Japanese hand hammered Copper Water Container or Mizusashi for tea ceremony, 6 3/4" high with dark brown lacquered on wood top, 6 1/4" diameter, shape of ancient urn. The condition is good, except little lacquer losses on the side edge of the cover.

15th Century Japanese Gilt Wood Amida Nyorai Buddha. His hands are held in the vitarka mudra, the gesture of discussion and transmission of Buddhist teaching. Amida is captured here in his welcoming descent from Heaven to greet the soul of a faithful devotee at death. Images of his descent to earth illustrate the nineteenth of forty-eight vows made by Amida in a previous life, in which he promises to appear at the moment of death to all beings who devoutly desire rebirth in his paradise...

A traveling wooden shrine “zushi” or "Nenjibutsu" with enclosing a finely curved wooden sculpture of shichimen Daimyojin (Heavenly Lady from Mount Shichimen). The wooden case is decorated with red lacquer and metalwork. Some loss of lacquerer and pigments are visible, otherwise it is in good condition.

H 2 7/8” x W 1 7/8” x D 1 3/8 (H 7.0cm x W 4.5cm x D 3.2cm)

Ink on silk painting of Kanu Tannyu's "Portrait of Shoki". Riding a shi-shi lion, Shoki was know as the Demon Slayer. Shoki was the spirit of the physician Shôki who was, according to Japanese folklore, able to scare away demons and ward off evil spirits. Signed "Hoin", this is an extremely well rendered painting exhibiting fine detailing that was achieved by using a single hair. In excellent condition, the painting measures 16" long by 8.5" high...

A wild work by Kishimoto Kennin enclosed in the original singed wooden box. The large work is of torn and scarred Iga clay, covered with a dusting of natural molten ash pooling as glass in the crevices. It is 11 inches (28 cm) diameter, 13-1/2 inches (34.5 cm) tall.and in fine condition.
Kennin has been working with clay since the 1950s, devouring styles along the way...

Standing Amida Buddha, the hands forming the classic welcome-to-paradise Amida raigo mudra, sculpted from a single block of wood using the ichiboku-zukuri technique and finished in lacquer and gilt, together with original plinth and overarching funagata-style mandorla. Early-Edo Period ca. 1650...

A magnificent and rare Amida Nyorai bronze Buddha, made in the early Edo Period, which means in the early 17th. century. This statue was made in a way called lost-wax metal casting, also known as Rougata Chuuzou, which was popular only in the 6th. century and in the Edo time.

The statue is in good antique condition with no repairs or cracks.

Size: 7,8'' height

Shipping included

Up for sale is this special example of the beauty of Raku ware, a pottery tradition born more than 400 years ago in the ancient Japanese capital of Kyoto, from the collaboration between great tea master Sen Rikyu (1522-1591) and a potter named Chojiro ( - 1592), the forebear of the great Raku family of potters.

This particular chawan (tea bowl) was made by the 12th bearer of the Raku name, Raku Kichizaemon Konyu (1857-1932), whose works are not very diversified but who created seren...

Standing male Shinto god, the hands holding a branch-type staff, sculpted in relief from a gray-hued igneous stone. Mid- to late-Edo Period ca. 1800. Minor old loss.

Height: 50 cm
Width: 27.5 cm
Depth: 15 cm.

Another Kamakura (end of Heian Period 1100-1300) Yama chawan from our collection made of unglazed pottery.

This is an excavated tea bowl from the Seto area (Aichi Prefecture).

Very good antique condition and atmosphere.

Size: 2 inches height, 6.2 inches width, 6.1 inches length.

Shipping included

A museum quality koro covered in soft pink glaze decorated with chickens in raised relief surmounted with a woven silver lid by Kiyomizu Rokubei enclosed in the original signed wooden box. It is 4-1/2 inches (11 cm) diameter and in excellent condition. For a piece decorated in the same style see the collection of the Museum of Modern Art, Kyoto.
Kiyomizu Rokubei V (1875-1959) began by studying painting from the age of 12 under the 19th century master Kono Bairei...

Stone Dosojin comprising two figures standing side by side in a semi-embrace, the figure on the left holding a flask in the shape of a hyotan (a gourd symbolizing good fortune) and the figure on the right holding a shallow drinking bowl, sculpted in relief from a liver-hued igneous stone, probably andesite. Clearly dated to the 10th year of the Horeki Era (1760), mid-Edo Period. Very minor old loss...

Seated Dai-Nichi Buddha, the hands forming the chi-ken-in "knowledge fist" mudra, sculpted in relief from sandstone. Late-Edo Period ca. 1850. Very minor old loss.

Height: 53 cm
Width: 28 cm
Depth: 16.5 cm
Packaged weight: 28 kg.

Images of a small group of bosatsu (bodhisattva), namely, Jizo Bosatsu, the various manifestations of Kannon Bosatsu, and Seishi Bosatsu, dominate the field of Japanese stone sculpture throughout the Edo Period (1603-1868) and into the modern era...

Very rare and exceptional Late Edo/Early Meiji Period C.1880 bronze buddhist temple lantern. Originally held a small dish for an oil lamp. Thick heavy bronze that has oxidized with time to produce a lovely blue/green patina. On tripod legs with fantastic vine motif on the main body panels. Hinges on door still work. Lost wax cast. Just lovely. Height: 50cm x diameter:22cm. Excellent condition. Ask for shipping quote.

A small yet resplendent Japanese four panel folding screen. In Japan, small screens are often referred to as, Hina Byobu. The view is showing a waterfall with different flora and fauna.The work has the distinct characteristics of the Kano school which was the dominant school of painting in Japan. Age: 19th century Size: Length 31.75" Height 17.75"

A fine Japanese ranma or transom with an image of a bush warbler perched on a flowering plum tree. Often bush warblers are a symbol of the coming of spring. Age: 20th century. Size: Length 73.25" Height 14.8"

An early snow covers the branches of a ragged pine, the clutches of autumn still evident in the red tinged leaves of ivy clinging tremulously to the limbs. This is a spectacular large Kyo-yaki work signed on the base Seifu and enclosed in a period wooden box. Dating from the late 19th to early 20th century, it is nearly 10 inches (25 cm) diameter, 5-1/2 inches (14 cm) to the top of the lid and in excellent condition. This is the work of Seifu Yohei I.

Hexagonal Kasuga-style stone lantern (ishi-doro) sculpted in six pieces from a gray-hued igneous stone, probably a type of andesite, with the Tokugawa clan's triple-hollyhock-leaf mon (crest) incised on each face of the roof and a single stylized hollyhock leaf incised on each face of the central dais. Early- to mid-Edo Period ca. 1675. Old loss and repairs, most notably to the central dais and the tapered pedestal.

Height: 142 cm