Japanese shigaraki jar, Edo period 17th-18th century, thickly potted, the skin showing the characteristic pock marks and imbedded fieldspar with a natural ash glaze. This jar was originally used to store tea but became desired as an object of mingei beauty due to the tea ceremony aesthetics. It measures 4.5" wide at mouth 21' tall.

Japanese set of two(2) graduated size Red Lacquer Trays with gold lacquer decoration, made before 1940's, smaller tray fit inside larger tray, larger tray-1 3/8" high, 10 1/2" square with rounded corner, smaller tray-1 1/8" high 9 7/8" square with rounded corner, with three(3) circle floral design in gold on top of the red Lacquer background. The out side and bottom is finished with black lacquer. Gold decorated area is rubbed off a bit...

First edition Japanese shin hanga woodblock print by Shiro Kasamatsu (1898-1991) titled "Summer Night" (Natsu no yo) depicting a large fireworks display above a rural village at night. The left margin contains the kanji date of " Showa 33" (1958), the seal of the publisher Unsodo, and the seals of the carver Okura, and printer Shinmi. The artist's red seal is at the lower right corner of the image. The Unsodo (“Un”) watermark is faintly visible at the lower left margin corner...

A Momoyama-early Edo period gold screen depicting a happy god of fortune drinking while being pulled by deer in his elaborate wagon through a rocky landscape. The paper is wrinkled and creased with age, and the color worn, exuding a great sense of antiquity. The bold patterns and rich texture of the Edo period brocade border amplifies that feeling. The screen is 22-1/2 x 56 inches (57 x 142 cm) and has a shaped lacquered wood frame retaining antique paper backing with some repairs.

This is a part of Deer dance (folk dance) cotton Costume rare (1868-1912). It is very impressive and is like a folk handicraft. It has thin stain and damage. However, it is very good condition generally.Straw enters inside. size:64cm x 62cm (25.2" x 24.4" )

Cranes flock to the shore, greeted by their compatriots grazing among dry winter grasses on the wave lapped beach of this anonymous pair of Mid Edo period six panel screens. Performed with Ink and pigment on paper with scattered gold flake in a blue silk border with kuwa (mulberry) wood frame and sturdy blue cloth backing. Fully remounted, each screen is 65 x 142 inches (165 x 361 cm). A quintessential Kano style Edo period scene.

Yuteki black slips down over the pourous, crackled white of this bold work by Taniguchi Ryozo enclosed in the original signed wooden box. It is 8-1/2 inches (21.5 cm) tall and in excellent condition. The box is darkened with age.
Ryozo (1926-1996) studied initially under Kiyomizu Rokubei VI...

Seated Jizo Bosatsu sculpted from a medium-weight volcanic stone, the right hand holding a long-stemmed lotus blossom and the left a hoju (sacred jewel). Mid-Edo Period ca. 1750. Minor old loss. Substantial moss and lichen accumulation.

Height: 28.5 cm
Width: 19.5 cm
Depth: 15.0 cm

An uncommonly charming Jizo stone.

An exquisite Nerikomi basin by Shiobara Yoshio enclosed in the original signed wooden box exhibited at the 9th Nihon Togeiten National Exhibition. Nerikomi is the technique of working with layers of variously colored clays. This basin measures 17 inches (43 cm) diameter, 6 inches (16 cm) tall and is in fine condition. The original exhibition tag remains on the base with a note stating it was purchased for 400,000 yen (currently about 5,000 dollars) at that time...

Japanese Nagoya ware porcelain bulb shaped perfume decanter with stopper, painted over glaze with design of flowers with gold scrolling vine motif, surface covered with tiny raised dots, early 20th century. Size: 6 1/8" high

This is Japanese beautif silk katsugi-yuzen Kimono textile of the Meiji era(1868-1912). I am very elegant, and it is refined. It has a thin stain. However, it does not stand out, and there is not damage, and it is condition good at all. size:127cm x 127cm (77.5" x 77.5")

A female dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting...

A male dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting...

A samurai and his retainer helping his load to dress in armor. Painted with ink and pigments on silk. During Warring States period (sengoku period), samurai had a specialist retainer who can put armors on them before going to a war. The specialist stylists were familiar with armor and well aware of the order of dressing up so that samurai did not waste their time to join the war. Signed Hogan Eishin and sealed...

The painting depicted a samurai met an old man at night. In Japan there are many legendary tales of ogre extermination where samurai fights with ogre to protect people and their town. Some folklore says that the ogre turns into human and attacks people go around. Here, the samurai was prepared for the fight by the torii, which is a traditional Japanese gate commonly found at the entrance of or within a Shinto shrine, where it symbolically marks the transition from the profane to the sacred...

Unique Zen ink wash painting depicts scroll and bamboo broom representing Kanzan and Jittoku. Kanzan and Jittoku were Zen eccentric monks thought to have lived at a monastery on Mt. Tendai in China during the Tang period (618-907). They had a thorough knowledge of Buddhist philosophy. Kanzan often depicted holding a scroll, presumably of his poetry, while Jittoku holding a broom, indicating his position as a scullion at a monastery...

Japanese beautifully decorated small long-necked pewer with handle, porcelain with raised design of painted butterflies and chrysanthemums, on a ground of tiny raised dots of yellow, gold painted details, printed mark of crossed flags on bottom, early 20th century. Size: 6 1/4" high

Japanese shin hanga woodblock print titled "Morning Rain at Lake Hakone" by Tsuchiya Koitsu (1870-1949) dated in the right margin "11th month of Showa 13" (1938). The black ink signature and red seal of the artist are at the lower right corner of the image. The title and date are printed in the lower right margin. The seals of the publisher Doi Hangaten, printer Yokoi, and carver Harada are in the left margin...