Antique Japanese large iron lantern in two sections, wonderful form with lamp section cut out with kiri blossom motifs, Meiji Period c1900 Size: 21" high x 14" wide

Antique Japanese ko-dansu/tansu made from kiri (paulownia) wood with brick red lacquer finish. Has heavy iron hardware such as handles in a style called "hirute". Original finish, excellent condition. Edo age (1615-1867) Size: 26.5" height, 31" width, 15.5" depth

Large Interesting Japanese Ceramic Tanuki. A real animal, Similar to a badger (ana-guma) and the raccoon (aria-guma). Some say the large scrotum is a reminder is a reminder not to be stingy.

Circa 1930's

Dimensions: 32 1/2" High X 14" Wide X 12" Deep

Very rare and unusual wood tiled village shrine from Dema - mura village in Mie Province. Dated the year of the tiger C.1818 the shrine houses gods and happiness. Signed on the back with the date and maker, Fujiwara Shokichi. Cypress wood with a bronze lock on the doors to the inner chamber. Remarkably good condition with minor wear on the back ridge of the roof. See Pictures. Ask for shipping rates.

Framed Japanese woodblock print by artist Okiie Hashimoto (1899-1993) Signed in pencil, with inscription and artist's cartouche. Circa 1959. Size: (entire frame) 35.25" height, 29.25" width (artwork only) 22.5" height, 17.5" width

Japanese antique large musha ningyo (samurai warrior doll) of the great epic hero, Minamoto no Yoshitsune. His handsome face is set in a determined expression, he is seated with sword and saihai (command baton). He wears a spiked helmut, armor and silk robe woven with dragons. Edo Period. Size: 26" high (to very tip of helmet)

Japanese framed woodblock print by esteemed artist and forerunner to the sosaku-hanga movement Jun/Junichiro Sekino (1914-1988). The subject is a young woman sitting in a red chair, embracing a swan. The forms and colors he uses are pleasing to the eye in the way they compliment each other. Signature in bottom. Size: (entire frame) 53.25" height, 27.25" width (artwork only) 24" height, 18.5" width

Little distorted half cylinder shaped (kutsugata) tea bowl made of light, coarse, unrefined Mino clay.

The expertly thrown body is covered with the typical green copper oxide glaze inside and outside. A 'window' on the side has been left unglazed for decoration in iron oxide engobe under a clear ash glaze in a geometric pattern of squares and triangles and little circles. This is a typical late Momoyama design...

Real old Kihara-Karatsu Chawan from the well known Kiwara kiln in Sasebo. This type of tea bowl is called hanjiki, a transitional folk half porcelain bowl between Karatsu and Shoki-Imari ware.

Very nice cobalt decoration with mysterious charakters, crackle glaze and an antique gold restoration called kintsugi (gintsugi).

The Kihara-Karatsu Chawan comes with a high quality shifuku.

Size: 2,9'' height, 4,6'' width.

Shipping included

Exquisite Antique Japanese pair of large garden lanterns. Each is made of cast iron in 10 sections. The roof of each has raised writing, the lantern portions are decorated with kiri blossoms. The pedestals are coiled around with dragons in low relief, the base of each has high relief fu-dogs. Very difficult to collect. Meiji Period (1868 - 1912) All original iron Size of each: 62 1/2" high x 24" wide at widest part. (Each base is approx 20" wide)

Japanese antique one section tansu with gorgeous dark finish kiri front drawers, decorated with thick iron kakute (square) handles, round Iron lock plates, and incised corner hardware. Meiji Period (1868 - 1912) Original Finish, Beautiful Condition Size: 33.25" height, 22.75" width, 17" depth

A superb work by Japanese Living National Treasure Hara Kiyoshi enclosed in the original signed wooden box dating circa 1985. It is 14 inches (35 cm) diameter, roughly the same height and in fine condition. Due to size the cost of shipping will be accrued separately.
Hara Kiyoshi (b. 1936) was born in Shimane, and studied pottery under Living National Treasures Ishiguro Munemaru and Shimizu Uichi from 1954 before establishing his own kiln, first in Tokyo, then later in Saitama...

A large vase by Takahashi Dohachi and decorated by Hashimoto Dokuzan enclosed in the original wooden box signed by both artists. Also, stored in a separate compartment is a wooden stand which appears to have once been part of a temple or altar. The vase is covered in a typical crackled Kyo-yaki glaze, and decorated in cobalt with two figures in a watery landscape, one fishing, the other on top of a stone playing the flute...

Nyoirin Kannon Bosatsu in characteristic seated pose of royal ease, sculpted in relief from a gray-hued igneous stone. Clearly dated to the third year of the Bunkyu Era (1863), late-Edo Period. Minor old loss. Light lichen accumulation.

Height: 48 cm
Width: 27.5 cm
Depth: 16.5 cm.

Occasionally as I’m browsing through the temple markets of Kyoto or perusing backstreets tea-ware shops, an attractive piece will catch my eye for no particular reason. When this happens, I typically buy it immediately without hesitation, trusting that I will be able to decipher the Chinese script and give it proper attribution through the course of my research. In this case, I was only able to make it half-way there...

This impressive han-tsutsu Shino chawan was made by the late 13th generation Mino potter Kato Seizo (1930-1979, Kagekiyo). Kato’s works are well-regarded throughout Japan and he has won a number of honors and awards over the course of his career as an artist. Not surprisingly, he is equally appreciated abroad and by foreign experts of Japanese pottery...

This brilliant Tenmoku chawan displays gold and flaxen hues interspersed with dark ash glaze. The piece rests upon an unglazed clay pedestal showing the iron-rich clay the bowl is formed from.

Shodai-ware has a long and storied history stretching back as far as the Nara (710 - 794) and Heian (794 - 1192 ) periods...

This is a very attractive Vintage Japanese cloisonne vase designed with a contemporary style or deco look. We have never seen another like it. The vase is rather large and is signed Sato. It stands 7 1/2 tall and is 8 1/2 inches wide. It is in excellent condition with only a little pitting on the bottom rim. This is probably the finest cloisonne example we have seen produced from this company.