Japanese scrolled painting on silk by Kikuchi Yosai (1788-1878), also known as Kikuchi Takeyasu, depicting the sun rising behind Mount Horai. Signed in black ink at the lower left and with the artist's red Takeyasu seal below. A symbol for Japan, Mount Horai (Treasure Mountain) is a lofty mountain covered in pine, prunus, and bamboo on a mythical island of immortals in a distant sea...

Japanese scrolled painting on paper by Okutani Ichiyo, also known as Okutani Kazuyo, depicting a leafy vine with petunia flowers under the sliver of a moon. Signed Ichiyo with the red artist's seal below. Elaborate silk brocade scroll mounting with lacquer scroll ends. Early 20th century. Scroll: 75 1/2” x 12 3/4” (painting: 50 1/4” x 11 7/8”). Very good clean overall condition with only minor buckling and soiling evident.

An antique Japanese scroll of a recumbent cat gazing into the foreground amongst the blooming Peony flowers. Hand painted on silk using opaque pigments. Subject was painted in the style reminiscent of the Sung and Ming dynasty images of cats with the unusual exception of its gaze towards the viewer rather than looking up or at the flowers. Both the cat and the Peonies are auspicious symbols in the Japanese culture and often depicted in its art and poetry...

Framed beneath a slender sapling, a wispy figure kneels at the shrine steps hands together in prayer. Beautifully painted details performed with thick pigments on silk. Darkening Cedar trees naturally frame the calming scene. Condition is excellent and ready to display.

Signed Kuniyama (Kokuzan) Possibly the work of Higashiyama Kuniyama (elder brother of the famous artist Higashiyama Kai)

Taisho Period (1912 - 1926)

Dimensions: 69" High x 68" Wide (each)

Pair of ancient paintings on paper, with polychrome colours and gold. The first painting represents a noble lady, in formal attire, sittings on an elevated platform. Two characters are painted at the back. This painting is partly folded, the paper is stained due to age and has suffered three insect attacks. The second painting represents a noble man in formal attire and sitting on an elevated platform. Two characters are painted at the back...

A kakemono presenting an example of calligraphy by Shunsui Rai, 1743 ~ 1813. Shunsui was a Confucian scholar of some influence in the Hiroshima district and an historian. He is the father of Sanyo Rai, 1781~1832, who also became a notable calligrapher and a painter and scholar.

Overall the dimensions are 170cm x 36cm. The picture size is 91cm x 25cm. The scroll ends are rosewood. Good condition overall with just minor horizontal creases noted...

Large Japanese antique sumie dragon flying in clouds scroll. Exuberantly painted on silk with lovely splashes of ink. Brown brocade mounting. Good condition. Signed and sealed signed Hōgen Nyosen, one of the names used by Kanō Chikanobu (1660-1728), a leading Kano-school painter of the eighteenth century Edo. (Hōgen means "dharma eye" and Nyosen means "river-like")...

Large Japanese Zenga calligraphy scroll of the character 'KOTOBUKI', or long life, longevity. Bold, large brush strokes showing great intensity. Signed and sealed with three red seals by the artist. Small black kanji translates with the first 4 characters: 日光門主 Nikkō Monzu, who was a very high-ranking monk of imperial lineage at the temple, Rinnō-ji, in Nikkō. The seals used by monk show his rank and importance...

A set of early wood panels, once doors on a votive shrine, painted with guardian shishi lions (Also called Fu-dogs) in polychrome colors, much worn with time. The doors are of clear grained hinoki (Japanese cypress) and have shrunk horizontally over the centuries, evidenced by the ari (wooden support) which is inset into them. On back one can see clearly the silhouette of the original metal-work...

A pair of small gold doors depicting Asian Civets (Jakoneko) in a flower strewn garden dating from the early to mid Edo period (17th to 18th century) reminiscent of the famous pair of screens heralding the same image by Kano Yukinobu (Utanosuke, active Muromachi period). The handmade bronze handles are in the shape of hollyhock leaves, intimating connection to the Tokugawa clan, head of the Shogunate...

Scratches of ink form a precipitous landscape of jagged mountains on the paper surface of this scroll performed by Fujii Tatsukichi enclosed in a wooden box titled: Painted by the elder Tatsu, One Scroll, Mountain, Annotated by Eichi. It is framed in a silk border terminating in black lacquered rollers. It is 13-1/2 x 59 inches (34 x 149 cm) and is in excellent condition.
Kato Eichi (1899-1987) was a potter from Seto who trained under Tatsukichi...

Beautifully painted pair of herons amidst willow trees and embankment. Soft color palatte with gold leaf background. Black lacquered wooden frame with bronze embossed metal hardware. Good Condition

Circa 1950s

Dimensions: 71"L x 36"H

The village headman aims his arrows at the moon to dispel the evil brought on by a solar eclipse, the village women in the background standing in prayer. This scene was painted by Higuchi Tomimaro for show at the Seikosha Exhibition held in Osaka in 1938. It is an excellent look into the world of the Ainu, a native culture to Northern Japan now lost to history. He has done a wonderful job conveying the texture of the clothing, and hidden behind the grayish background is textures of floral lif...

A woodblock print by the artist Karhu. The print is labeled "Wealth & Happiness". The full narrative is "Wealth & Happiness come to Those Who Don't Deserve Them". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style.
Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society.

Print is signed and numbered 52/100

Date: 1976

Dimensions: 26" ...

A woodblock print by the artist Karhu. The print is labeled "Fish of Fortune". The full narrative is "Don't Let Go of the Fish of Fortune". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. Print is signed and numbered 41/100 Date: 1976

Dimensions: 26" X 8.25"

A woodblock print by the artist Karhu. The print is labeled "Hurry to Study". The full narrative is "Hurry to Study wih Age the Spirit Slows". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. Print is signed and numbered 12/100 Date: 1976

Dimensions: 25.75" X 9"

A woodblock print by the artist Karhu. The print is labeled "Negligance". The full narrative is "Fight the Enemy, Negligance". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. The print is signed and numbered 23/100. Date: 1976

Dimensions: 25.75" X 8.25"

A woodblock print by the artist Karhu. The print is labeled "Bigger Fool". The full narrative is "The Bigger Fool is a Fool Who Hires a Fool". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. The print is signed and numbered 37/100 Date: 1976

Dimensions: 24.5" tall X 9" wide