A Japanese carved and lacquered wood figure of a Buddhist Guardian. (Originally part of a small scale group comprised of at least a central figure and pair of acolytes.) Up to 12 such guardian figures are possible in a temple grouping. Condition is good and presentable with one small loss of wood to one sleeve and some minor lacquer losses. Missing are a nimbus and possibly an ornament atop the helmet. Height: 9 3/8 inch (23.8cm) including a 3/16 (1.9cm) inch high base to which it is affixed.

A 19th century Japanese kyodai (mirror stand) comprised of the stand on two drawer chest. Decorated with gold hiramaki-e and nashiji lacquer techniques depicting pines, prunus and grasses in rocky landscape. The prunus blossoms rendered in oxidized silver haku-e with gold details. Engraved metal terminals adorn scrolled elements and the base of the holder. Two metal insets with Paulownia Mon also adorn the mirror holder as well as the two drawer pulls...

Remember this vase. It is the only one like it in the world. It is stolen merchandise. The story behind how this vase was taken is terrible and the crud that did it needs to be nailed. The vase is very large for a Yabu piece, standing 12 3/8 inches tall. If it were not stolen Merchandise it would have a value of $50,000-$100,000. It was stolen in 2007 from a Doctor in Argentina and a case has been filed with Interpol. It is registered as stolen along with very descriptive images, Case #10451/05...

Beautiful porcelain kutani beauty, geisha in training. She reads a poem, possibly a love poem. She wears a robe that is tied in front, miko, indicative that she is not yet a geisha. The outer robe is blue decorated with white, red, green, and gold colors. She measures 13.5" tall. Meiji Period (c1900).

Antique Japanese 17century Gigaku mask from the early Edo period. Carved from wood and painted with black, red and other colors. Loses of pigment throughout. It would have been used a temple play.

This is a beautiful Japanese obi. The style of obi is maru obi which is the most formal obi in recent years. It is made out of one long fabric that is folded in half. The dimensions of the obi are 12 3/4" wide and 13'3" (159") long. It is a large obi but very soft and light for its size – it weighs 3.5 pounds. The colors are all gentle including the gold threads. The design includes flowers (chrysanthemums and others), bamboo and a palace wagon over the multi layers of fans...

This is a Japanese silk obi with a painting of men transporting lumber down the river. It is a scene that became obsolete as new technologies, such as trains, trucks and the creations of dams, developed. It is hand painted on silk with an artist’s signature and seal. We will bring more photos once the obi is flattened from the Nagoya style obi – currently, this obi is being worked on (hand sewn) by a professional.

Rare Japanese Tansu made of inlaid woods with lacquer panels. Beautifully inlaid with wood in designs of fans and japanese symbols. The inside has black with gold landscape scenes. The drawers are black with copper colored design. The doors have scenes with chickens and a rooster. Outfitted with brass hardware. It measures 13" deep 23" wide 21" tall. Late Meiji period, circa 1910.

This is a rare, well-modeled and detailed 19th Century Japanese Arita Porcelain Elephant. It is based upon an outstanding 1680 Japanese Kakiemon model, which in turn, was derived from Chinese prototypes. This piece is enameled in red and cobalt with yellow accents. It is a beautiful and striking work of art. Width: 17 inches (43cm); Height: 8.25 inches (21cm).

Japanese Edo Period Musha Ningyo (Boys Day) Dolls, Samurai Set. Ningyo this early almost never appear for sale, much less with accessories, as we have here with this very fine quality pair. They have finely carved faces, and are lacquered with many coats of gofun (white oyster shell pigment). They are adorned with sumptuous silk brocades and silk armor, indicative of Edo Period Ningyo artistry. Tallest Ningyo: 19 inches (48.25cm).

A Group of Japanese Meiji Period Gold Lacquered Wood Lotus Blossoms. They were displayed on the altar of a Buddhist temple and represent rebirth and the cycle of life. Each flower is depicted in a different state of maturity. Late 19th Century. Height of the tallest flower: 30 inches (76cm).

Japanese Musha Ningyo of Jimmu, the First Emperor of Japan, made by Beishu. Beishu has Mukei Bunkazai status (Important Intangible Cultural Property). His Shoki shows great craftsmanship, with silk hair, glass eyes, gofun face and hands, with sumptuous silk brocade. This magnificent sculpture reaches the level of the master work of Beishu, whose work is found in museums and important collections of the Showa Period in Japan. Signed and dated 1960. 20 inches (51cm) high.

Japanese Musha Ningyo of Shoki the Demon Queller, made by Beishu. Beishu has Mukei Bunkazai status (Important Intangible Cultural Property). His Shoki shows great craftsmanship, with silk hair, glass eyes, gofun face and hands, with sumptuous silk brocade. This magnificent sculpture reaches the level of the master work of Beishu, whose work is found in museums and important collections of the Showa Period in Japan. Signed and dated 1960. 21 inches (53.25cm) high.

Beautiful antique Japanese temple scroll from the Edo period (1615 -1867). The Buddha has left his physical being and attained enlightenment. After one of his close followers prepares a bed under the sal trees for him, the buddha dies. All the beings of the earth, good, evil, divine, and animal mourn his departure. The buddha is painted in gold leaf. Sumie ink and mineral colors. Provenance: from a Montclair, California estate. It measures 46" wide by 94" long.

A 19th Century Isho Ningyo set of two Geisha entertainers, one a Koto Player, the other the highest ranking Orian singing. They are of the finest quality. They have beautifully carved faces and hands, and wear gorgeous, sumptuous brocades with fantastic embroidery. The Orian has fine embroidery of a carp ascending a waterfall, a crane, and turtles on waves. The Koto Player has embroidery of cherry blossoms and patterns of gold threads. The Koto is made of paloma wood, teak, and ivory...

Japanese Meiji Period painted poloma wood door (sugido). Ink and pigment on a natural wood ground, depicting a peacock perched on a flowering cherry tree, signed/sealed Sho[ryo], the reverse with scattered cherry petals floating near a flowering dandelion plant. Possibly featured in a retreat of the upper class. Height: 70.75 inches, 180 cm; Width: 34.25 inches, 87 cm.

18th Century Japanese Two Panel painted Screen of a Pine Tree and Landscape, set in gold painted clouds floating in the image. An exceptional classic Japanese masterpiece. The presence of this image changes with the light of the room. The painting techniques are sumptuous, giving the image a heightened realistic experience. A similar screen was sold by Liza Hyde to the Rockefeller collection. Height: 74.75 inches, 190 cm; Width: 67.25 inches, 171 cm.

A rare late Edo Period four-panel silverized Japanese Screen. A fine scholar's composition of bamboo, rocks, and a swallow in flight. A beautifully painted sumi, with a fine oxidized silverized patina. It appears to have the original brocade frame. The screen is in extraordinary condition for its age. A superb, museum quality screen and an important find. Height: 40 inches, 101.5 cm; Width: 72 inches, 183 cm.