Pastels color the voluptuous curving petals form this blossom by contemporary female ceramic artist Nakazato Hiroko. According to her: I am strongly attracted to the objects created by nature.
A lush plant that grows day by day, especially from early spring to early summer.
The expansion of form from bud to flower and the beautiful colors that spread inside.....

Japanese bronze vase with nice form, used to decorate single flower arrangement in Japanese traditional tea ceremony.

Age: Japan, Showa Period, Early 20th Century
Size: Height 30 C.M. / Width 21 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Japanese bronze vase with nice form, used to decorate single flower arrangement in Japanese traditional tea ceremony.

Age: Japan, Showa Period, Early 20th Century
Size: Height 24 C.M. / Width 13.3 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Bijin-ga Ukiyoe Painted with ink and pigments on paper. Signed and sealed. Circa early 19th c., or older.

It depicts a beautiful woman wearing a gorgeous kimono with patterns of musical instruments such as drums and shibori drawn on it...

Japanese bronze vase with nice form, used to decorate flower arrangements in Japanese traditional tea ceremony.

Age: Japan, Showa Period, Early 20th Century
Size: Height 33.5 C.M. / Width 21.5 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Antique Japanese large bronze vase in the form of a round lotus leaf. It sits on top of a smaller lotus leaf on a hexagonal base. Each side of the base has birds in relief flying over waves. Likely from a Buddhist temple. The lotus blooming from out of the mud represents enlightenment.

Age: Meiji Period (1868-1912)

Dimensions: 15 1/2" high x 20 1/4" wide

A long low basin by Lu Xueyen in translucent white porcelain enclosed in the original signed wooden box titled Enfolding II. It is 21.5 x 38 x 15 cm (8-1/2 x 15 x 6 inches) and is in excellent condition, directly from the artist.
I have been following the diaphanous works of Lu Xueyun (known in Japan by the Japanese reading of her name, Ro-san) for nearly 5 years and waiting for the opportunity to introduce her to the outer world...

A large work of overlapping strips of sheer porcelain by the demanding young female artist Lu Xueyun enclosed in the original signed wooden box. The vessel is made up of overlapping strips of thin porcelain, so thin in fact that light passes easily through it. Her works are truly exquisite, captivating in their frailty...

signed in pencil, titled and numbered 17/200 screenprint in colors on wove paper image: 11¾ by 13¾ in. 209 by 350 mm. Executed in 2000; this impression is number 17 from the edition of 200 plus 20 artist's proofs, published by Serpentine Gallery. NOTE: The print has been cut from the sheet, the edition number, title and signature in pencil are below. The image is in excellent condition...

Rarely seen Japanese Haisen Bowl with wonderful gold Makie (Maki-e), made around 1900 during the Meiji Period (1868 - 1912). The wooden-based bowl is coated with high quality Japanese lacquer.

Seashells are molded and hand-painted inside of the bowl by gold Maki-e technique. This type of bowl is called "HAISEN" in Japanese...

A large antique painting depicted inkwash landscape. A man is fishing in a small boat in the silence. The quiet and peaceful scene are depicted beautifully in rich ink tones. Painted with ink on silk. Signed Tsunenobu and sealed. Edo period. It is attributed to Kano Tsunenobu.

Kano Tsunenobu (1636-1713) was the eldest son of Kanō Naonobu (1607-50), younger brother of the renowned artist Kanō Tan'yū (1602-74)...

Antique painting depicted a flock of crane and chrysanthemum. Painted with ink and pigments on silk. Signed Tosa no mori Fujiwara Mitsusada and sealed. Edo period. It is attributed to Tosa Mitsusada.

Chrysanthemums have long been prized in China as an elixir of eternal life and longevity, and have been cultivated as medicinal plants since ancient times. It is said that it was brought to Japan from China during the Nara period (8th C.)...

A finely cast Japanese bronze koro and cover modelled as a resting egret, 13 cms. long, Edo/Meiji period.

A Japanese bronze and ivory Tokyo School Okimono depicting a Geisha dancing with fans. The Geisha is portrayed in a dance pose, with fans open around her, creating an atmosphere of movement. Her smiling face expresses serenity, while her eyes shine with joy and grace...

Bronze okimono depicting a study of a puppy playing with a ball. The puppy has a playful and curious expression as he interacts with the ball. The ball the dog plays with is also sculpted with lifelike detail, the patina of the bronze surface creating a subtle shine that reveals the sculpted details with even more clarity. This bronze okimono is signed Masayuki. Origin: Japan Period: Meiji second half of the 19th century. Dimensions: 13 x 18 x 13 cm...

A pair of Japanese bronze standing birds on the stand with artist sign.

Age: Japan, Showa Period, Early 20th Century
Size of birds only: Height 10.7 - 13.1 C.M...

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

As can be seen here, this piece is of the green variety and looks to be from the mid-to-early Edo period as can be determined ...

A wooden okimono depicting a lying horse, finely carved down to the smallest details. The muscles, hooves and mane are rendered with care and artistry, capturing the vitality of the horse in a static form. The excellent patina that envelops the okimono gives the horse a subtle shine that reveals the sculpted details with even more clarity. Origin: Japan Period: Meiji end of 19th century. Dimensions: 12 x 6 x 6.5 cm State of conservation: Very good