9 x 13 inches) and in excellent condition, the artist seal inlayed in mother of pearl beneath. The box is annotated by his adopted daughter and heir Torako (Suwa Sozan II)...

The size of Each Makie Hibachi: 10 1/4" Dia x 7 5/8" High. The pair of Japanese Kiriwood(paulownia) Hibachi with Makie(lacuqer) works. Each Hibachi is made from single Kiri wood. Each Hibachi has Makie(lacquer) works on front as well as on the back. The design of Botan(peony) and bamboo fence works are done carved then lacquers. There is nashiji work as well as moters pearl powderd works on the leaves. Hibachi came with copper container inside to hold...

Vermillion lacquered gourd confectionery bowl (Kashiki) made by Ishikawa artist Maehata Harusai, the 3rd.
Elegant rounded shape with color contrast gives a graceful appearance.

The bowl was exhibited at Mitsukoshi Art Club in 2012 in "Tea Ceremony Lacquering Thirty Years - Harusai Maebata Exhibition".

3rd Maehata Harusai is one of the leading lacquer artists from Ishikawa province.
Born in 1964 as the eldest son of Harusai, the 2nd, he studied Kaga Makie under Min...

Drawer box (kodansu). The exterior is entirely covered with vegetable fiber basketry surrounding reserves in the shape of fans in silver and gilded copper, chiselled with birds and flowers. The interior is soberly lacquered in black (roiro) and bears powdered Chinese characters...

Antique Japanese pair of rare black lacquer dowery tansu for clothing. These fine lacquer cabinets would have held folded clothing and been carried to a brides home containing her dowery of fine textiles. Hinged doors open to reveal 4 shelves inside. Hardware includes 5 hinges on each door, corner bracing, handles for carrying by hand and by pole, and large lock plates all of which are incised with scrolling floral details and made of bronze...

Japanese modern era lacquer hibachi. Carved of wood in round form with stacking bands of 5 alternating colors called Koma Urushi (literally translates to spinning top lacquer). Inset with traditional copper lining.

Age: Showa Period (1926-1989)

Dimensions: 9" high x 17" diameter.

A Te-bako lacquered box decorated with pigeons in colored lacquer on pale white with mother of pearl inlay by one of the most important 20th century lacquer artists Banura Shogo enclosed in the original signed wooden box dating circa 1935. Sharp corners, the cream-colored box raised on a dark colored foot, the rim edged with two beads of solid silver, all typical of the design aesthetic of the 1930s. It is 30.5 x 21.5 x 12 cm (12 x 8-1/2 x 5 inches) and is in excellent condition...

Suzuribako in roiro lacquer decor of a setting sun behind the waves in red and gold lacquer. Inside a couple of gold lacquer cranes on a nashiji background. Edo period 19th century or before. Good condition, no repairs. Normal use wear for this period. Very interesting subject. Dimensions about 21x21 cm

Antique Japanese lacquer raised tray. Standing on four legs with square frame and decorated all over with scrolling vines and pine bows in maki-e lacquer on a black ground with clouds of gold nashiji. Prominent in the design is the appearance of the aoi mon (crest) of the Tokugawa clan, marking this tray as the property of the ruling Tokugawa Shogunate.

Age: Edo Period (1603-1867)

Dimensions: 8" high x 14 1/2" wide x 14" deep

Perhaps because of its proximity (or lack thereof) to central Japan, the beautiful lacquer wares of Akita may be lesser known than other regions. Here is an exquisite sake cup and katakuchi serer of turned wood covered in multiple layers of soft, black lacquer by Sato Fumiyuki of the Kawatsura lacquer tradition. A belt of gilded binding wrapping the body is the only decoration. This lack of distraction, in fact, accentuates the form and allows us to focus on the pure elegance of the lacquer i...

An antique Japanese Chobako (merchant box) made of Hinoki (Cypress) and Kiri (Paulownia) woods. All original hand forged iron hardware. Upper carrying handle and hinged door that hides 4 drawers of varying sizes used by a merchant to store writing paper, receipts, money and calligraphy brushes.

Age: Meiji Period (1880-1890)

Dimensions: 10" Wide by 12 1/4" High by 14 3/4" Deep

Japanese lacquer tray with a mountain stream and cranes in a raised landscape scene. This small/medium tray is about the best as they come in displaying many types of lacquer techniques including Maki-e, Hiramaki-e, and Takamaki-e with superb colors and fine gold nashiji work having shaped corners with concave edges. The cranes, pine trees, and mountains are all done in raised relief with the cranes showing incredible details. The stream flowing down from the top is rendered in several finely ...

Polylobed lacquer box (kobako) with chrysanthemum decoration. On the lid, maki-e lacquer decoration, a slight relief in the center of the two flowers. Sides in fundame and base in nashi-ji.

Inside, two decorations of vegetal landscapes with flowers (campanulas, pampas, pampers) and butterflies in maki-e on a nashi-ji background. Very fine mother-of-pearl inlays (raden) give light highlights of blue and red colors.

The chrysanthemum (kik...