Antique Japanese cast iron tetusbin tea kettle by famous Ryobundo dating back to the Meiji period.

It has a great atmosphere with aestetic ume tsubomi (plum tree) design. Good condition with some expected rust. Signed Ryobundo on the outside.

Size: 23 cm height x 21,5 cm width. Weight 2400 g

Shipping included.

A very elegant and mature tsutsu style chawan created by Ito Tozan III (1900-1970), third generation of the Ito Tozan line of potters. Tozan, who at one time worked in the kiln of Hamada Shoji, learned pottery from his father Ito Tozan II (1871-1937) and his grandfather Ito Tozan I (1846-1920) from a very young age...

This magnificent Shino-yaki chawan, done in a rediscovered Momoyama period style, came from the kilns of one of Japan’s most celebrated and talented potters.

Arakawa Toyozo (1894 - 1985), designated in 1955 as one of but a handful of National Living Treasures, is best known for rediscovering lost techniques of pottery from the Momoyama and early Edo periods...

This chawan was fired in the kilns of one of Kyoto’s best known raku-yaki potters, Sasaki Shoraku III (1944-). The Shoraku line began when the grandfather of the current potter established a kiln near the famous Kiyomizu temple, nestled at the foot of the eastern mountains in Kyoto. In 1945, the kiln was moved to Kameoka near the Yada shrine where it remains today.

Raku teabowls are made by hand, without the use of a potter's wheel...

Japanese antique Indigo dye cotton gotaiten-shibori ro-old kimono Taisho period(1912-1924).It has a thin discolorations .However, It is no damage.They are not disturbing, and as a whole it is in very good condition.This kimono does not have lining. size:Length 132cm (51.9") sleeve to sleeve 126cm (49.6")

A pair of Japanese wooden carvings of the Nio, or wrathful guardians to the Buddha. While Buddhism beliefs are typically pacifist, the Nio justified physical force in order to defend against evil and are usually found on either side of a temple door. The Nio called Misshaku Kongo or Agyo keeps his mouth open to represent the first sound in the Sanskrit language "a", symbolizing birth and overt violence...

A wonderful Japanese scroll painting showing one peahen strutting underneath the cascading tail feathers of a peacock, standing upon a small rock structure. Pink and red peonies bloom around the two majestic birds. Attributed to artist Tani Bunchō (1763-1841). Size: (entire scroll) 88" height, 35.25" width (artwork only) 51.5" height, 28.5" width

A dazzling Hagi-ware bowl with cherry petal and earthen tones made by one of Japan's great potters. The 14th potter of the Sakakura line of potters Sakakura Shinbei XIV (1917-1975) was designated an important human cultural treasure of Yamaguchi prefecture in 1972...

A captivating bowl created by Kyoto potter Kawai Zuiho, most likely in the early 70’s. This bowl features a red undercoat which is visible in places through the greenish overglaze. The effect is quite striking and sure to attract the eye. With a convenient indent on the side, this bowl fits comfortably in the hand.

Kyo-Yaki is high-fired ceramic and pottery that centers around the Higashiyama district of Kyoto...

A charming akaraku chawan done by third generation potter Kato Ryusei. This piece was fired at the Akahiko Kama which has produced pottery in Aichi prefecture since 1956 and who have the distinction of being commissioned not only by the Showa Emperor and Empress but also by the later Heisei Emperor.

With a soft luminance and subtle charm, this piece would be an valued addition to the collection of any budding tea practitioner...

A beautiful Hagi-yaki chawan done by well-known artist Kaneda Keien (1949-). Keien is an 8th generation potter who has been producing works for over 40 years and is the winner of several awards for excellence. A distinctive feature of his works is that they utilize an iron-rich soil collected on the island of Mishima in the Sea of Japan...

This chawan was fired in the kilns of one of Kyoto’s best known raku-yaki potters, Sasaki Shoraku III (1944-). The Shoraku line began when the grandfather of the current potter established a kiln near the famous Kiyomizu temple, nestled at the foot of the eastern mountains in Kyoto. In 1945, the kiln was moved to Kameoka near the Yada shrine where it remains today.

Raku teabowls are made by hand, without the use of a potter's wheel...

A mature work by an artist who’s career as a potter has spanned over 55 years. This beautiful white Hagi bowl by Takenouchi Akihiro (1937-) displays a quiet elegance that sets the mind at ease...

A captivating piece described on the box as “aka e sakana bun” which can be loosely translated as, Depiction of Fish with Red Overglaze. Okuda (1920-1999) was a student of both Hamada Shoji and Kawaii Kanjiro and his kiln was visited by a number of well-known artists including the likes of Bernard Leach...

This is a japanese antique very rare Ramie( choma )child kimono used for edo in Kyoto. This is dyed in natural indigo plant and Benibana. This is colored the both sides into in Katozome. This hemp is spun by hand. This has five places of small stains, but does not stand out. There is no damage really. The state is complete. Size 123cmx 121cm (38.1 "x 38.9 ")

An original piece by the second in the line of Choraku potters. This bowl is stamped twice on the side and once on the pedestal with the mark of Ogawa Choraku II (1912-1991).

The Choraku line began when a student of Kichizaemon XI (Keinyu) and Kichizaemon XII (Konyu) opened an independent kiln in Kyoto in 1904. The line was officially given the name Choraku in 1906 by Choyuken, the head of a very influential tea ceremony association...

Our own design: a very elegant and sophisticated Baby Cultured Pearl Bracelet (2-2.5 mm. Mikimoto-Japan) set with 18K. Gold, 3 genuine Cornflower Blue Sapphires @ 4.28 ct. total weight and 186 brilliant cut diamonds @ 0.87 ct. total weight. 7" long with Safety Lock.

A powerful Mimitsuki Karatsu Mizusashi by Nakagawa Jinembo (Jinenbo b. 1953) enclosed in the original signed wooden box...